Looking Back at Coachella as Summer Comes to An End

Music festivals are happening year-round, worldwide. There are now more than 800 every year in the United States alone. While fall and winter months see a steady sprinkle of fests, April through August are still the prime months for Americans to experience a different, large-scale event every weekend.

As peak festival season winds down, we took a look back at the iconic, annual kickoff event for the west coast – Coachella. PRG provided lighting and video for Coachella’s massive main stage, lighting for the nonstop party in the Yuma tent, and various disciplines for 15 different artists for both weekends of the famed music festival in Indio, CA this April.



The impressive Coachella main stage video walls were made of 590 LED tiles and could be seen in beautiful clarity from all the way across the Empire Polo Fields. PRG’s proprietary SpaceFrame was used to save truck space and reduce the need for additional wind bracing.


With desert winds reaching 30 mph during the festival, the SpaceFrame advantages were definitely felt. Carbon fiber fabrication and built-in wind bracing reduced the overall weight of the walls, increasing safety. The compact, lightweight design of the frame offers an estimated 30 percent reduction of installation and dismantle time.

Inside the PRG video truck that sat behind the Coachella stage, multiple stations for pre-vis were set up for programming. This area also housed the powerful D3 media servers and served as a haven from the harsh desert conditions and a temporary home base for the video crew.

“The 3D interface helped us to preprogram the screens for Coachella content, while D3 made it possible for artists to preprogram their shows, come with it on a hard drive and use PRG systems to playback without needing to make large changes or reprogram,” explains Anthony Vasquez, who handled PRG Screens Control & Media Servers for Coachella. “Our systems allowed for artists to be located at FOH, on-stage, or use the house system for seamless playback across all screens.”

PRG has a long-standing relationship providing Coachella main stage lighting by way of Vice President of Global Accounts Bobby Allen.

This year, PRG’s proprietary Best Boy HP Spot Luminaire fixture provided everything from spots to washes for headlining sets, alongside Clay Paky Mythos IIs, B-Eye K-20s, Solaris Flare Strobes, and Chauvet Strike 4 LED lamps. A total of 254 fixtures served as the baseline setup for the main stage, all provided by PRG.



For the first time, PRG provided the lighting for Coachella’s techno escape from the desert heat, the Yuma tent. The Yuma tent was added to the festival in 2013 and has gained popularity and production value ever since. This year, lighting designer Steve Lieberman significantly upped the counts of Robe Pointe’s and Spiiders, adding about twice as many rows of beamy lights into the symmetrical grid of the tent’s ceiling, which lends itself well to chase patterns, AB patterns and room shifts. Another addition to 2019’s Yuma tent were 25 Sceptron squares that lined the ceiling, creating a grid of light that was triggered on a MA Lighting grandMA2 console. Forty Elation Protron 3Ks created washes of color, while also offering strobes, macros and pixel functions for added variety.


The center divider of the triangular tent featured a line of four 3’ mirror balls with the iconic Yuma symbol, the disco shark, serving as the room’s centerpiece. LA locals and international clubbers may recognize the disco ball shark from Hollywood’s Sound Nightclub - and that’s because Sound’s owner, Kobi Danan, is also behind the curation of the Yuma tent.


PRG provided projection, rigging, and video services for Ariana Grande’s closing set on the Coachella stage. As the video provider for her current Sweetener World Tour, PRG helped replicate LeRoy Bennett’s touring design for the festival, which featured a 28’ diameter inflatable sphere and six 30K projectors at front of house. The superstar’s set was at its most stunning during ‘NASA’, in which the stage seemed to zoom into hyperspace with galactic content and the sphere transformed into a giant moon, mimicking the full moon that hung above in the sky on Weekend 2. This account is handled by PRG Account Executives Nick Jackson and John Wiseman.


The brooding French producer’s team came to PRG with their concept for his tour and festival appearance. This resulted in a 40-foot-high scenic build of an automated monolith structure. Coated in the darkest substance known to man, Vantablack, on the concave side to create the illusion of infinite depth and blackness, it essentially simulated a black hole on stage.

The structure opened to reveal an automated LED wall, which in turn revealed a blinder light wall hiding a solid column of hybrid strobes. In a unique multi-depot collaboration PRG provided scenic, rigging, automation, lights and LED for the Outdoor Stage set by way of Jeroen Hallaert, Director of PRG Projects North America.


Seventeen-year-old sensation Billie Eilish had one of the most anticipated sets of the weekend. PRG and VER provided lighting, video and rigging services for her Outdoor Stage set by way of Account Executive Anthony “Looch” Ciampa. With conceptual and vocal maturity far beyond her years, Eilish flitted in between her dreams and nightmares. A bedframe hung in midair at one point, which she performed from. Fitting, as her album was recorded mostly from her guitarist, producer, and brother, Finneas’s tiny bedroom studio.


Puerto Rican rapper and reggaetón star Bad Bunny brought upbeat energy to the Coachella stage for his daytime Sunday set. PRG provided additional LED, lighting and rigging through project manager Josh Huffman.


PRG also provided:
Blood Orange – audio
Childish Gambino – rigging
DJ Snake – lighting and rigging
Khalid - lighting
Lizzo – lighting
Maggie Rogers – lighting
Project Yellow – lighting
RÜFÜS DU SOL – video
Sofi Tukker - lighting and video
Tame Impala – rigging
Weezer – lighting and rigging


Bobby Allen – Vice President Global Accounts
Brooke Hershey – PRG Production Coordinator
Bryan Barry – PRG Logistics Manager
Kevin Maloof – PRG Runner


Ken Flagg – PRG Mainstage Head Rigger
Paul Armellino – PRG Mainstage Second Rigger
Brendan Yeager – Headliner Rigger
James Costa – Headliner Rigger


Stephen "Dak" Harris – PRG Mainstage Lighting Crew Chief
Chad Smith – Lighting FOH Tech
Todd A Turner – Lighting Tech
Randy Thomas Foote – Lighting Tech
Madison E Gray – Lighting Tech
Marjorie Arner – Lighting Tech
Kurt R. Thormodsen – Lighting Tech
Chris "Axl" Wiegel – PRG Mainstage Dimmer
Giovanny Carvajal – Mainstage FOH Tech
Jason Winfree – Ground Control Tech
Michael "Zach" Matthews – Lighting Tech


Jeff Gainer – PRG Video Project Manager
Eric Geiger – Chief LED Engineer
Anthony Vasquez – PRG Main Stage Screens Control Media Server Manager
Charles F. Dabezies – PRG D3 Operator
Abril Gamez – E2 Operator / Programmer
Sean Filstrup – E2 Operator / Programmer
Duane Wright – E2 Operator / Programmer
Tim Nauss – FOH Video Engineer
Evan Cervantes – LED Crew Chief
Maarten Deschacht – LED Engineer
Sam Foumberg – Video Engineer
Mauricio Villalobos Schlotterhausen – LED Tech
Justin Welch – LED Tech
Kenny Patterson – LED Tech
Joseph Arreola – LED Tech
Arturo Alonso – LED Tech
Casey Bowen – LED Tech
Neil Welch – LED Tech


Daniel Moore – Yuma Crew Chief
Emin Hagopian – Yuma Dimmer Tech
Daniel Vargas – Yuma Lighting Tech
Stephen Jim Mecsery – Yuma Blaze Tech