With five full-service camera prep facilities in the U.S. and the most extensive inventory of cameras, lenses and accessories available, we are fully prepared to service every type of project at any location.

Floor is Lava

PRG has supported the game show Floor is Lava for the past two seasons on Netflix with lighting for the design from 22 Degrees, along with all cameras, systems and RF video gear.

Floor is Lava

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Super Bowl LVI Pepsi Halftime Show

After achieving such a stunning visual result with cinematic cameras on the Halftime Show last year, Director Hamish Hamilton had to bring it back for the 2022 event. PRG once again delivered with its proprietary 35LIVE!® multicamera system.

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Super Bowl LVI Pepsi Halftime Show

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  • The 35LIVE!® workflow replaces a traditional multi-camera approach using 35mm cinema cameras and film lenses, powered by a broadcast engineering and fiber system.
  • PRG built a control room inside the NFL media center, purpose-built for the halftime show feed.
  • The camera order included 2 camera engineers, 13 Sony Venice cameras, an assortment of Fujinon and Canon lenses, and the 35LIVE! lens control and ancillary accessories.
  • Read more about our involvement here.
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Kevin Can F Himself

AMC’s new series Kevin Can F Himself uses two distinct shooting styles to build contrasting sitcom worlds.

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Kevin Can F Himself

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  • PRG provided cinematic single-cam as well as multicam sitcom gear orders for the show.
  • PRG's Enhanced Environment car process was used for driving scenes.
  • Read the interview with DP Adrian Peng Correia here.
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Miley Cyrus Peacock Pride Concert

PRG provided cameras for Miley Cyrus’ “Stand By You” a Pride Concert Special, exclusively for Peacock.

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Miley Cyrus Peacock Pride Concert

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  • The camera order from PRG included Sony F55 Digital Cinema cameras and PRG’s proprietary 35LIVE!® 35mm multi-camera workflow.
  • Full truck capabilities for broadcast camera package.
  • Special was critically celebrated for its message, star-power and production quality.
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Ozark

Our services for the Netflix crime drama contribute to the booming Georgia production industry.

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Ozark

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  • PRG provides camera and camera support for the series.
  • Local PRG Atlanta offices allow for swift gear swaps and low transportation costs.
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Chicago Series

We provide camera and continual support for Dick Wolf's long-running franchise.

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Chicago Series

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  • PRG provides entire camera packages including ARRI Alexa Mini and/or ARRI Amira cameras to all three shows.
  • Lenses include Fujinon Cabrio, Angenieux zoom, Zeiss prime and accessories.
  • Local PRG Chicago offices allow for swift gear swaps and low transportation costs.
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Camera Prep Facilities

In addition to our camera prep facilities in Los Angeles, we have new locations in Brooklyn, Atlanta and Chicago—serving our growing production communities.

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Multi-Cam & Systems Integration

Customize, engineer, and outfit multi-camera flypacks for productions of any scale. We package for performance. No one else aggregates products in a system like we do. You will be instantly production-ready, whether you’re filming a feature, reality show, concert or comedy special.

Metallica 40th Anniversary

Marking their 40 years together, Metallica performed two epic concerts at San Francisco’s Chase Center.

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Metallica 40th Anniversary

  • PRG provided 45 LED displays hanging above the stage
  • LED panels consisted of ROE CB5 and CB8
  • Video Director Gene McAuliffe chose Sony HDC 4300 and HDC-P50 cameras for their multi-format options
  • Production design by Dan Braun has worked with band for 25+ years
  • Click here to read the article.
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Super Bowl LVI Pepsi Halftime Show

PRG has supported the Halftime Show for the Big Game since the 90s with technical and logistical expertise.

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Super Bowl LVI Pepsi Halftime Show

  • For the 2022 event, PRG provided cameras, engineering, broadcast equipment, rigging and lighting.
  • One of the most viewed televised music events of the year requires a famously set up in a 6-minute time frame.
  • For the Pre-Show, PRG furnished 6 GrandMA2 consoles and more than 300 fixtures, with the entire system integrated with SoFi’s internal single mode fiber network.
  • Built a control room inside the NFL Media Center, purpose built for the Halftime Show feed.
  • Used 13 Sony Venice cameras, an assortment of Fujinon and Canon lenses, and the 35LIVE!® lens control and ancillary accessories.
  • Read more about our involvement here.
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Proprietary Camera Technology

Check out our award-winning products for television and film.

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PRG 35LIVE!®

A proprietary technology with special value as producers look to transition to linear and digital platforms, this 35mm multi-camera workflow combines the power and immediacy of live broadcast with the look and feel of cinema.

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