For the fourth year in a row, PRG brought its expertise to its prestigious customer Van Cleef & Arpels during the 27th International Fine Watchmaking Exhibition, which opened its doors from the 16th till 20th of January 2017 in Geneva.
PRG highlighted the felted and friendly space where their newest and older models were exhibited, representing the excellence of the Fine Watchmaking of the brand through lighting and audiovisual services realized in its magnificent showroom. The ensemble giving the place an atmosphere where "Each watch tells a moment of grace, luck or happiness, inscribed in Poetic Time™."
The whole of the space, the Showcases, the Historical Gallery, the Trade Zones, as well as the magnificent Rotunda were illuminated by PRG using 800m of LED ribbons (RGB, RGB White, Warm / cold white), 200 mini LED spotlights 3W Lunéo (Hallier Process) and 40 Q7 LED projectors (SGM).
The traditional press room was highlighted from the ceiling by a video mapping activated with 2 video projectors HD 20K (Barco) and piloted by a Watchout V6 (Dataton) system.
PRG France is proud to have once again been part of this prestigious project by offering its professionalism and technical skills to its client Van Cleef & Arpels.
For the opening ceremony of Marseille’s European sports capital, Red Bull transformed the city center into a giant ice skating track.
PRG was technical supplier for the lighting, the power distribution and energy (Aggreko), sound system (in collaboration with Match Event) and video for this spectacular speed skating race that overlooked the old harbor.
PRG installed more than 180 moving lights for the architectural lighting around the skating track, 30 Best Boys, 25 Bad Boys, 30 Icon Beams and 20 K20.
For the lighting of the track, which was of a length of 340m and 8m large, PRG used 320 LED flood strobe SGM Q7 to illuminate the competitors.
Watch the video!
In terms of video, PRG installed more that 300m2 of LED screens, of which 1 LED trailer of 100m2, 2 of 50m2, 2 LED trucks of 30m2 and one modular Roe MC-7H screen, in order to share all the highlights of the competition with nearly 30 000 spectators.
We would like to thank the entire Red Bull team for the confidence they have placed in us by entrusting us with the technical services for this final of the Red Bull Crashed Ice Championship.
While innovation is the hallmark of PRG's award-winning GroundControl™ Followspot System, GroundControl also offers multiple cost saving benefits to event budgets. In this animation, go on a visual tour of GroundControl in a show setting and see side-by-side comparisons of how GroundControl measures up to a traditional followspot setup. Designers will be interested to hear how savings accumulate thanks to GroundControl's reduction in space, weight, fuel needs, and overall load-in times. In addition, GroundControl also uses the same power distribution as automated lighting fixtures, doesn't require any special cable, reduces seat kills (increasing ticket revenue), and reduces rigging costs.
For questions and rental or sales inquiries, don't hesitate to contact us.
Hamburg, Germany, and Dubai, UAE: Production Resource Group LLC (PRG) was honoured to work with Balich Worldwide Shows (BWS) to supply a huge multi-surface video projection for the United Arab Emirates National Day celebration in Abu Dhabi.
The event, held at the request of the Crown Prince’s Court, celebrated 45 years since the unification of the United Arab Emirates, and took place in the presence of a selected crowd of dignitaries.
Tom van Hemelryck, VP Global Sports and Special Events was contacted by Balich Worldwide Shows to provide both the technical expertise and technology for this special commemorative show.
Tom brought together video and technology specialists, Yves Winand, from PRG in Belgium and his counterpart Bill Ainley from the group’s UAE operation to work with the design specification from Balich Worldwide Shows. Starting with the mapping of the surfaces, d3 was identified as the media server for this project. It was used to design, and previsualise the projection, and whilst on site used for line-up and playback of the content created by Charles Darby and the team at Clonwerk.
Yves Winand explains: “We needed a strong partner for this challenging project, and we worked closely with d3 to improve some processes on site in order to save time in the line-up. We had to share preparation nights with lighting programming and rehearsals, and waiting for the arrival of large moving elements, so time for the set-up was limited.”
The projection covered over 6500 m2 of floor, which was a particular challenge due to the flat angle and positioning of the projection towers. Either side of the stage, two wing screens of 600m2 were also covered with projection. Four sand dunes, each measuring 35 metres by 8 metres, which tracked across the stage, and a rising sun of 16 metres by 8 metres, which rose from behind the dunes were also projection mapped and covered perfectly as they moved into place during the show.
Panasonic PT-DZ21KE projectors were used for the floor and wing projections, and a combination of Barco HDF-W30 and HDF-W26 projectors covered the dunes and rising sun. In total 126 projectors were used across the event to create the spectacular effect.
Bill Ainley commented: “Whilst this event presented many challenges, we are proud of our team’s ability to seamlessly draw upon design, technical and logistical expertise from three PRG operations across three countries to ensure our approach at the design phase would achieve our client’s expectation on site. This, along with the team of expert technicians who worked very hard in a challenging environment, ensured we could deliver the project to an exceptionally high standard.”
Tom van Hemelryck concludes: “We are delighted to continue our working relationship with Balich Worldwide Shows, and honoured that they chose PRG as a partner in delivering this prestigious, high-profile show. Everyone involved in this show worked in great collaboration to deliver a show which looked truly spectacular.”
Photo Credits: Luca Parisse for Balich Worldwide Shows
Show Credits: Creative & Executive Production Balich Worldwide Shows
Continuing a long working relationship with Production Executive, Andy Derbyshire, Event Manager, Maggie Mouzakitis, Event Production Manager, Lisa Shenton, and Show Lighting Designer, Tom Kenny, PRG XL Video has supplied lighting for the 2016 MTV EMA.
This year’s event was held on November 6th, at the Rotterdam Ahoy, Netherlands, and was hosted by US artist Bebe Rexha.
The event opened with glamorous red carpet arrivals from the star presenters and performers, hosted by Laura Whitmore and Sway Calloway, and PRG XL also supplied lighting, rigging, and video technology for the red carpet event.
PRG XL’s Account Managers, Kelly Cornfield and Mat Ilott were initially contacted by Line Producer, Sophie Huda, and Red Carpet Event Manager, Sean McNally, to supply an outdoor video wall, high impact lighting, and supporting rigging for the red carpet area.
Working with Set Designer, Adam Neville, and Lighting Designer, Stuart Pring, PRG XL’s Head of Rigging Services, Q Willis specified the supporting structures for the video and lighting. Rigging crew chief, Chris ‘Karrit’ Harris delivered the show on-site.
Creating a glittering arrivals area for the stars, Adam and Stuart’s designs incorporated a video wall formed from Barco C5 outdoor LED. Content for the video wall was supplied via one of PRG XL’s own Mbox media servers, and included live feeds from the OB truck, social media feeds, and playback content.
Stuart Pring’s lighting design used a combination of fixtures, with Encapsulite LED stick lights built into the set, and PRG Icon Beams lighting the way for the VIPs as they made their way into the venue. PRG’s Sam Healey was Crew Chief for the red carpet lighting team.
Inside the iconic Rotterdam Ahoy, production designer Julio Himede created a vast set filling an entire side of the venue, curving around to create an immersive arena for the audience in the venue, and stunning visuals for the TV broadcast.
Acclaimed lighting designer Tom Kenny worked closely with Julio to create his lighting design for the show. Tom Kenny has designed the lighting for MTV VMA and EMA events for more than a decade, as part of highly creative and much-talked about show designs.
Tom explains his initial approach to his design: “Working with Julio, and with PRG’s Lighting Crew Chief, Rich Gorrod, we looked at the set design. This year, the huge wide set featured a massive wall of video, built from multiple elements. We wanted to cover the whole set and create a layered effect with plenty of back light and presence. With that in mind, and with one eye on the budget, we used a lot of strong beams, spread across the set, big wash lights at the back, lots of Icon Beams, PRG Bad Boys and Robe Robin 100s. We added Solaris Flares for extra strobe effects – they’re a real workhorse.”
Tom continues: “As part of the design, I look at the line-up of artists performing and try to tailor the fixtures to what I think they’ll need. In some cases artists will have specific requests, but often we’ll already have their needs covered in the main rig.”
Some artists do have special requests, based on their individual performance. Tom explains: “Martin Garrix wanted a particular fixture for his set, so we brought in a load of GLP X4 Bars to satisfy that need. For One Republic, who included rain in their performance, we needed to find some waterproof LED lamps for the pool, and Rich Gorrod sourced custom-built fixtures for that purpose.”
“For Green Day’s ‘Global Icon’ performance we needed to give them a really huge look, so we added a bunch of Par Cans.”
“Another fixture I was keen to use was the ACL 360 Matrix from Elation, which includes 25 4-in-1 RGBW LEDs. We arranged a demo of the unit, were suitably impressed, and that was used scenically to create colour and depth.”
With an array of star performers, followspots were also a key consideration, and Tom Kenny was keen to use PRG’s GroundControlTM Followspot System, which includes a remote followspot, flown from the lighting rig and the operator is located with control unit at ground level elsewhere within the venue. Tom has used the system on multiple shows: “I first used GroundControl on Desert Trip festival and was really impressed by it. It’s a very flexible system and allows you to place followspots in locations that wouldn’t usually work. I love it!”
Lighting console operators on the night were Alex Passmore and Jonathan Rouse, who Tom Kenny described as “two of the best programmers/operators I’ve worked with. Alex took care of the majority of the pre-programming, and on the night looked after the cueing on the main set, and Jonathan focussed on the keylighting for the bands, live elements, and audience lighting.”
PRG XL’s Lighting Crew Chief Richard Gorrod led a team of twelve lighting technicians and operators for the show. Tom Kenny comments: “The MTV EMA is a big beast of a show. There’s never enough time, but Rich and his brilliant PRG crew have high standards and work really hard to make it all happen. Rich is a total workhorse – he does the job of three people, and he has such a positive attitude. You couldn’t have a better person on an event of this type.”
Richard Gorrod summed up: “We’re happy to continue our long relationship with Maggie, Andy, Lisa, Tom, Julio and the whole MTV EMA team. The show always looks amazing and really pushes the boundaries for a live event show. It’s a huge production, and there are lots of suppliers all working side by side, harmoniously to make it happen. We’re proud to be a part of bringing it all together!”
The award-winning company DynaMix Media is one of the leading audiovisual technical production agencies in India.
With ever increasing demands for events in India, the PRG Alliance is pleased to announce a new partner in the region.
The new addition to the membership of the PRG Alliance is passionate about great results and meticulous in execution. DynaMix Media is a company recognized in India for their remarkable contribution to events and entertainment, having introduced the 270 degrees projection format to corporate presentations, and the first 300’ wide projection to the local market. The company has a growing number of immersive projection and projection mapping jobs under their belt.
DynaMix Media was founded in 2005 and is led by Mr. Suresh Madan. The company brings to PRG Alliance its vast understanding of video playback and networking systems, and its one-stop rental shop and services across India – offering complete services in video, audio, lighting, trussing, project management and content design.
“Our position in the Indian market is not only that of a company capable of delivering complex audiovisual projects, but also one which is attentive to international standards in processes and safety. It is a constant effort for us to implement these aspects in projects in India, but slowly the clients are accepting this is the right path. We know that PRG Alliance has the same principles and tapping into this great resource and knowledge pool will be very beneficial for our company”, declares Suresh Madan, Founder & CTO of DynaMix Media.
This attitude has been recognized by the industry and DynaMix Media was awarded as the “Best Video Rental Company” by Palm Sound & Light Awards 2014.
“We believe DynaMix Media is the best partner for PRG Alliance,” said Tom van Hemelryck, PRG Alliance Director. “When our clients go to India they need a reliable supplier, and DynaMix Media’s credentials and reputation is impeccable.”
For more information about DynaMix Media and PRG Alliance visit the website www.prgalliance.com.
Projection Mapping Case: Fortis Memorial Research Institute Launch, New Delhi
Production Resource Group LLC (PRG) – the world’s largest supplier of technology and services for events and entertainment has announced the appointment of Simon Kayser as General Manager for its Sourcing & Projects Centre based in Shenzhen, China. Simon will report to Gary Boyd, Executive Vice President and COO, EMEA.
A Chinese-speaker, Simon already has extensive knowledge of the Chinese market from his role as Technical Director at PRG in China, where he has been the project manager for key inbound corporate and large automotive sector projects. His first PRG project in China was the Beijing New Year Lighting Show in 2000/1. In 2007 he returned to Shanghai for the World Summer Games, and in 2008 for the Beijing Games. In 2009 Simon moved to Shanghai for the World EXPO 2010 in Shanghai, and he has been based there since.
Putting his technical knowledge to use, Simon will now take charge of the Shenzhen operation, which is instrumental in sourcing video and lighting technology in China. Simon will work closely with Frederic Opsomer and the team at PRG Projects, who specialise in the development of custom LED for special events, touring projects and installations.
Simon’s appointment will enable PRG to expand its offshore sourcing projects, reinforcing its commitment to innovation and new technology.
“After spending the past eight years in Shanghai, I am looking forward to the new role and challenges. I leave behind a excellent team in Shanghai and look forward to the new team in Shenzhen. Developing, sourcing and especially customizing lighting and video gear for our customers and projects, is where I see great potential for PRG and our team in Shenzhen to deliver enhanced services to our customers”
“We are very pleased Simon has agreed to take on this new role in Shenzhen,” said Gary Boyd. “His technical expertise, coupled with his hands-on commercial experience of delivering projects in China, make him ideally placed to take on this new role, and further expand our ability to source and develop new products directly at the heart of China’s technology capital.”
Simon holds a Master of Engineering degree from University of Applied Science Hamburg (Dipl. Ing. (fh)), and he will relocate from his current role in Shanghai, settling in Shenzhen with his family.
On Friday 30th September 2016, the AV Awards took place at a glamorous event at London’s Grosvenor House Hotel. The awards, which celebrate the best product, projects, and people in the AV industry, was attended by a team from PRG XL Video, led by Executive VP & COO, EMEA, Gary Boyd.
Following the announcement of the shortlist for Production Product of the Year, sponsored by DB Systems, PRG’s GroundControl™ Followspot System was announced as the winner in the category which included products from Barco, Elation Professional, Sennheiser, X-Rite Photo and Video, and NewTek Inc.
The revolutionary product is already making waves across the production industry, particularly in the concert touring, theatre and television markets, and the judges commended the way the product is having a huge effect on the way lighting designers and producers design their shows and events.
The GroundControl™ Followspot System consists of a specially customized PRG Bad Boy spotlight which includes an in-built camera, and can be flown from rigging or mounted in locations around a venue which would not normally accomodate a followspot; a truss box which provides the link between the fixture and the controller; and the ground-based controller unit which can be operated from up to 610 metres away from the fixture.
GroundControl™ allows designers huge flexibility in where to locate their followspots and the operators can be safely located on the ground within the venue, without the need to climb rigging. In addition to the safety benefits, the GroundControl™ Followspot System also negates the need to remove seats to create traditional followspot positions – a revenue bonus for venues.
Gary Boyd comments: “I was delighted to accept the award for Production Product of the Year for GroundControl. The product is making huge waves across our industry, and we’re very proud to have developed this in-house. Our R&D team in Dallas have done an excellent job in creating a followspot system which is rapidly growing in popularity and demand!”
For a full list of the AV Awards Winners follow this link.
In September, PRG provided the technical services for the 71st Congress of Accountants and Tax Consultants, held in Brussels at the venue Hall 12. The congress was a 3-day event that we realized in collaboration with our colleagues from PRG Belgium. We provided the whole of the rigging structure, lighting and video, as well as all the equipment needed for Michael Gregorio’s show during the gala evening on Thursday.
The lighting set was built with Mac Viper Wash, Mac Viper Profile, Robe Robin 1200 Wash, Sharpy Wash, PRG Design Led Stands and PRG LED uplighters. Behind the stage, a large projection screen of 16m by 6m was set up. Two more screens screens were also installed on both sides of the stage. We used 4 Panasonic 21K video projectors and 3 Watchout systems, an Encore system and a capture system with 4 cameras.
Client : Moma Event
Director Général Moma: Michel Rivet
Production Director: Stéphane Adrien
Special thanks to Thierry Kra & Michel De Breucker (PRG Account Managers), Greg Douglas & Denis Andrien (Production Managers), Nathalie Mathy (Lighting Crew Chief), Charles Hoebanx (Dimmer Man), Jean Marc Pitance (Lighting Operator main room), Pianos Vafidis (Lighting Operator after party), Joao Prates (Video Crew Chief), Joris Beel (Video Techician), Arnaud Delamare (Encore Operator), Vincent Herbert (Watch-out Operator)
Van Cleef & Arpels presents its new High Jewelry collection in an interpretation of Noah’s Ark by Robert Wilson. Wilson is an American set designer famed for his radiant, subtle and thrilling conceptions, with the scenography. PRG France worked together with PRG Projects to realise a custom made video solution in order to bring Wilson’s idea to live.
In his vision of the Ark, Robert Wilson imagined a sensory mise-en-scène plunged in the engulfing darkness. The constant screening of a video is reminiscent of the sea; the soft and enfolding piece of music evokes mystery; the skies darken as lightning streaks herald a storm, the Ark departs, and the ensuing respite hums like a promise of peace…
Robert Wilson creates a dreamlike travel through a positive and timeless interpretation of the of Noah’s Ark, evoking first of all a preserved paradise.
PRG created several custom made technical solution in order to display high resolution video content of over 11.000 pixels wide and more that 1200 pixels high. The content was intended to lower in brightness without losing the quality of the image.
In order to respond to the high expectations of the client, PRG invested in ROE Black Onyx 2 panels, with an amazing 2.84 pixel pitch, which is the most performing high-end product on the market. In total this represents more than 450 modules, adding up to more than 1800 tiles. 41 of these ROE LED displays were customised in order to integrate secured jewel boxes of 25 x 25 cm. The modules were laser cut to a tenth of mm precision. The challenge here was to make perfectly fitted box so they wouldn’t interfere with the electronics that control the individual modules of the display.
On the bottom of the construction, the standard base frames, which normally are of 8 to 12 cm height, were replaced by a custom made frame to result in a maximum height of 5cm and an insert of 3 cm to create a subtle border. We had to make sure that the lowered base frame could still carry the 5-ton screen weight, spread over a surface of 33 linear meters. Last but not least, PRG created a doorway of 1,5 x 2m within the LED, for visitors to enter the experience.
We are very proud to have realised this big project with a total video surface of 112,5 sqm of LED. The result of 14.000.000 pixels is astonishing!
All credits go to Robert Wilson (Conception & Design), Arvo Pärt (Original Music), Christophe Martin (Architect of realisation), Video Emme (Graphic presentation), Selected By (Sound Design), William Rault (Technical Direction), Philippe Lauras (Director Photo), Jean-Philippe Aldebert (Sound Engineer), Cyril Grace (Production Van Cleef & Arpels) and PRG France’s team - Thierry Kra, Laurent Boillot, Pierre-Guillaume Tomasso, Yves Winand and Viktor Martin from PRG Projects.
PRG, in collaboration with the Geneva tourism, proudly presented the new Geneva Lake Festival. This year's festival featured ten days of the very best of the city’s nightlife blended with outstanding cuisines from around the world plus rides, attractions, fireworks, and entertainment for everyone.
PRG Paris was the primary provider for this event, setting up a large-scale sound system around the harbor of the Léman Lake in Geneva, Switzerland. This project was a large undertaking, requiring a crew of twenty two over an almost month long time period for load in, show time and load out.
PRG supplied of a total of forty-one sound towers over 2 miles (3 km), which comprise of the following equipment:
• 30 x towers equipped with Panasonic WS-LA3 (total of 148) and L-Accoustic SB28 Sub (total of 25) and Meyer 600-HP Sub (total of 6)
• 7 x towers equipped with L-Accoustic Kara ( total of 72) and L-Accoustic SB28 Sub (total of 7)
• 4 x towers equipped with Meyer Mélodie (total of 12) and LS Sub Cabinet TTS28A ( total of 2)
• 6 x towers equipped with LS Adamson S10 (total of 36) and LS-Adamson Sub E-219 (total of 4)
PRG Paris was proud to help make the Geneva Lake Festival a great experience for all the people that came to this years' event and are ready to do it all over again next year!
Client : Fondation Genève Tourisme & Congrès
Production Director/ Producer: Emmanuel Mongon
Artiqtic Director & co-producer: Ric Birch
Technical Director:Eric Sauvain
Technical Director & scenic: Christian Lhôte
Thanks to Laurent Boillot (Account Manager PRG), Greg Douglas (Production Manager), Bertrand Taussac (Chief Sound Projects Manager), JB Di Tomasso (Chief On-site Manager), Raynald Zvunka (Chief Site Manager and electrical distribution), Romain Montagnon (Electrical Distribution), Matthieu Rhodes (Network Manager), Frantz Domoizon (Responsible sound left bank), Tonio Diebold (Responsible sound left bank)
2016 marked the 30th anniversary of Dragon Quest, one of Japan’s most popular role-playing computer game series, and for the first time, Dragon Quest was created into an original spectacle live show titled “Dragon Quest Live Spectacle Tour”. The show toured with great success in 5 cities from July 22 through August 31.
PRG Japan provided technical direction and production services for lighting, video, scenery, rigging, stage automation, flying effect and LED wrist bands.
London-based STUFISH designed the set and PRG Scenic Technologies in New Windsor made the DMX-control hoist system for the roll-down screens. PRG V476® control console was used to control the 52 roll-down screens to rise and lower individually and in groups, changing formations at each scene, and mapped video images projected on the screens created the digital scenery as the story on adventurous journey rolled on the stage.
Key parts of the expansive stage layout were the main center stage and island stages connected with a network of bridges. The four bridges linking to the center stage were designed to fly and PRG SpeedStar™ Variable Speed Chain Hoists were used to fly the bridges. PRG V-Command™ automation console controlled the movement.
For lighting, PRG provided around 300 moving and conventional fixtures including PRG Best Boy 4000 Spots, VL3000, Clay Paky Alpha Beam 700 and Impression X4.
PRG was proud to take part in this production that raised the bar in the Japanese live entertainment.
PRG France, as partner of Lagardère Sports, was selected to deliver all the audiovisual facilities of the Paris Fan Zone for the EURO 2016 football championship.
For the main zone on the grass strip, no fewer than 150 Line-Array Adamson speakers were installed on 12 towers as well as 200 moving lights including PRG BestBoys HP.
Around this central space, 2 concert stages, a media center, pavilions for partners and a VIP area were equipped with sound, lighting and LED and LCD screen were installed for the transmission of the soccer matches. The whole of the site was covered with HF cameras and a control room to share all of the highlights.
The electrical distribution represented a 6MW power recovered from the ERDF network per 3 high-voltage substations and distributed throughout the site.
We also installed a signal distribution network for the sound and the video-feed, which represented several kilometers of optical fiber.
For the opening concert, PRG has equipped the stage with 1000 robotic searchlights (Sharpy, Mythos, Magiqpanel Ayrton, Viper, Q7 ... SGM), 250m2 of video screens of which 3 were suspended horizontally with Kynesis servo-motors, 100 subs for Adamson in order to strengthen the deep tones ...
PRG also insured the technical installation for the Muse concert and the assured host the concert of Muse & the symphony concert on July 14th.
This event represented the equivalent of 3,000 days of work technicians over 3 months.
The Swiss lakeside town of Montreux will once again host its famous Jazz festival. Over the past 50 years, the festival has seen some of the greatest acts in music history, including Nina Simone, Ray Charles, Miles Davis, Prince and David Bowie, among others.
For this year’s festival, audioborn has developed a project allowing the festival to be captured through 360° / 3D video and sound recording technology for the first time. This content can later be rendered and used in virtual reality applications, permitting users to experience the selected acts in real-life quality.
Commissioned by the Metamedia Center of the University École polytechnique fédérale de Lausanne (EPFL) together with the Montreux Jazz Festival, project lead and official technology partner audioborn is partnering with PRG Lab for the video expertise. audioborn is responsible for capturing and reproducing all concerts in 3D audio with its software real-time processor called Auratorium. The software system is designed for 3D audio and virtual reality applications. It uses a ray-tracing approach to calculate physically correct and 100% natural sound.
PRG Lab, a division of PRG XL Video, based in Germany, develops customized interactive and leading software solutions for the event and exhibition market. PRG Lab will be supporting the project with a 360° / 3D Nokia OZO camera system to capture a 360° spherical video of chosen acts at the festival.
The cooperation between audioborn and PRG Lab will be one of the first commercial uses of the OZO system in a production of this size. In addition to the standard multitrack recordings, audioborn will capture the sound in the form of a 3D recording, using the Sennheiser VR microphone prototype, and be able to reproduce highly realistic 3D audio for the recordings.
“The methods we use to capture sound – which is the most important part of Montreux’s Jazz Festival – will be pioneering for 3D audio sound recording as well as reproduction. Using our 3D software audio processor Auratorium, we will be able to achieve the highest possible degree of immersion for the jazz archive.” says Dr. Dirk Schröder, CEO of audioborn.
“We will have to determine how each instrument and sound will react depending on the position of the camera in the room. When sound and video are combined for VR playback, the virtual user should feel as if he or she is actually at the festival in person. Our goal is a total immersive playback experience in sound and vision. We are proud to work closely together with PRG Lab as our professional partner for 3D video capturing.”
“This project is outstanding in its dimensions. We are going to record a huge amount of data during the 16 festival days with the OZO system. This will be the most demanding challenge we have to face during the project.” commented Michael Ochs of PRG Lab. “This is very exciting, state-of-the-art technology being used at the Montreux Jazz Festival. It is the first project of its kind and we can’t draw from previous experiences. ”
One of the challenges of this project is the large amount of data collected through 3D recording. A concert of three hours would create approximately 2 TB of compressed data. Uncompressed it multiplies later in postproduction by factor 12.
PRG Lab is continuously expanding its 3D capabilities and will be using OZO production computers as well as the audioborn Auratorium software to create immersive experiences. The audio mixes can be rendered for multichannel 3D audio systems or binaural headphone reproduction.
Production Resource Group LLC (PRG) – leading supplier of entertainment and event technology solutions is working with global entertainment design software developer Vectorworks, Inc. to ensure a seamless Rock in Rio festival in Lisbon, Portugal. The Rock in Rio festival collaboration between PRG and Vectorworks will demonstrate the realization of workflows using ESP Vision software to previsualize each lighting designer's concept. As in previous years, PRG will be supplying lighting technology and all related rigging for the festival. The event technology specialist is now in its 13th year of working with Rock in Rio.
“We started working with Rock in Rio back in 2004; during this time, we were able to supply lighting and video technology at festivals in Rio de Janeiro, Madrid, Las Vegas and Lisbon,” said Christoph Hahnl, Senior Account Manager at PRG. “This year’s festival marks the 30th anniversary of Rock in Rio, and we are excited to be on board.”
Now owned by Vectorworks, Inc., Vision puts the power to previsualize and cue your show at your fingertips. The software enables entertainment designers to rehearse the look of a show before they arrive at the venue. Adaptations and changes can easily be made in advance, allowing for more efficient working.
"With the increasing need to simulate a lighting design before it's ever executed on a live stage, our collaboration with PRG at Rock in Rio Lisbon provides the perfect venue in which to demonstrate our commitment to empowering today's entertainment designers," said Stewart Rom, chief marketing officer for Vectorworks. "We look forward to showing the world how our two companies can contribute to the ultimate show experience in Lisbon this year and enable today's visionaries in lighting design to advance the way they work."
As part of their ongoing collaboration, PRG is working with Vectorworks' R&D department to create leading solutions and is among the first to use the companies latest software technologies. Vectorworks® Spotlight users are able to work with a catalog of PRG-owned gear in the software, making the design development and documentation process even faster for lighting, production and scenic designers. The close working proximity to designers allows PRG an active exchange of ideas to identify the latest requirements and be involved in leading the development of future technology. Spotlight is the industry-leading software for entertainment design that allows designers to work in 2D and 3D with integrated worksheet functionality and rendering capabilities.
“The collaboration with Vectorworks is well underway, and we have already identified ways to improve internal and external working processes,” said Götz Bauer, Special Operations Director at PRG. “By incorporating PRG’s gear into the Spotlight software library, users are able to work increasingly efficiently and improve working processes. Our close relationship with designers from around the world enables us to really make a difference by using their feedback, and our experience to create solutions from which the whole industry can gain.”
The festival will take place over two consecutive weekends starting on May 19, 2016. The lineup features acts like Queen + Adam Lambert, Maroon 5, Korn, Ariana Grande, Hollywood Vampires and Avicii. The lighting design for the festivals in Las Vegas, Rio de Janeiro and Lisbon was created by lighting designer Terry Cook for Woodroffe Bassett Design.