Innovative Touring Frame and 4K Broadcast Camera System Elevate Operational Performance, Stage Design and Fan Experience
Production Resource Group LLC, (PRG), the world’s leading provider of entertainment and event technology solutions, announced today that a new product innovation along with the application of an industry-first technology solution – SPACEFRAMETM and a 4K Broadcast Camera System – have been integrated into the design, production and operations for the U2 The Joshua Tree Tour 2017. Both solutions demonstrate PRG’s dedication to innovating products that anticipate the needs of tour managers, designers and artists seeking to push boundaries and deliver a more immersive concert experience onsite or virtually.
“SPACEFRAME and the 4K Broadcast Camera System perfectly demonstrate how PRG excels at seeing an opportunity for innovation that will add operational, economic and creative value from a customer’s perspective, allowing artists to more freely tell their story,” said Steve Greenberg, PRG’s CEO of Global Music/TV/Film.
SPACEFRAME is a revolutionary touring frame design seamlessly integrating LED panels to provide industry-changing operational efficiencies and the opportunity for unlimited creative expression. The carbon fiber touring frame is ultra-lightweight, collapsible and fully wind braced creating an intensive built-in structural strength. This allows for a free-form approach to stage designs enabling artists and designers to think outside the conventional LED box. This latest patent-pending technology from PRG also dramatically reduces pre-tour engineering time, shipping footprint/weight, carbon emissions, load-in and load-out times, as well as labor required on tour and locally.
SPACEFRAME features and advantages:
- Carbon fiber fabrication and built-in wind bracing reduces overall weight increasing safety and savings
- 10 times stronger when compared to conventional fabrication
- 15 percent overall weight reduction
- 35 percent weight reduction including wind bracing
- Integrated wind bracing up to 72 kph
- Profile reduction and integrated wind bracing results in up-to 50 percent savings in shipping cost in some cases and a massive reduction in the tour’s carbon footprint
- Specifically for this U2 tour, truck loads are reduced from seven to three - or one less airplane - when compared to conventional LED frame load
- Compact, lightweight design offers up-to 30 percent reduction of installation/dismantle time and a 25 percent reduction in overall labor cost
“The quality and resolution of LED products have vastly improved over the last decade, but the frames have basically stayed the same. At PRG Projects, we saw an opportunity to innovate the way in which LED walls were assembled and transported, to rethink the construction of the frame and how it might impact the operational side of the business as well as the design experience,” stated Frederic Opsomer, PRG Projects' Managing Director and innovation leader.
Leveraging in-house talent and partnerships already in place, PRG was able to produce the carbon frames from prototype to final product in just 17 weeks, enabling U2 to be the first to take advantage of the innovation. SPACEFRAME has allowed U2’s designer to create a 200 foot wide screen¬, custom painted in silver and gold to mimic the original artwork of their 1987 album.
4K Broadcast Camera System
The U2 tour also marks the introduction of PRG’s 4K (UHD) Broadcast Camera System as a first for concert touring. The PRG broadcast system, developed and integrated over three months, is a combination of products that can operate in 4K (UHD) and 3G SMPTE Standards. This design philosophy allows concurrent production to operate at the highest level of broadcast standards. The system delivers 60 frames per second (fps) with a UHD resolution of 3840 x 2160 pixels. The concert touring system interconnects cameras and LED wall processors on fiber because of the enormous amounts of data and length of signal distances. The entire broadcast touring system can be set up within an hour and is designed to be operated by one video engineer, eliminating the need for four-to-five onsite engineering positions.
“PRG has been a part of every U2 tour since 1992 and the band always challenges us with pushing technology to its limits,” said Wolfgang Schram, PRG’s director of video engineering. “We have to be creative and that is the fun part.”
DALLAS – MARCH 16, 2017 – Production Resource Group LLC, the world’s leading provider of entertainment and event technology solutions, announced today that it has been issued a United States utility patent for the award-winning GroundControl™ Followspot System. The patent (number 9,593,830) is the culmination of a multiple-year development effort by the PRG Research and Development team based in Dallas. This patent is the first issued of the four patents filed by PRG related to the GroundControl system.
“We are very happy and proud to have our first claims granted on the GroundControl Followspot. PRG’s innovation is driven by our clients’ needs and this is just another example of our extensive technical capabilities,” said Chris Conti, product manager for PRG and one of the inventors. “This product is revolutionizing a category that has seen very little innovation in the past 30 years. We have been overwhelmed with the success and demand for the product.”
PRG’s GroundControl Followspot System allows a followspot operator to remotely operate a high output automated luminaire as a followspot from up to 2,000 feet away. Designers now have total creative freedom to put followspots in previously unusable places or avoid complex rigging. With the GroundControl Followspot System, the operator is on the ground so the physical footprint of the luminaire is significantly smaller than a conventional followspot. Because of this small footprint and low weight, followspots can now be placed in a wide variety of positions. The GroundControl Followspot System consists of specially customized PRG luminaires which include a built-in camera and can be flown or mounted in locations around a venue which would not normally accommodate a followspot. In addition to the safety benefits, the GroundControl Followspot System reduces trucking space, saves operator time, allows for a single operator to control multiple follow spots and also minimizes “seat kills” – the need to remove seats to create traditional followspot positions – a revenue bonus for clients.
The GroundControl Followspot System, introduced to the market in 2016, has been well received by the industry – awarded Live Design’s Products of the Year for Best New Followspot in 2015-2016 and AV Awards Production Product of the Year in 2016 – and it has been quickly integrated into live music, TV and corporate productions. The technology has been used on tours by artists including Bon Jovi, Bruce Springsteen, Drake, Elton John, Metallica and Red Hot Chili Peppers and has been integrated into TV productions such as “The Voice”, “MTV Awards” and “iHeart Music Awards”. It has also been used in the Tom Ford Fashion Show and in events and exhibits by corporations such as Adobe, Microsoft and SAP.
The GroundControl Followspot System consists of three parts: a GC Spot Luminaire, a GC Truss Box, and a GC Followspot Controller. It is currently compatible with PRG’s Best Boy HP, Bad Boy HP and the new GroundControl™ LongThrow luminaire.
For more information on the award winning and patented GroundControl Followspot System please visit: GroundControl Followspot System
The City of Toronto Mayor, John Tory along with Toronto Industry players including; Cinespace, Pinewood, William F. Whites, Sim Group, Technicolor, SpinVFX, Drake Hotel, Canada Film Capital, DGC, Deluxe, Revival, The Ritz Carlton, and TriBro created a relaxing meeting place for companies to meet with filmmakers that included drinks, appetizers, couches to lounge and listening to some music that was organized by PRG, while charging their cell phone. The location was strategically across the street from the Park Hyatt, where central registration took place.
Events that took place included Famous Scones and Greenhouse fresh-pressed juice from The Drake Hotel, VR demonstrations, International Co-productions, Meet the Locals, and Working in Toronto.
PRG provided LED screens, Lighting Packaging, Stage and Truss.
On Friday 30th September 2016, the AV Awards took place at a glamorous event at London’s Grosvenor House Hotel. The awards, which celebrate the best product, projects, and people in the AV industry, was attended by a team from PRG XL Video, led by Executive VP & COO, EMEA, Gary Boyd.
Following the announcement of the shortlist for Production Product of the Year, sponsored by DB Systems, PRG’s GroundControl™ Followspot System was announced as the winner in the category which included products from Barco, Elation Professional, Sennheiser, X-Rite Photo and Video, and NewTek Inc.
The revolutionary product is already making waves across the production industry, particularly in the concert touring, theatre and television markets, and the judges commended the way the product is having a huge effect on the way lighting designers and producers design their shows and events.
The GroundControl™ Followspot System consists of a specially customized PRG Bad Boy spotlight which includes an in-built camera, and can be flown from rigging or mounted in locations around a venue which would not normally accomodate a followspot; a truss box which provides the link between the fixture and the controller; and the ground-based controller unit which can be operated from up to 610 metres away from the fixture.
GroundControl™ allows designers huge flexibility in where to locate their followspots and the operators can be safely located on the ground within the venue, without the need to climb rigging. In addition to the safety benefits, the GroundControl™ Followspot System also negates the need to remove seats to create traditional followspot positions – a revenue bonus for venues.
Gary Boyd comments: “I was delighted to accept the award for Production Product of the Year for GroundControl. The product is making huge waves across our industry, and we’re very proud to have developed this in-house. Our R&D team in Dallas have done an excellent job in creating a followspot system which is rapidly growing in popularity and demand!”
For a full list of the AV Awards Winners follow this link.
This summer, PRG Argentina proudly supported the III Edition of the Premios Platino, the most important movie award show for spanish speaking countries. This inaugural event was held at the brand new Punta del Este Convention and Exhibit Center in Uruguay
Punta del Este is known as the “St. Tropez of South America”, due to its beautiful beaches, upscale resorts and nightclubs. This new venue features 25 acres of land, can host 4,000 attendees, has a 72,000 sq ft exhibition hall and 646,000 sq ft of outdoor spaces.
The Award Show is organized by the Entidad de Gestion de Derechos de los Productores Audiovisuales (EGEDA) in collaboration with the Federacion Iberoamericana de Productos Cinematograficos y Audiovisuales (FIPCA). Eight hundred movies from 23 countries participated in this edition of the Premios Platino. The gala was televised through CNN Español, TNT and TVE showcasing in 50 countries, reaching approximately 50 million homes.
Some of the most important acts were: Paulina Rubio, Natalia Oreiro, Diego Torres, Jesse & Joy, and several others.
PRG provided support for this prestigious event with lighting (indoor and outdoor), rigging and full technical services. Eight technicians were onsite for 14 days to assemble and support this event including: 223 moving lights, 154 Conventionals, 90 LED Lighting fixtures, 6 Spotlights and 515 meters of truss
The lighting designer was: Iñaki Irastorza
Programmer: David Gavilan
Top 5 reasons you should upgrade to the NEW Mbox v4 Software.
1. Mbox’s revised user interface provides new controls for patching, output setup, mix setup, and preferences. And the UI now supports independent windows for each output plus the setup window.
2. Mbox v4 increases the number of playback layers in each version of the software, increases the maximum content size and output size to allow for 4K playback and output, enhances the pixel mapping (more pixels and new sources), allows for up to 32 independently mastered outputs (Mbox Designer).
3. Synchronization between outputs and servers has been greatly improved, allowing for perfect playback sync across multiple outputs of multiple servers.
4. As with previous versions of Mbox, v4 continues to support the ability to perform single-layer crossfades on every layer.
5. The texture effects in Mbox v4 have been enhanced to allow for better control with up to five modifiers per effect.
Check out some of the new features:
NEW Patch tab has the ability to see what universe/address each component of the server is patched to, as well as the current value for each parameter.
NEW Outputs tab shows the ability to add outputs, arrange those outputs on the Global Surface, assign outputs to displays, and finally assign output masters to the outputs.
The Mixes tab can be arranged on the Global Surface similarly to outputs. Mixes are used to help position, crop, scale, and rotate content.
Within the Preferences tab, all of the server’s preferences can now be edited in the Mbox application itself (and in Mbox Remote). Those preferences can be compared between servers and easily copied from one to another.
Seen below are three independent outputs in window mode. Six layers are currently playing, one spread across the Global Surface and the other five assigned to Mixes.
The same three outputs and highlights have the ability to have independent control over color, brightness, contrast, keystone, and shuttering for each output.
NEW capability of the Mbox Remote application to monitor Mixes.
Revised Pixel Mapping interface in Mbox Remote. As in previous versions of Mbox, pixel mapping Contexts can use the Global Surface as their source.
The pixel mapping in Mbox Remote shows that Contexts can also use Layers as a source - instead of the Global Surface.
The pixel mapping in Mbox Remote shows that Contexts can also use Mixes as a source.
Mbox v4 is available for download here!
License keys can be purchased from your local PRG office.
Updated Mbox hardware, running the Mbox Designer v4 software, is available for rental.
PRG is announcing the appointment of Joseph T. Cirillo as its Chief Financial Officer. As CFO, Cirillo will oversee all of the company's financial affairs and work closely withJere Harris and the other members of PRG's Senior Leadership Team directing the company's strategic growth and assisting in the Company's capital market transactions.
Prior to joining PRG, Cirillo was Vice President, Controller and Chief Accounting Officer at Blyth, Inc., a multi-national consumer products company, where he was instrumental in the company’s growth and managed a variety of mergers and acquisitions, divestitures, joint ventures and IPOs. Previously he held the role of Vice President, Reporting & Planning at Blyth, Inc.
“Joe comes with a strong finance and M&A background,” comments Jeremiah J. Harris, Chairman and CEO of PRG. “His experience with a multi-product, multi-national company will be an excellent fit for PRG. Joe will bring good experience and a fresh perspective to the team. We ran an exhaustive search process to find the right person to fill this important role and I am confident we have found that person.”
Cirillo also sees the connection between his career background and his work now at PRG. “I have extensive experience working with multi-national companies both at the corporate and operational levels, and I look forward to working with PRG to help address the exciting challenges of this rapidly expanding global business.”
He sees his role as CFO for PRG to include strengthening and growing PRG’s business. “Today’s CFO has quite logically evolved into much more than a number crunching, analytical assignment. It’s about rolling up your sleeves and carefully listening, partnering and collaborating with all disciplines within the organization to yield real value-added benefits -- better plans, better decisions and increased profits. And that's exactly what Jere and PRG want and something I intend to deliver”.
A graduate of Fordham University, Joe is a Certified Public Accountant and resides in New York where he has lived and worked throughout his career. He will be based out of PRG’s New Windsor, NY office. When not at work, he can be found running, mountain biking and spending time with his family.
Event Safety Alliance, a nonprofit safety trade organization serving the needs of the live event industry, is delighted to welcome Production Resource Group (PRG) to our family of sponsors. The world’s leading provider of entertainment and event technology solutions, PRG, is affirming their commitment to ensuring safe events worldwide through their premier, diamond-level sponsorship of the ESA.
“We’re thrilled and humbled by PRG’s generous support of the mission, “stated ESA founder and Chairman Jim Digby. “Safety has been a key priority throughout all segments of PRG’s operations, and their support of the ESA is yet another testament to that fact. PRG's sponsorship will help the ESA secure vital resources needed to continue expanding our training initiatives, guidance development, and global outreach. Most importantly, PRG has stated their commitment to encouraging their employees to become involved in and uphold the values of the ESA throughout their professional lives.”
Bobby Allen, PRG Music Vice President of Special Events who has crafted safety plans for many complex events said, “Safety is of the utmost concern at the live events we support everyday around the world. We believe in the ESA’s mission to foster a culture of Life Safety First in our industry and we’re proud to sign on as a sponsor to assist the ESA in achieving their training and advocacy goals.
He continued, “Running a successful show starts with the safety and security of our people as well as those who will be attending. We’re excited to partner with the ESA and will do our part to ensure our employees’ involvement and training in their programs.”
PRG was proud to support the 2016 Billboard Latin Music Awards that were held at Bank United Center in Miami, Florida.
PRG XL Video provided the 5,375 square feet of LED technology with products including Unview 6mm floor modules, Absen 6mm, Pixled F-11, Pixled F-9L, ROE MC-18 Hybrid, and Barco FLX pixels.
The special Duets show was stage to a record setting 38 performers including Marc Anthony, Juan Gabriel, Don Omar, and Daddy Yankee. Almost everything on the stage was built custom to the needs of the scenic design team, including even removing tiles from their power supplies and frames to create a video driven light box for a set change.
PRG additionally supplied the lighting for the Red Carpet.
Special thanks to our team at Telemundo:
Abe DeJesus – VP of Production Services
Tony Mojena – Executive Producer
Alex Perrera – Scenic Designer
Pilar Lamadrid – VP Specials
And our PRG XL Video Team:
Aberaham Tilahun – XL Technical Director
Viktor Martinm – XL Project Manager
Take a look at our slideshow.
PRG had the privilege of providing production support for the 2016 Invictus Games Symposium on Invisible Wounds presented by the George W. Bush Institute. The Symposium took place in Orlando where representatives from around the world gathered to discuss solutions to help returning servicemen and women overcome their invisible wounds and improve outcomes for their transition back to civilian life. For more information, including a complete video of the panel discussion from the event, please visit the official site of the George W. Bush Presidential Center.
Check out more photos in our slideshow.