In June 2019, the time had come again: 3,000 participants from all over Europe gathered in Berlin for Tableau Conference Europe, organized by US software company Tableau. The conference offered training with Tableau's latest software products. PRG provided a comprehensive service package: In addition to lighting, sound and video technology as well as rigging, PRG also took care of the stage design, construction drawings and seating plans for the event, which extended over various rooms. We equipped the keynote hall with a total of 224sqm of 3mm LED screens, which ensured crystal clear presentation of the lecture content.
“In the end, it was a 360-degree solution we delivered to our client.” Simon Rist (Senior Account Manager PRG) concluded. Nick Barton (Director Global Accounts PRG) described the coordination of the various vendors within a tight timeframe as the greatest challenge in equipping this complex event – the largest conference ever organized by Tableau – ” The largest challenge would have been coordinating with all the vendors to ensure that everybody stayed on schedule which we ended up doing.” For years, Barton has been responsible for the organization of Tableau events around the world.
The client turned out to be happy with the result as well: “Having a technical partner like PRG all over the world makes doing our conferences very easy.” said Beau Beckner (Senior Event Infrastructure Manager, Tableau Software).
We would like to thank Tableau for the trust in our work over the years and look forward to continuing our cooperation.
List of installed equipment:
224sqm - 3mm led screen in the keynote hall
5x cameras (1x wireless) incl. broadcast direction
Recording of all cameras and 7 breakout rooms
Intercom system incl. wireless connection and digital radios to cover the entire event area
30x 55" monitors on tripod
12x Panasonic wide-angle lens
More than 60 audio radio links for microphones, in-ear monitoring and wireless speakers
An inspiring event designed to bring together all our regions from around the world in one location, to share and develop our unique global offering.
PRG Unite has been devised with the specific intention of gathering all of our international teams together, to discuss our global offering for the future. PRG globally is the leading technical solution provider for the event industry and is constantly looking at how to best assist our clients across the world, helping them grow and develop exciting activations. The PRG Unite event enables us to discuss future challenges and strategies while combining our resources and expertise as one team.
The event will enable each of our regions (United Kingdom, Belgium, Germany, France, Spain, Netherlands, Japan, China, UAE and United States) to showcase their very best corporate projects, detailing to our clients the processes from strategic planning to event delivery, allowing our clients the unique opportunity to share our knowledge and best practice which enable us to hold such a world-renowned standing within the industry.
This insider view is sure to be a unique and inspiring insight into the future of how PRG will work with its clients on a global scale. Speaking about the upcoming PRG Unite event Richard Williams - PRG UK Chief Executive Officer commented:
“We felt this would be a fantastic opportunity for our UK customers to meet and talk directly to all our global PRG colleagues in one place. Allowing them to understand how PRG can help support and work together to provide global solutions.”
End of press release.
About Production Resource Group:
Production Resource Group UK Ltd.
(PRG) is the world’s leading supplier of entertainment and event technology to a wide range
of markets, including corporate and automotive events, concerts, special events, theatre,
television and film, trade shows and installations, such as theme parks, museums, retail stores
and performing arts centres. PRG provides integrated services and equipment, including audio, video, lighting, rigging, staging and scenery and automation systems, for these markets from more than 40 offices in North America, South America, Europe, the Middle East, Asia and Australia.
52 000 visitors - 12 000 more than last year! - 400 exhibitors and 300 speakers! That was the Online Marketing Rockstars (OMR) Festival 2019 and that rocked again!
But not only the number of marketing enthusiasts has increased, also the technical volume has increased considerably! A total of 613 tons of material were installed, and that in just 4 days!
PRG provided a 360-degree service this year, in addition to rigging, lighting and video technology, the team also installed the complete audio technology, the scenic elements and deco. 62 truckloads of equipment, packed in over 3,000 cases, were delivered to the Hamburg exhibition venue, unloaded and then installed in six exhibition halls. A stringent logistics system developed over the years led to a smooth process.
But before the first lamp could be installed and the first video screen was set up, a whole of 328,000 meters of cable had to be laid. More than 1,000 motors were used to install the trusses, lamps, loudspeakers and screens in the hall roofs.
A total of 6,621 lighting fixtures were installed for the various areas of the festival. These not only illuminated the exhibitor stands and conference stages, but also created a party atmosphere - in addition to the many lectures and masterclasses, the after-party was also exuberant! Scooter, Casper & Marteria, Trettmann, Dendemann and Oli P. brilliantly entertained the visitors.
And the whole of the PRG team was on the starting blocks, because this year's OMR Festival was the biggest so far. A total of 581 square meters of LED walls were installed and around 1,200 square meters of projection were set up. In addition to that, whether you believe it or not, 649 loudspeakers were part of this great event.
PRG audio-expert André Aspelmeier explains among other things which challenges had to be mastered at the OMR Festival 2019.
One can say that the OMR Festival 2019 was once again an event of superlatives! The biggest challenge for the PRG team this year was the extremely tight schedule for the installation and that amount of technology that needed for a flawless implementation.
But how can an event service provider master such a mammoth project, with such an enormous amount of technology and in such a short time frame?
Christian Unger, PRG Account Manager, has a clear opinion on this: "The OMR Festival is a very special project for us because of its enormous size. This results in big challenges: one is the delivery and implementation of the whole amount of equipment, perfectly coordinated logistics and in addition the necessary manpower. I would like to take this opportunity to thank our whole team, who made the whole thing possible and thus realized a perfect OMR Festival 2019!"
Total weight 613 Tonnen
Value of delivered equipment approx. 34.5 Mio €
Mandays on site 2.250
Mandays warehouse 400
Total hours 26.500
With a 40 hours working week and 25 days vacation per year, one single person would need about 14.5 years to implement this project.
Post Malone, who has captured the zeitgeist through his unique genre-blending musical style and introspective songwriting, is on a global tour. PRG is supporting the superstar worldwide by providing 360 concert touring services, including sound, video, lighting and rigging.
One PRG team
The initial contact and contract in the USA was taken care of by VER, which recently joined the PRG family. Their expertise with big productions in the USA has been indispensable for this tour. Thanks to its unique global presence and network, PRG is able to provide worldwide 360° touring services and apply the same high standards in all countries, across continents.
The crew comes from both the US and Europe and can count on local support and gear in any of the countries on the tour’s agenda.
Production Manager for Post Malone, Dennis Danneels, put it this way: “The PRG team, between Los Angeles, Vegas, Germany and the UK, were basically just taking the project and handing it off like an assembly line all the way down. We were taking advantage of all these different time zones to be able to complete this project in time. People were working right until the last minute of load-in.”
Global reach, local support
For the European part of the tour, our UK and German teams joined forces, working closely together, with UK providing video and light and Germany being responsible for the sound. Thanks to their ample experience in cross-national productions and great communication, this resulted in a seamless and smooth collaboration in which the client benefits from both the scale of PRG Group and the local presence and understanding of the market in each country the tour passes.
Stephan Paridaen, President and COO of PRG says: ‘from day one, this project has been about a collaboration to define the best, most fully integrated technical production solution that realizes the artist’s creative vision. We take that even further and service the tour globally on the ground with local, highly experienced crew and state of the art gear. It’s a service and a 360-degree solution.’
Video Crew Chief ‘Topher’ (Christopher Davidson) was delighted about the seamless support in the various countries. “One advantage of having a worldwide support system, like you have with PRG, is that I am confident that I can go anywhere on the globe and have the same caliber of people, gear, and the same support virtually 24/7 that is required in this industry.”
A new standard in large-scale concert touring
This cutting-edge approach to servicing large-scale concert tours on a global level is made possible by PRG’s unique ability to combine high standards of gear with specialists who work seamlessly together.
“There is incredible skill level with the PRG crew. The gear has been consistent day in and day out. We’ve had very, very few failures, and this is all the stuff that we ran for almost 24 hours a day for three weeks,” Danneels adds. “I’m really pleased with it from a financial stand point, it made a lot of sense, and it saved a lot of money.”
PRG wants to thank our client PostyCo and PM Dennis Danneels. We would like to extend our appreciation for our own Burton Tenenbein, responsible for the overall AE and lighting kit, Brent Dannen, who took care of the tour’s sound, and Mike Drew, supporting the tour’s video package. Also, a big thank you to the whole
This year it is in Tel Aviv that the Eurovision Song Contest 2019 will choose its’ winner. And – as in many previous years– PRG will be part of it again, delivering customized show solutions for rigging and video that will ensure an efficient roll-out of the show and offer the audience an unforgettable show.
"Florian Wieder, the set designer, created some unique elements for this year’s show", explains Ingo Rehnert (Head of Sales & Account Management Sport & Special Events PRG). On one hand there are the triangles in the ceiling of the main stage. On the other hand, we have the LED strips in the ceiling of the Green Room. The customized triangle structures, which were developed by our special construction department, integrate the VER Blades.
According to John van Look, Head Rigger Production PRG Germany, the weight distribution and static calculation, in function of the suspension capacities of the venue, was the biggest challenge, considering the amount of automation technology that needed to be integrated in the ceiling.
The main elements at the back of the stage are the rotating LED panels, which are composed of ROE CB5 and mounted on turntables with customized metal frames in which the LED panels are integrated.
Another great element for the show is the LED floor on the main stage, which consists of Black Marble 4 modules, which were integrated in the Domino developed by PRG for fast and time saving assembly.
Ola Melzig, Head of Production ESC 2019, resumes: "Our job is to highlight 41 songs and for them to be unique. There are not that many companies in the world that can deliver that amount of high-end products – and that is delivered by PRG!"
We would like to thank:
KAN – KAN Israeli Public Broadcasting Corporation
Meytal Cohen (TV Producer)
Shay Bonder (Head of Video & Technologies)
Avishay Giladie (Technical Director Show)
Tarmo Krimm (Senior Technical Director)
Johannes Schau – (Head Rigger EBU)
M&M Production Management AB
Ola Melzig (Head of Production)
Tobias Aberg (Head of Production)
Florian Wieder – Wieder Design (Set Designer)
We would also like to thank all the parties and people involved whom we had the opportunity to work with on this great production and our PRG Alliance partner Sincopa.
PRG Tech Facts
450m2 ROE CB5
100m2 ROE Black Marble 4 with PRG Projects Domino LED Frames (LED Floor)
16 x Panasonic PT DZ-21 Projectors
2.200 VER Blades - 90cm
4 x Disguise d3 VX4 Media Server
4 x GrandMa2
triangle aluminum frames (250x250x250cm) for VER Blades in the main stage ceiling
triangle Pod for VER Blades for main stage kinetic section ceiling
3.800 m truss
650 hoists BGV D8 / D8+
300 m horizontal live line system
340 tons of material in total
Production period: 21st March – 03rd June (almost 11 weeks)
Crew: 35 Riggers + 18 Technicians
Number of Trailers: 32 x 40" Containers
EDM meets technology. For Etienne de Crécy’s new tour, Space Echo, PRG Projects integrated their unique highly transparent PURE10 screens within the SpinIt, a custom developed rotating frame solution to meet the design needs for this specific tour.
Stage designer Alexandre Lebrun and artist Etienne de Crécy had a creative idea in mind where transparent screens would surround the artist in a moveable and transparent “cage-setting”. After successful collaborations in other concert tours (Maître GIMS ea.), Production Director Julien Bedane contacted PRG to turn this into a workable solution, overcoming restrictions imposed by a concert touring reality.
Ysabel Vangrudenberg, Global Business Development Director of PRG Projects explains how they translated the idea into a technical solution: “On the one hand, we have the PURE10, the screen with 70% transparency, which was initially developed by us for the U2 tour. On the other hand, we have today developed a custom solution, namely the SpinIt, for the specific needs of Etienne de Crécy's production.”
SpinIt consists of a + 180° and -180° rotating, DMX-controlled motorization, mounted on rolling carts. Whereas SpinIt is used here with PURE10, we can envision other lighting and video products being combined with the rotating base.
PRG France has ample experience in collaborating with PRG Projects. Thanks to their vast experience in concert touring, they know all the ins and outs this specific industry requires. The development of SpinIt is optimized for a concert touring reality, where set-up and load-out times are very limited, logistical and transportation constraints apply and durability is required. Some ingenious details, such as the foldable system on the high PURE10 panels, a spacing structure to maintain the exact distance between the screens, without the need of measurement in each set-up and the installation of the motorisation on rolling carts make it a state-of-the-art product for festivals and the concert touring sector.
Julien Bedane, production director, reflects on the collaboration: “I have given a requirement list with many constraints to PRG Projects to make this set-up possible. I had the guarantee that with PRG Projects, that would be well executed. Frederic Opsomer in particular has followed-up on this project and was available directly for the artist, who participated at all these meetings. What is interesting is that the PRG team is really an integral part of the development of the product, but also an integral part of the launch.”
Once again, the scale advantages of PRG Group are demonstrated. PRG France contacted their colleagues of PRG Projects and from the conceptualization to the full execution, close contact between the client, the artist, PRG France and PRG Projects were maintained to guarantee the desired result and a successful launch of the concert tour.
PRG wants to thank Lightlab, Alexandre Lebrun, Julien Bedane, Etienne de Crécy and the whole PRG France and PRG Projects teams and is looking forward to the further course of this magnificent concert tour.
EMEA – April 30, 2019 - Production Resource Group LLC (PRG), the world’s leading provider of entertainment and event technology and solutions, announced today that it will integrate its global research and development efforts into a new operating group, PRG Innovation. PRG Innovation will encompass efforts in Belgium, China and the United States which include facilities in Dallas, New Windsor, New York and Los Angeles. By connecting its people, assets and innovation initiatives – including PRG Projects, PRG Research and Development, and VER product development initiatives – the company will maximize its technological impact on the industry.
PRG Innovation will be led by Chris Conti in his new role as the company’s Chief Innovation Officer. Conti has experience in concert tours, tradeshows, corporate events, TV shows and special events like the Olympics and Super Bowl Half-time shows. As Product Manager for PRG proprietary luminaires, he led the development of the highly successful Bad Boy® Spot and Best Boy® Spot fixtures, as well as PRG’s Emmy-award winning GroundControl™ Followspot System. Conti is listed as an inventor on 15 U.S. patents.
Additionally, Clay Powers will become Chief Operating Officer of Innovation, overseeing all financial and logistical aspects of both proprietary product development and custom show solutions. Gary Boyd, Chief Operating Officer of EMEA, will have ongoing responsibilities related to product-development operations in Europe and China. Frederic Opsomer will continue to lead the Belgian team in developing groundbreaking new technology in LED and video, and Simon Kayser will continue to lead operations in Shenzhen, China, which are instrumental in sourcing video and lighting technology. Anne Johnston, Vice President of Marketing and Product Strategy, will collaborate with PRG Innovation on all aspects of marketing, from product ideation to roll-out.
“PRG Innovation brings all of our talent focused on product development into a single, global team, allowing us to anticipate market trends, move with agility and align product development with our larger strategic objectives,” said Jere Harris, Chairman and CEO of PRG. “I believe that our investment and performance in market-driven innovation is one of the most powerful points of difference separating our brands from the competition. Now, that advantage will become even more significant.”
In every market PRG serves from music and theatre to television, film, broadcast and corporate events, it has defined itself as the innovator in technology, responding to a client request or an industry need. With more than 170 issued patents as well as 70 trademarks, the company’s legacy of proprietary technology has opened new creative possibilities, improved safety, created cost efficiencies and reduced environmental impact. Examples of PRG’s industry-changing technology include:
Ground Control™ Followspot System: A high output followspot that can be safely operated remotely from the ground from distances up to 2,000 feet. Gives designers creative freedom to put followspots in places that were either previously unusable or involved complex rigging.
PRG SpaceFrame®: A touring frame design that seamlessly integrates LED panels for operational efficiencies and creative possibility. The carbon fiber frame is lightweight, collapsible and fully wind braced, allowing for a free-form approach to stage designs.
Pure10: A revolutionary lightweight and highly transparent touring LED screen. Printed circuit boards (PCB) are sliced in strips and turned 90 degrees with the LED mounted on the side, resulting in 75 percent transparency and allowing artists to interact with video content in real time.
Mbox®: A family of media server products that are affordable and easy to use. Mbox software offers powerful and flexible control of video content by working seamlessly with media playback, composition, effects, and transitions. The user interface provides fast and intuitive setup for outputs and content positioning.
Front Row Cam: A robotic, periscope solution that provides a low camera shot of the sports playing field. At just 6 inches wide x 16 inches deep x 32 inches high, this custom designed system, developed with ESPN, is equipped with a telephoto lens for use in baseball or a wide version for use in tennis and other sports.
PRG Stage Command® System: An automated, cue-based motion control system that gives operators the ability to execute the most complex motion control cues with accuracy, repeatability and unparalleled attention to safety. Provides seamless transitions of scenery in full view of the audience.
Bullet: A family of focusable, compact LED luminaires available in White Light, Daylight and UV versions. Offering high output with precise beam control, the adjustable focus mechanism requires no lens change, no tools, and is lockable for permanent installations.
At the end of March 2019, there was a new arrival in PRG's Hamburg warehouse: state-of-the-art, high-performance and high-quality audio technology! The equipment was first used at this year's LEA Awards and went on to be used at Prolight+Sound 2019 in Frankfurt's Festhalle — and the difference could be heard! Not only did the Highlight Show impress audiences with a magnificent light show and spectacular special effects, thanks to the new technology, the sound quality was also excellent.
In the USA, PRG has been a pioneer in world concert touring for several years already, equipping large concert tours with its high-quality audio technology. It is not only the quantity and variety of the technology that is impressive, above all it is the performance! PRG in Nashville has developed a special process which is used to put the equipment through its paces before and after each use.
After every tour, the equipment is subjected to quality control checks, tested, serviced and cleaned. In the specially developed "Boom Room" the loudspeakers undergo various frequency and sound tests. These are used to ascertain that every loudspeaker corresponds to the specifications of the original manufacturer. In addition, the functionality of all cables is systematically tested by trained staff. With the help of unique, web-based software the quality control processes are standardized for each piece of equipment, so that all PRG locations across the world can have access to this data, ensuring uniformity among quality control testing. Packing is also an important issue: PRG guarantees packing and storage that is "tour-ready", since, above all for tours with changing locations, it is important that the technology is competently and protectively packed to ensure that the audio equipment can be loaded and unloaded quickly, without becoming damaged in the process.
Through all the standardized processes and checks, PRG ensures that the technology it uses functions without any problems, the sound is delivered in the best quality and an efficient workflow is made possible.
And the best part: as of now PRG can also offer the same service to its customers in Europe, the same quality standards and the same high-performance, modern audio products, which are suitable for every production size. Alongside Meyer Sound LEO and Meyer Sound LYON loudspeakers, PRG now has the LFC 1100 in its inventory. In addition, the console inventory has been expanded to include the digital SD10 and SD12 models. More equipment will follow. In addition to these new products, customers will also benefit of specialist knowledge and support.
With this know-how, the large pool of technology, knowledgeable personnel, and the specially developed processes, every concert, every tour and every event can be supported. The goal is to develop a first class touring and audio event division in Europe. With this extra division, PRG can now offer full 360-degree audio service in Europe too.
PRG brings fresh impetus to their moving lights range and invests in Clay Paky Scenius Unico and Scenius Profile fixtures.
Clay Paky, part of the OSRAM group, is a world level reference brand in the sector of professional lighting systems. Over the course of its history the Company has been awarded a total of 45 prestige international prizes, recognitions of the innovation and quality of its products and manufacturing processes. Clay Paky's headquarters are located in central-northern Italy, in one of the nerve centers of the European industrial system.
This fixture is renowned for its multifunctionality and quality of light. It can be used as a powerful spotlight as well as a beautifully performing wash light, and therefore is a top choice for lighting designers and clients in a wide range of professional sectors of the event industry. It is a highly appealing fixture for its light quality, which has a very high CRI and 6500 K output color temperature, generating a powerful beam of concentrated light with a minimum beam angle of only 5°.
The Scenius Profile is the top of the range beam shaper. Its optical reflector was especially designed to make the beam uniform avoiding herewith the typical hotspot and its focus tracking system will concentrate the light efficiency that you wish to project, including the focus that can be set to fully automatic.
With 6 rotating gobos and 8 fixed, this CMY fixture is perfect for any set, be it theatrical, tv studios or large events.
These products are now available for our clients in our PRG equipment pool.
To round up this acquisition, Clay Paky and PRG have reached a collaboration agreement testifying the evidence of the mutual respect that binds both companies, after so many years of constant relationship articulated in different forms and having supplied PRG & VER with their fixtures and know-how.
Through this agreement, PRG will benefit of direct access to Clay Paky & ADB products, dedicated technical support and technical trainings to PRG staff to optimize lighting fixture usage, maintenance and priority spare part delivery.
Pio Nahum CEO of Clay Paky states: ‘“Our Global Account Agreement, in addition to being an opportunity to strengthen the reciprocal position on the market, where both Companies already operate globally and with success, represents a unique occasion to improve our skills and offer our customers innovative solutions with higher added value”
Gary Boyd, Executive Vice President & COO EMEA of PRG adds: ‘Clay Paky has developed professional lighting fixtures since 1976. The lighting designers were increasingly wishing for the Scenius Unico and the Scenius Profile fixtures and we are convinced that this will perfectly serve our customers’ needs and add an extra dimension into the PRG fleet!”
Production Resource Group, L.L.C. (PRG), the world’s leading supplier of entertainment and event technology headquartered in New York, is acquiring the Middle East division of Delta Sound, Delta Sound L.L.C. UAE, a specialist provider of live audio and event communications technology based in Dubai and operating across the Middle East. Peter McCann, CEO for PRG in the Middle East and Andy Jackson, the Managing Director of Delta Sound, jointly announced the acquisition today.
Delta Sound LLC, founded in 2006, is the leading specialist audio and communication company in the Gulf Region and will join forces with PRG’s operation in Dubai, forming a welcomed union between the two companies who have collaborated successfully for many years across a broad range of corporate, government and large-scale special events. Like PRG, Delta Sound provides technical design and technology support to both local and international production houses who benefit from the high standard of service and delivery offered.
For PRG’s worldwide clients, this acquisition means that they will have access to additional expertise and technology when working with PRG in the Middle East and beyond. They can continue to be confident in the quality of product, experience, and professionalism whilst enjoying the addition of world-class event communications through the provision of fully scalable wired and wireless solutions.
“By acquiring Delta Sound LLC, we have bolstered our existing offering for our many customers who produce events and shows internationally”, said PRG’s McCann. “I’m also delighted that this acquisition integrates comprehensive event communications into our product offering thus ensuring that we can present a truly turnkey solution to our customers and partners. With events such as Expo 2020 on the horizon these are certainly exciting opportunities for a company that can operate at scale and this acquisition demonstrates both a significant level of commitment to the region and a continued appetite for growth.”
“As Delta Sound LLC, we have worked on some of the region’s largest and highest profile productions,” commented Andy Jackson. “We have established a loyal client base that has become more appreciative of the standard of audio production and event communications being delivered today by Delta. Having worked closely with PRG for several years across many of these events, our partnership has naturally evolved into a trading relationship and today we solidify this to the benefit of both our clients and teams.” It will be business as usual and Delta Sound will retain its existing operational format and be officially titled ‘PRG deltasound” during the transition process.
Stephan Paridaen, PRG’s Global President and Chief Operating Officer, concluded, “PRG and Delta Sound are extremely well positioned to provide a multi-disciplined, integrated solution. Making the UAE Delta Sound team part of the global PRG family will be extremely valuable to our clients and this has been our top priority from the start.”
Paul Keating, MD of Delta Sound UK commented, “Myself, Mark & Andy go back 40 years together and Andy has been involved with Delta since our humble beginnings back in 1988. He has done an amazing job in building and managing the business over the past 12 years. We have always had a very good working relationship with PRG both here in the UK and in the Middle East and this is a great fit for Delta UAE becoming part of the extended PRG family. We very much look forward to continuing this relationship together in the future.”
Year after year, Night of the Proms surprises by its unique combination of classical and contemporary music. The show is eye candy, strongly innovating in the visual aspect, that has become “as important, or even more important than the music”, says Jan Vereecke, producer of Night of the Proms
Belgian premiere for PURE10
This year, the absolute highlight of the show is the PURE10, in a set-up of 4 rows and moving up and down on a custom-created steel suspension system, it changes the scenery time after time and does great justice to the choir.
The unprecedented transparency level of the screen, allows for the optical effect where at one time the choir is hidden and then revealed. Also semi-transparent creations provide surprising effects of visuals and live artists on stage.
The PURE10 has its premiere in Belgium, following right on the global premiere during the U2-Tour. Product expert Maarten Deschacht trained the Belgian team during the first week of load-in, guaranteeing smooth construction, handling and operations.
The PURE10 is ten times lighter than a regular screen, PRG’s Project Manager Jo Vaes testifies on how its fragility made the crew reluctant at first, but its performances convinced everybody and gained well-deserved confidence: “
“The Icon EDGE is a really nice effect-spot, unbelievably bright” says Ignace D’Haese, lighting designer of the show. The predominant role for the PURE10 in the show, is perfectly supported by the Icon EDGEs to make a fully PRG provided light show.
The PRG Best Boys are controlled by 4 PRG GroundControl™ which are located backstage. The greatest advantage is safety, but they also contribute in weight restrictions, according to Jo Vaes, PRG’s Project Manager for Night of the Proms.
We look back on a great 34th edition of Night of the Proms, and want to thank the organization and Arf&Yes. We are especially delighted with the general praise for our PRG crew, as Jan Vereecke puts it: “the involvement has grown over the years, it is hard to image not having the PRG gear and especially their people, working at our show”.
With their remarkable features, VMK-S hoists represent the elite class on the world market and are recommended for all state-of-the-art applications in locations such as in TV studios, theatres and event venues demanding maximum performance and safety combined with the widest possible bandwidth of uses.
VMK-S hoists have the possibility to move both horizontally and vertically and can move live artists; they can be controlled at variable speeds for way- and time-synchronous runs. These high-speed hoists (from 10 m/min) in combination with a V-Motion Powerpack are capable of speeds ranging from 0 to 40 m / min. In addition, its control desks are optimized visually, which significantly facilitates programming.
Gary Boyd, Executive Vice President & COO PRG EMEA comments: “Working with Movecat over the last six months we have established a great partnership in variable speed and safety technology. We have been able to create new products at a PRG specific working with Movecat here in Stuttgart and these new products and developments will lead to a great partnership across both companies!”
Movecat fulfilled PRG’s needs going forward and proved that it was a future proof product and the safest most compliant product in all markets at this time.
They are currently the only kinetic solutions on the market to have received the Safety Integration Level (SIL3), meeting the highest safety standards.
Oliver Nachbauer, CFO Movecat stipulates “Both PRG and Movecat are looking for solutions for their clients and their requirements, working together on our products and their specifications to service these unique requirements clients have. I am very much looking forward to the partnership with PRG and the challenges we might get.”
By adding these products to the portfolio, PRG can offer an even wider range of fully integrated solutions, serving clients more creatively given the wide range of possibilities as well as the most recent and safest solutions on the market!
Motion signals can now be synchronized with video and lighting cues, which will positively reflect on the cooperation between the motion operator, the lighting operator and the video operator.
A first batch is available as from November 2018 and will further be supplemented during the month of March and June 2019. The Movecats will be featured for the first time during Jeff Wayne’s Musical Version of ‘The War of the Worlds’ in the UK, operated by our trained PRG crew.
PRG Projects was visiting some highly innovative companies in China only 1.5 years ago, when they met NEXNOVO – specializing in ultra-thin advertising solutions. Frederic Opsomer stipulated to have been especially impressed by the high level of focus of NEXNOVO”. Barton Lin, COO of NEXNOVO was immediately intrigued by the challenges: “Our product was initially designed for fixed installations, PRG Projects brought the professionalism and knowhow to use the advantages of the technology and adapt it for a concert-touring reality”.
From there, it all went very fast: the design phase started in November and was ready in January. The production started immediately in China, where the electronic components were built. Everything was shipped to Belgium mid March for the assembly and the mechanical part: a full carbon fibre structure.
Jake Berry, Production Director U2, states that without the PURE10, this setting for U2’s eXPERIENCE + iNNOCENCE Tour would not have been possible: “After the Joshua Tree Tour, we wanted to raise the bar even higher. We wanted a wider screen, in combination with a flying catwalk. At that moment, it simply seemed impossible. The weight limits of the tour’s stadiums would have been exceeded”.
The P10 was constructed especially to minimize weight, at an uttermost high resolution and transparency. Weighing only 10 kg/m2, the design dream became reality.
Frederic Opsomer adds “We think in solutions, for the PURE10, we pushed the technology to the limits of its abilities, doubled the regular width to limit the amount of pieces, and at the same time guaranteeing the highest possible transparency.”
It is fair to say that the PURE10, with its carbon fiber structure, reduced the suspension load of the screen by half in comparison to the technology that had been provided on the previous tour. This change of screen allowed to introduce more features on the catwalk, whilst even reducing the overall weight of the rigg.
Carbon Fiber had proven to be an excellent choice for the PRG SPACEFRAME™, and its strong, reliable and very light characteristics made it perfect for PURE10 as well.
In the future, the structural advantages of carbon fibre compared to aluminum or steel will further be explored. By investing and following up the continuous development, PRG will be able to create custom solutions in a much faster way.
The revolutionary low weight of PURE10, combined with the smart stacking in custom designed dollies, saves space. That leads to an optimization in transport and reduction of the green imprint.
“In every development we do, we try to solve a green issue. It is actually one of our top 3 questions, together with: ‘are we making a creative solution? ‘and ‘are we allowing designers to propose an innovation to their customers?” explains Opsomer.
Not only it has a positive impact on transport, but we’re also facing limited storage space in most venues.
Stuart Heaney, PRG Crew Chief, is particularly happy about the set-up of PURE10: “The time to set-up the screen, including the interdependencies with other teams involved is 8-9 hours. If we would be solely constructing the screen, everything would be built up even faster, in under 3 hours. Tearing down takes 2.5 hours, and that again is with all integrations being removed.”
Ric Lipson – partner at Stufish – has been in charge of design and architecture for multiple U2 shows. He reflects on the collaboration with PRG: “in this long-standing relationship with PRG, we love how they are always innovative. They come with weird and wonderful ideas and make them happen”.
The PRG SPACEFRAME™ allowed the enormous screens of last year’s tour Joshua Tree Tour to resist wind loads. For Beyoncé’s and Jay Z’s tour there was even a moving element added, allowing the screens to open and close, despite weather conditions. PRG SPACEFRAME™ is also used in this year’s design and PRG Projects is already looking at the future: With PRG SPACEFRAME™ we incorporated structural elements into the video screens. We are now experimenting to do the same with lighting, automation and other combinations. The PRG SPACEFRAME™ technology definitely has a lot of yet unveiled opportunities.
Live Design Magazine has named PRG Projects’ PURE10 as the best LED Screen for this year's 2018 Video and Projection Product awards!
It was chosen by a panel of prestigious video/projection designers and programmers, from amongst a field of our esteemed peers. PRG is so proud of the talented team that made this innovative technology a reality.
PRG announced today that VER has merged into Production Resource Group in Europe and the Middle East.
The entities will be commonly controlled by The Jordan Company, GSO Capital Partners and PRG Management. Jere Harris will serve as Chairman and CEO of PRG and VER, and Stephan Paridaen will be President and COO. Both companies will offer the ability to share equipment, knowledge and personnel wherever doing so will benefit its customers and meet evolving client needs, offer solutions, resources and expertise in ways neither company could achieve independently.
“For more than 20 years PRG has been diligent in offering its clients the best production service and equipment in the entertainment industry. Growth across disciplines, markets and geographies has always been a key part of our strategy,” said Jere Harris, PRG’s chairman and CEO. “Now, our ability to support all types of entertainment productions globally will take on new meaning, raising an already high bar to an unprecedented level.”
PRG and VER are both well established in concert touring in lighting, video, media servers, and staging innovations. Combining PRG and VER’s strength will now offer a complete suite of services for tours, festivals, and events. Further, PRG can enhance its long history in television production and expand its work in the film industry as VER brings world-class expertise in the video camera market, lighting, display and a robust suite of cameras. VER customers will benefit from PRG’s staging and automation expertise, vast lighting inventory and its position as the exclusive rental house for PRG’s patented proprietary lighting and video products.
“We believe that this approach will bring about innovation, an exciting level of service, and even more transformative collaboration with our partners. It feels historic, not only for PRG and VER, but for entertainment industry,” said Harris.
Globally, VER and PRG will have approximately 70 locations across six continents. Clients will have improved access to an extraordinary array of equipment from all major manufacturers as well as specialized and proprietary equipment.
Updated PRG SPACEFRAME™ and new Ingest product on Beyonce and Jay-Z’s “On the Run II” Tour
LONDON and LOS ANGELES – July 9, 2018 - Production Resource Group LLC, (PRG), the world’s leading provider of entertainment and event technology solutions, announces two product innovations – Infinity SPACEFRAME™ and Ingest – which are supporting Beyonce and Jay-Z's "On the Run II" Tour. The new Infinity SPACEFRAME™ which serves as a kinetic backdrop on stage and Ingest, a new technology that archives camera images created on tour, are industry firsts.
PRG SPACEFRAME™ PRG SPACEFRAME™ is an innovative carbon fiber touring frame created by PRG Projects, a division of PRG which specializes in developing and integrating proprietary solutions to the rigors of the production and entertainment industry. It was launched on 2017’s U2’s “Joshua Tree” Tour and “On the Run II” is the second concert tour to feature the product. For this tour, Stufish (the designers of both “Joshua” Tree and “On the Run II” tours) wanted to have a clean look, visually eliminating all support structures and rigging. To do that, PRG Projects came up with a solution called “Infinity SPACEFRAME™” where the rigging and support structure are integrated on the back of the SPACEFRAME™, invisible from audience view. Video content on the screen is now edge-to-edge without visual barriers as a classic screen would have. It gives it a monumental look and creates a new type of immersive viewing experience. The Infinity SPACEFRAME™ makes the most of the PRG SPACEFRAME™ concept by utilizing the structural capabilities of the video screen as part of the automated tracking support. It ultimately saves truckloads of additional support structure.
“Designing custom LED and video solutions for live events is a core part of what PRG Projects does. Beyond what we develop for PRG, we work directly with designers to create unique staging solutions that allow them and performers to be as creative as possible,” said Frederic Opsomer, managing director, PRG Projects. “We are constantly thinking of what is next, how do we improve on what we’ve already done. The new Infinity SPACEFRAME™ allows for moveable LED screens in an operational effective set up which aids the dynamic energy Beyonce, Jay-Z and other performers create during the show.”
The stage design for “On the Run II” Tour includes two LED screens with SPACEFRAME™. The secondary – or upstage – screen is a 16,8-meter-wide and 10,8-meter-high screen (55 feet x 35.4 feet) with ROE’s CB8 LED. The bottom section of the upstage screen is automated with three SPACEFRAME™ panels that open like garage doors, enabling the musicians’ rolling risers to enter and exit the main stage. The upstage screen stands behind a four-tiered opera box style performer platform. The main - or downstage - screen is divided into 12 automated sections. This allows for different dramatic scenes and settings and provides Beyonce and Jay-Z different entry and exit scenarios. The new Infinity SPACEFRAME™ screen, with GALAXIA’s WV9 air transparent LED, measures 52,8-meter-wide and 13,2-meter-high (173.2 feet x 43.3 feet) when closed and hangs on motorized carts that move left and right on a track. The carbon fiber fabrication and built-in wind bracing provides the stability that structural engineers demand in order to have a screen of this size move around on a track.
“There is currently no other framing system that can do this, it’s a perfect example of designers really pushing the product to the limits and having free reign for their ideas. A symbiosis rarely seen in our industry,” said Opsomer.
INGEST “On the Run II” Tour is also implementing PRG Ingest. Ingest is a new technology that allows the capture of concert footage in real time from up to 24 isolated camera feeds. Each camera feed - or channel – will be ingested in the server, processed, and via the network pushed to an external storage drive.
Traditionally, footage from a single camera is captured on a single recorder, then after a show, each file on the drive is copied over to a separate hard drive. This is an intensive process that can take many hours as the transfer can take up to one hour per camera.
“With the Ingest system, we can create a show record on an external drive of all channels in nearly real-time and still have a back-up copy on the server should anything go wrong,” said Wolfgang Schram, director of video engineering, PRG. “The servers also get time coded, so all recordings have real time and can be used in an edit right away.”
In order to handle the 6.2 TB of data that “On the Run II” Tour generates per night, PRG uses six media servers which make copies of what is recorded, transcode it to a pro res 422 file and push it over a 10GigE network on an external NAS drive.
Concert at Sea 2018 broke all records during its festival last weekend. The 2018 edition had three fully booked showdays instead of two and the weather was absolutely great!
Lesley Grieten, Director of the festival stipulates: “This was a dream-edition. Three days of sun, a fantastic atmosphere on the festival-site and the amazing performances of Sting, Alansis Morrissette, Ronnie Flex, Guus Meeuwis and many more. It was really a long weekend to enjoy.”
PRG was in charge once again for all the turn-key solutions on-site - lighting, audio, rigging and video, in four different zones.
Production Resource Group LLC, (PRG), invests in a new, ultra high resolution rental LED screen. The first 1.5mm COB Mini LED on the rental market!
As the technology pioneer of the LED industry, AOTO has always has been a high quality manufacturer with extremely good processing features and very much focused on image quality.
PRG has followed their product developments closely and amongst which the development of the AOTO Mini LED screen, on which AOTO has been working for the past 5 years. Now the product is finally ready and has convinced PRG by its’ unique LED packaging technique to be ready for the rental market.
The patented Mini LED technology with 2nd generation of CLD P1.5mm product characterizes itself by an extremely high contrast ratio, super robust and its 180-degree viewing angle, which will impress and seduce the automotive sector and the high-end corporate market.
With the AOTO COB Mini LED 1.5 screen, customers can take advantage of these following benefits:
Pixel pitch of 1.5mm
20 Bit processing depth
3840Hz refresh rate
3G & 8G support
This product will be available for rental in our PRG equipment pool as from August 2018 with its’ full processing system and the stacking/suspension.
Steven Shen, General Manager AOTO states: ‘We are very excited about this product and having PRG first to market We are convinced that this will be the highest resolution rental LED screen in the world and that it will attract great attention to itself!"
Gary Boyd, Executive Vice President & COO EMEA of PRG adds: ‘AOTO has developed technology and products at highest level for the past 25 years. With the new Mini LED we are convinced that this is the right product for the rental market. It will perfectly serve our customers needs and wishes in terms of high resolution indoor LED screens.’
Our company realizes a large number of large as well as small events and is permanently looking for skilled manpower and specialists.
By inscribing yourself and creating your personal profile on this platform, you will assist us in finding the right people for the right jobs. Our PRG Project Managers and Crewbookers will be able to assess the applicants and service providers better.
In the medium term, this will create a large service provider pool and the processing of cooperation should become significantly more efficient.
During the registration process, we will ask about your “skills” – meaning your qualifications or your expertise. You can grade yourself for each of the skills you would like to offer us. We are often looking for professionals with a range of skills; the more you’ve got to offer, the more we will work with you on a more frequent basis!
Your registration on the Crew Portal will become the future requirement for cooperation with PRG.
Created profiles are visible to the other PRG affiliates, which also creates the possibility for you to be contacted by our colleagues within the PRG Group.
On April 30th, the musical 'Soldier of Orange' celebrated its' 7.5 year anniversary.
The theme of this jubilee was based the unveiling of the V-monument in the TheaterHangaar in Katwijk. The V-monument houses a collection of memories in a transparent, three-dimensional Vs, designed to keep those memories alive.
Not only by telling the history of Erik Hazelhoff Roelfzema and his friends, but also by sharing the memories of other Dutch people who witnessed the Second World War.
PRG is proud to have been on board with this production for the past 7.5 years and is celebrating this long-term relationship with the longest-running theatrical production ever in The Netherlands.
The past few months, PRG made major changes to the lighting rig of Soldier or Orange. All the previous used TL and Arc fixtures are replaced by LED fixtures. Mid 2018, PRG will present THE newest family member: the PRG Icon Stage. This LED fixture will replace all the Vari*Lite VL-3500Q fixtures, which are replaced after 7,5 years loyal service. The technicians of Soldier of Orange were closely involved in the development of this fixture, with a large quantity that to be located in the European stock. The first units shipped for Belgium will be fitted into the lighting rig of Soldier of Orange, that’s a first!
PRG’s New Concert Touring Products on U2’s eXPERIENCE + iNNOCENCE Tour
Pure10 and Rolling Video Floor Risers elevate the touring industry
LOS ANGELES – May 14, 2018 – Production Resource Group LLC, (PRG), the world’s leading provider of entertainment and event technology solutions, announces two product innovations - Pure10 and Rolling Video Floor Risers - which have been integrated into the design, production and operations for the U2 eXPERIENCE + iNNOCENCE Tour. Both solutions demonstrate PRG’s dedication to innovating products that respond to the needs of artists, tour designers and managers seeking to push boundaries and deliver a more immersive concert experience.
“PRG has supported every U2 tour since 1992, and they always challenge us to be innovative with available technology or to create something new,” said Jeroen Hallaert, director of PRG Projects North America.
U2 eXPERIENCE + iNNOCENCE Tour is a follow up to the 2015 Songs for Innocence Tour for which PRG provided the video cage on the moving catwalk between the video screens. However, for the 2018 tour, U2’s creative team required high-resolution, super transparent LED video screens and an independent automated kinetic catwalk between the video screens. The purpose of the transparent LED video screens is to allow band members to perform amidst the LED walls (as during the 2015 tour) without creating a visual divide in the arena. It also provided the ability to integrate Augmented Reality into the show.
Further, the design team wanted the catwalk to be accessible by a moving staircase, and therefore the catwalk should move independently from the video screens. This added automated catwalk required more motors and equipment, thus adding weight. This meant PRG Projects had to find a solution to make not only high-resolution, super transparent LED video screens but also make it super light-weight.
In response to U2’s challenge to create a transparent LED wall, PRG Projects revolutionized the way LED screens are built and created the patent-pending Pure10. Rather than mounting the printed circuit boards (PCB) holding the LED in standard clunky frames, PRG Projects sliced the PCB in strips and turned them 90 degrees with the LED mounted on the side. This resulted in 75 percent transparency.
The added specially curated Augmented Reality scene-setter - triggered by the LED screen – required a transparent, high-resolution screen. The way PRG Projects chose to build the screen allowed for a 10mm pixel pitch. A pitch far superior than what PRG Projects initially imagined.
“The creative team and the band were looking for a LED screen that allowed them to use AR in the way they envisioned. Pure10 works so well thanks to the magic combination of the pixel pitch, the high transparency and the brightness,” said Hallaert. “The band now calls the screens and catwalk the barricage.”
Additionally, rather than metal fabrication to house or frame the Pure10, PRG Projects used knowledge gained from developing the SPACEFRAME® and engineered a fast-building system in carbon fiber. This resulted in the weight savings that the tour’s production team was looking for. It also gave free reign to the designers and the band to further use the automated catwalk creatively.
As with the innovative transport design for the SPACEFRAME, PRG Projects has advanced the way concert touring is taken on the road with Pure10 by maximizing space and volume in trucks, airplanes and sea containers. The number of trucks needed is cut in half compared to the 2015 tour. Further, when the equipment is used during the show, empty transport dollies fold, stack and roll away in the tiniest spaces. This allows for other departments to move around the venue more freely and makes for ergonomic and superior logistics for load-ins and load-outs.
Rolling Video Floor Riser
The Rolling Video Floor Riser is a revolutionary system in how it’s built and disassembled. Initially revealed last year, PRG Projects updated and upgraded it for U2 to be used as the round stage. Each riser is fitted with 2 LED modules offering a high resolution 4mm pixel pitch during performances. Each riser has integrated magnets to enable a speedy assembly - an LED Floor of up to 1,076 square feet can be set up in less than 20 minutes.
“The Rolling Video Floor Risers were developed to meet the short set-up and change-over times of LED flooring which is perfect for the concert touring and festival segment,” said Mark O’Herlihy, vice president of PRG Global Entertainment.
Not only do the Rolling Video Floor Risers dramatically reduce the set-up time for an LED floor on stage, they also are transported in especially fitted dollies, which contain six risers each. The dollies are 1.6 m in height, allowing shipment via airfreight on the lower deck, which drastically reduces the shipping costs.
The Love the Tuenti's tour has kicked off in Madrid
The Spanish tour Love the Tuenti's kicked off last weekend with a first show in Madrid. Over 18.000 music lovers came down to the Wizink Center Arena to enjoy 5 hours of the best music from the 2000's, with the most famous artists and dj's from that decade live on stage.
Also for PRG Spain this tour is a premiere, with the introduction of the Icon series on the Spanish market, the Spanish team is in charge of the whole tour in terms of the technical design, equipment and logistics. Translated in numbers that means: 8 trucks of equipment, 60 technicians in 2 shifts and - besides rigging - everything from load in, setup, rehearsals to the actual show and load out within 24 hours.
The set-up consisted of 670 lighting fixtures, of which 60 Icon Beams 280W and 46 Icon Edges 470W. The lighting set was piloted by 2 GrandMA2s and 3 NPUs. The spectacular video show was made possible by 765 square meters of LED (ROE MC 12 & Pixel Screen PLED 206 E3) to create the 3 circles in motion and curved trusses facing the public.
The sound system that supported the variety in music throughout the night was composed of a complete Adamson kit, piloted by 4 Digico sound desks.
Congratulations to our PRG Spanish team for taking the lead in this incredible cross-country collaboration with PRG teams in Germany, Belgium and the UK.
The show is exemplary of what we can achieve with one strong European PRG team, absolutely unique in our industry.
We are looking forward to the next shows on September 15th in Bilbao and 29th in Valencia, and to collaborating again with ShareMusic.
Our special thanks go to Hugo Albornoz, CEO Sharemusic, for the coordination of the show, Edu Valverde as our set and lighting designer and Juan Manuel Lazaro, Lights/D3 programmer and operator.
Thank you also to all our teams in Spain, Germany, Belgium and the UK!
Account Manager: Luis Briz
Project Manager: Pako Palazón
On site Manager: Joan Román
Lights Crew chiefs: Vicente Ferreras y Emiliano Almeida.
Sound Crew Chiefs: Victor Retana y Oscas Navieras
Video Crew Chiefs: David Garcia y Juanjo Lopez Martin.
Marta Viscarret, Management
Sergio Puig, Sergio Bello, Alberto Aparicio, Juan José Ros: Design
María Álvarez: Booking
JM Sanz: Video
Teresa Álvarez: Logistics
Sebastián Serafini: CFO
Isabel Martín: Communication & Press Relations
Saturday, March 10th the legendary Dutch rock band BLØF took the stage in a sold-out Ziggo Dome in Amsterdam. 17.000 fans had gathered for a spectacular show full of surprises.
PRG took charge of sound, lighting and rigging, as well as video.
The Adamson PA, consisting of 60 E15’s, 24 E12’s, 12 S10’s and 32 E219 subs ensured the lush sound in the Ziggo Dome, with a Digico SD5 for the Front of House and a Digico SD7 for monitoring.
A breathtaking projection on a main Pixelscreen solid LED screen of 30 meters wide, 6 meters high and 14 moving objects of 6 by 1 meter staged the classic glass windows of a giant church. The Motion controlled objects allowed changing the setting from intimate to impressive. The lighting, designed by Patrick Kramer, supported this variation in BLØF’s repertoire. PRG provided a various lighting package with more than 70 PRG Icon Edges and fulfilled the trussing with Robe Square, Robe Spiider, Robe BMFL Blade and Martin LED Atomics, all controlled by 2 GrandMA2 Full Size consoles.
The smooth course of the evening was ensured by PRG’s team with Peter Daane, Project Manager, Patrick Demoustier, FOH engineer and system designer, Johan van den Bossche as a monitor engineer and Niels van den Heuvel as a pré-mix engineer. Leon Driessen and Patrick Kramer controlled the lighting package.
We want to say ‘thank you’ to the band, the management by Agents after All and Marty Brugmans, technical producer of the show. We can look back on an unforgettable evening and collaboration.
It is the most visited ice show in the world - Holiday on Ice! This year, the production celebrates its 75th anniversary. "Atlantis" is one of two shows currently touring Germany and France, exciting its audiences with spectacular costumes, great choreography and impressive scenography.
Once again this year, PRG will return to Holiday on Ice’s frozen world and support the show in terms of event technology. In addition to rigging and audio technology, PRG also provides lighting and video technology.
Adam Bassett of Woodroffe Bassett Design is the lighting designer of the show. Among other things, he and his team have worked on the lighting for the Rolling Stones, Lady Gaga and the Olympic Games. Adam Bassett explains what aspects played a role in the implementation of the current tour:
"Whenever we develop projects, it's the interplay between the design and what we have available in terms of budget, equipment and technology to meet the specific design challenges. It was very helpful to work closely together with PRG from the start, trying to find technical solutions to the complexities, within our budget."
One of the technical highlights of this year’s tour are the ten automated Roll-up screens in the middle of the ice rink. For this, PRG uses six Panasonic PT-DZ21K projectors. The Roll-ups are controlled via DMX by the GrandMA2 console. The GrandMa2 console also controls the WO media server to track the different positions during the show. A completely redundant WO system is used as an output.
As a backdrop of the ice rink, we installed a large video projection. Two Barco HD projectors W f 26K project in different depths so that with the help of the WO system, the data is mapped and a 3D effect is created.
The projections also emphasize the costumes of the figure skaters and thus create the magical atmosphere of the lost city of Atlantis.
Kjell Peersman, Technical Manager of Holiday on Ice, is delighted with the successful video-technical implementation of the show content:
"We had to find a tailor-made solution to deliver video content on the automated roll-ups. PRG developed a great solution for this, making all boards and media servers communicate with each other. The result is just great! "
In addition to video technology, the lighting has been carefully adapted to the scenario of the show. A total of 40 Icon Edges were used. This moving head is a fast beam, spot and wash luminaire; it contains a wide range of gobos and offers a lot of lighting effects, which benefits the tour.
Bob Walpot, Director of Operations and Asset Strategy PRG, is satisfied with the technical solutions the team has created for the show:
"The combination of these video and lighting elements in synergy with the sumptuous costumes creates a wonderful and immersive show."
Holiday on Ice's Anniversary Tour is also a great success! In total, over 90 shows are performed. Till the end of February, the ice skaters will still enchant the audiences before Atlantis sinks back into the sea.
The 9th edition of the Longines Masters of Paris, European leg of the Indoor Grand Slam of Showjumping took place from Nov 30th to Dec 3rd.
This renowned competition is one of the most prestigious equestrian events worldwide, which attracts more than 50 000 spectators and is broadcasted in more than 120 countries.
PRG Belgium provided all lighting, video and sound for this 5* Event and premiered with 130 of its’ new sports lighting fixtures the Ephesus Arena Pro 300 in Europe.
Bruno Sepulchre, Production Director EEM, explains: “PRG accompanies us on the Longines Masters since numerous years. Their team is aware of our needs in terms of technology, services and flexibility but also has the broad and fundamental knowledge of the venues. Affinities create themselves and the way of work is reinforced with every production we do together.
I have been wanting to find an LED sports lighting fixture, which offers a irreproachable even lighting and that can be relit instantly in case of a small power failure or technical problem without any cooling time in Europe for years — it was my absolute dream — and it is absolutely fabulous that PRG made it possible for us! For me it is a fantastic achievement!”
The Ephesus Pro 300 LED sports lighting fixture provides a high quality flood lighting which meets the lighting standards of every arena sport.
The field of play is lit uniformly without any glare, unwanted shadows or hot spots. It’s an up to 50% energy saving spot lighting solution with colour tuning technology, which offers the possibility to flood the field in any colour from 3500K to 6500K and can be implemented in the show lighting to enhance the spectators experience. It is fully HDTV compliant and is rated IP66!
Frank Lombaers, Show Producer, adds: “The Longines Masters is much more than a sport event. It’s about lifestyle, it’s about luxury, it’s about presenting brands and all of this makes the Longines Masters what it is and what it has become since it first started as the Audi Masters in Brussels in 2004. At every production, and believe me, I have a long history of productions with PRG, their teams bring us absolute added value to the events we produce. A load of know-how, a lot of professionalism and a structure with which it is very good and trustworthy to work with worldwide!”
In addition to the lighting technology supplied by PRG, of which the lighting kit was composed of 130 Ephesus Arena Pro 300 and 32 Icon Edges for the competition area and 164 SGMs for the VIP zone and the seating zone of the spectators, PRG also provided three ROE MC7 LED screens and a comprehensive kit of 100 KIVA Acoustics.
Stephan Paridaen, President & COO of PRG Group, stipulates: “PRG is very proud to be associated with the Longines Masters Series globally because a lot of the production synergy and values that EEM and Longines are bringing to this sport, which I happen to be passionate about, are very tied to our PRG values — attention to detail, attention to quality, going global and making sure that the entire production and the services are of top-notch quality! We can supply products, we can provide technology but PRG stands for Productions Resource Group and that is really the value we bring to our customer.”
PRG would like to thank Christophe Ameeuw, CEO of EEM, creator, owner and organizer of the Longines Masters, Matthieu Gheysen, Bruno Sepulchre and Frank Lombaers for the trust they place in our 360° services and thank our own team for their great dedication and their great team-spirit which was complimented by the client.
In February 2018, the Longines Masters Series will open its’ doors in Hong Kong before heading to New York in April 2018.
The French indie Rockers Group Phoenix started its’ world Tour, Ti Amo, in North America in May this year, before rocking the festival season here in Europe, then hitting the Asian continent and returning for their shows in London and Paris this month of September.
Once the whole of the creative design in place, Live Nation France, renowned organizer of prestigious concerts worldwide, approached PRG France with a very ambitious and challenging set design needing to dazzle spectators on a festival stage as well as an Arena stage, without changing the design.
The guideline resumed itself in ‘modularity and time saving touring concepts’ for this Phoenix World Tour, for which PRG France pulled in the PRG Projects team, who specializes in the integration and development of unique staging and visualisation items.
In very close collaboration with the client, PRG France and PRG Projects met this thrilling challenge by engineering, customizing and producing 126 Rolling LED Floor Risers with integrated magnets to enable an assembly in less than 30 minutes of an LED floor of up to 93sqm during the changeover time of a festival.
The custom video risers were equipped with two ROE LED Black Marble 7 tiles each and had to be interlockable like Lego blocks.
Second, but no less of a challenge was the request for an inclined floating mirror on stage, just above the band, which needed to be built simultaneously. PRG Projects designed two sets of 100sqm of mirrors, weighing 2,8 tons, which were suspended in a very strong aluminium frame from a separate grid with bumpers above the stage, to withstand any eventual windy passages.
Matthias Leullier, Deputy Managing Director Live Nation France, comments: “I was very happy to work with PRG on a global production level for this project, because they came up with lots of solutions and managed to realize every aspect of this set design! Without PRG’s expertise and knowledge the whole thing would not have been possible!”
Thierry Kra, General Manager PRG France adds: “I would like to thank Matthias Leullier, for the utmost confidence he placed in us for this challenging project! It was an absolute pleasure to realize this standout design and stage setup with him!
Furthermore, I would like to thank the whole of the PRG Projects team as well as my own here in Paris for their dedication and team spirit! It was simply phenomenal!”
Last weekend PRG Netherlands was proud to be a part of the first edition of the 3 Days of Cycling in the Sportpaleis Alkmaar.
Cycling fans from northern Holland supported the cyclists. A unique 3 days, where the first ‘Stayeren’ was introduced and the ladies drove behind the Derny. An exciting race up until the last round. The duo Stroetinga/Havik won the copplingrace. An extremely powerful Kirsten Wild took her title with the Beet-It Ladies. Former European champion Atzeni won with pacesetter René Kos the municipality of Alkmaar Stayer Cup.
Vincent Thijssen, Director of Alkmaar Sport and organisor of this event, commented immediately afterwards: “I can rightly say that I have been a very proud director of these three days of race. All of this has exceeded my expectations. We have placed Alkmaar on the map as Sports city. In my opinion, we can say that after this first edition, we can start with the preparations of the second edition. "
PRG was responsible for a flawless technical production in terms of rigging, conventional lighting and show lighting, which included amongst others some PRG ICON BEAMs, Mac Viper Performances, Led Flood P5 Washes, controlled by a GrandMA2. For the soundkit PRG opted for the quality of the Adamson S-10 and Digico SD11 sounddesk.
We would like to congratulate the organization on the successful first edition and thank them for their trust and truly good cooperation. We are already looking forward to the second edition of the 3days of cycling Alkmaar in 2018. Special thanks to Marty Brugmans of Tintaan Productions
A big thanks as well to our technical producers and crew for their great performance.
PRG Netherlands concluded the festival season 2017 with a prestigious performance at Live in Meppel. The Meppel city festival started on Friday evening with a ‘Prinsengracht concert’. Accompanied by the ‘Noordpool Orchestra’, O'G3NE, Gare Du Nord and Jett Rebel gave their utter best.
Saturday morning, the smallest fans could admire and sing with the swirling performances of ‘Fireman Sam’ and ‘De Dikdakkers’ during the KIDS festival.
The icing on the cake took place on saturday night with the performances of Memphis Maniacs, Sven Hammond and De Dijk at the Live in Meppel In Concert.
The organisation of the festival stipulates: "What a great weekend we have had! Both the Prinsengracht Concert, the KIDS Festival and Live in Meppel In Concert have earned purely positive responses and smiling faces. The fifth edition of our city festival has been a great successl thanks to PRG’s technical support. A very big THANK YOU! "
PRG delivered lighting, sound and rigging and would like to thank the organization and our technical production crew for their trust and marvellous cooperation. We are looking forward to the next edition.
PRG would like to congratulate the organisation of the Dutch Pavilion at Expo 2017 for receiving the honourable award of the Exhibitors Magazine in the category "Best Use of Technology".
Judges had this to say about the technology that PRG integrated for Netherlands Pavilion:
The 3D holographic movie in the Netherlands pavilion was just the cherry on top of a Mondrian-inspired cake. Together, they conveyed the intelligence of the Dutch and their ability to adapt to a hostile environment of floods and climate change.
The multi-layer holographic 3D experienced was a visual feast while strongly supporting the expo theme. I loved the integration of the iconic Dutch elements from the entry, and their use in the presentation.
Excellent use of holographic 3D technology, used in several layers to achieve a unique and memorable show.
The flow in most 3-D experiences is the need to wear glasses or goggles, which detracts from the experience and makes the entire thing feel overwrought. This, however, was effortless, seamless, and arresting.
Rob Harks, PRG Netherlands: "We are very proud that we have been able to put the Netherlands in such a good daylight. This award is the cherry on the cake. AV technology is often underestimated and it's up to us to show what's possible within a substantial budget. "
PRG Netherlands provided, in consignment of General Contractor Hypsos, the Dutch pavilion with general lighting, show lighting, audio and video hardware throughout the entire pavilion. The highlight is the 'Main' show in which an innovative 3D holographic projection, combined with a light, sound and video show, provides ultimate experience.
Mark van der Werff, PRG Project Manager, said: "The 3D holographic projection was a great success and we are proud of the customer's positive feedback. It was the customer's wish that the system can operate fully autonomously without the intervention of an operator or technician, which can be selected from different shows at any time. The entire system is constantly monitored in Utrecht through a broadband internet connection. "
"In PRG, we have found a very professional partner who has always worked flexibly and solution-oriented throughout the project," says Heide Agne, Director Strategy at Hypsos.
PRG thanks Hypsos and the Dutch government for their trust and good cooperation, and are already looking forward to the "big" World Expo of 2020 in Dubai, where PRG will play a home match.
Read more about this production in our previous news article.
The summer season is in full swing and the first big festivals have already closed its doors. PRG not only delivers audiovisual equipment to festivals this summer. We also support some Belgian artists during their summer tours, like Oscar and the Wolf! The band is well known for its impressive live gigs with a lot of bells and whistles on stage. Logically, expectations for this years’ technical concept were high.
At the start of the show, the singer of the band Max Colombie appears on an elevated platform, covered with LED elements. Minutes later, the set piece gets more depth when we discover the band is playing underneath, inside a box, behind a see-trough LED wall. Ludovic Beun (Creative Director), Cate Carter (Light Designer) and Jan De Keyser (Production Manager) designed this remarkable construction. PRG Production Manager & Crew Chief Jo Vaes is responsible for a smooth course on site.
The LED construction is entirely custom made and developed by PRG. It’s based on a structure of custom made frames with a total of 288 integrated MiTRIX panels. These LED features are chosen for their see-through aspect which makes the band members partly or completely visible at particular moments in the show. The LED screens are controlled by DX700 processors. These processors had to be integrated at the top of the structure, for the boxes to be completely hidden for the public. Inside of the LED box, we installed 3 cameras to make close-ups of the band members. These close-ups are projected on the front screen of the box. Simon Harris controls the LED panels with a Green Hippo Karst media server, delivered by Bryte Design. The video content was created by Milc and Cookies. PRG video technicians Bram Verboom and Jan Reyntjens complete the video team.
On the top of the LED box, PRG installed 10 Stormy Strobes and 10 Sharpy Washes. Some Impression X4 Bar 20 LED Strips are installed above and underneath the ceiling of the box as backlight for the singer and his band. Inside the box, we use 6 X4S Led Washes to highlight the musicians, combined with 3 SGM Q7 on the floor behind the band members to create extra backlight.
The set up is completed by side lighting on the stage. On both sides, we use 2 ETC LED S2 Lustr profile spots. The fixtures are installed on poles, covered with an Impression X4 Bar 20 LED Strip. The pole itself is fixed onto a baseplate on wheels to assure a smooth change over. The profile spots are combined with one rolling riser on each side of the stage that carry 6 Sharpy Washes. The whole lighting set up is controlled by a Grand MA2 full size with NPU. Anne-Sophie De Pickere and Ruben Simons are the PRG lighting technicians for this project.
The LED box is 9,2 meters large and is constructed in 3 parts for the load-in and load-out to go as fast as possible. The change over times on festivals are usually very tight. The three parts are brought on stage separately and then connected to each other. This allows PRG to build the whole set in less than one hour.
One of the challenges our team encountered during construction was to reassure the stability of this custom made set piece, for the singer to walk on top of the LED box. We added extra steel cables at the sides of the box to strengthen the structure. The result fits perfectly into the visually appealing show with confetti cannons, pyro machines and smokescreens. Accordingly, the first reactions regarding the new set up of the tour are extremely enthusiastic!
This successful outcome was only possible thanks to the great collaboration between Bryte Design, Tour Manager Stijn Smet, Production Manager Jan De Keyser, Creative Director Ludovic Beun, Pyro & Special Effects partner Dewico and the entire PRG crew!
The LED box was used for the first time at the Holland festival Down The Rabbit Hole. One week later, Oscar and the Wolf played in the Barn at Rock Werchter. Next up are the two weekends of Tomorrowland and finally, they will end the summer at the Lokerse Feesten.