• The groundbreaking 10-episode competition series, created by MrBeast, set an astonishing 40 Guinness World Records, making history for the largest unscripted show in terms of prize money, number of contestants, gear and logistics.
• PRG had one month of planning to provide over 325 cameras, including ARRI, Sony, Black Magic and Panasonic, and coordinated 5 miles of fiber infrastructure.
• All this gear was packed into fifteen 53-foot semis dedicated to video, audio, LED and cameras.
• Set up 2 control rooms spanning 3 locations with a team of specialists
• Utilized a variety of broadcast equipment, including 3 Evertz NEXX routers, EQX16 Routers, and over 40 Riedel Micron UHD

• Featuring a mesmerizing performance by Sarah Snook, who portrays 26 different characters, the production pushes the boundaries of traditional theater.
• PRG supported this bold production with audio, automation, scenic modifications and video.
• Audio Design: Clemence Williams
• Scenic & Automation Design: Marg Horwell
• Video Design: David Bergman

• Nearly 60,000 feet (11+ miles) of fiber optic cable was used, enough to stretch across 150 football fields.
• Elation Proteus Radius fixtures lit up the stage, fresh off their debut at the CMA Awards.
• Pathway Connectivity developed and tested a new solution for their Via 12 Ethernet Switches, ensuring seamless fiber integration for the lighting system.
• The team provided an additional 55 fixtures, networking infrastructure and atmospherics for various pre-game events.
• PRG also equipped Van Wagner’s ‘auxiliary control room’ with flypacks including modular furniture as well as camera packages to capture talent, celebrity shots, pre-game elements and more.

“I’ve collaborated with PRG worldwide for decades because I value their approach—supporting both me and the production throughout pre-production, the show and beyond. They always make it work, and their crews take real pride in every project’s success.” — Al Gurdon