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"This year, PRG was able to provide cinema-style cameras for the first time in Super Bowl history,” said PRG SVP of Television, Film & Broadcast, Andrea Berry. “We’ve been a long-term lighting provider for the event but now we can add camera and broadcast technology to that as well.”

• The 35Live! workflow replaces traditional multi-camera approaches with digital 35mm cinema cameras and lenses that can be broadcast live or pre-recorded.
• The camera order included 3 engineers, 8 ARRI ALEXA Minis, 2 ARRI AMIRAs with lenses, along with the 35Live! lens control, Super 35 sensor, and ancillary accessories.

• PRG provides camera and camera support for the series
• Local PRG Atlanta offices allow for swift gear swaps and low transportation costs

• PRG provides entire camera packages including ARRI Alexa Mini and/or ARRI Amira cameras to all three shows
• Lenses include Fujinon Cabrio, Angenieux zoom, Zeiss prime and accessories
• Local PRG Chicago offices allow for swift gear swaps and low transportation costs.

• Production and streaming companies B Live and CS Global Group used PRG solutions to capture the event
• 35LIVE! ensured cinema-quality streaming to YouTube
• PRG delivered an innovative cine workflow in a multi-camera broadcast environment

• Large sensor 35mm multi- camera 35LIVE!™ system created a cinematic look and feel
• Provided a team of dedicated PRG specialists
• Proprietary technology only available at PRG

• 60 fps with UHD (4K) resolution of 3840 x 2160 pixels
• Camera and LED wall processors via fiber network
• Set up in one hour with operation by a single video engineer
• Check out the video!

• Entire movie shot in New Orleans during hurricane season and takes place in one script day
• Special Black-Tek rigging system allowed for quick camera setup
• Camera package included three Sony Venices, one with a Rialto tethered extension system, allowing flexibility in remote mounting
• Quick, efficient gear swaps meant the DP and director never waited on any equipment

“I can’t say enough good things about Mindy from PRG and the entire crew in New Orleans. They were so supportive, and all the gear swaps were seamless. I have no recollection of anything coming in and out, and that’s the way it should be.”
- Brendan Galvin, Director of Photography, Unhinged