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• Innovative hybrid of hand drawn and computer animated imagery.
• NCam® allowed real-time tracking for previz on set.
• Billed and delivered from PRG Dallas location.

“It’s been a fun, creative journey to incorporate things like 3D graphics into a live action shoot to help bring this story to life.” –  Director Richard Linklater

• Sher used PRG technology and media servers to provide six layers of content.
• Created the environment with lighting and LED screens instead of adding in post.
• This gave him full control in timing trains passing and lighting changes within the scene.
• Actors were able to react to the lighting changes in real time, preserving the fever dream feeling of the film.

• Co-creators Dan Weiss and David Benioff were able to see the animated dragon on the set for the first time.
• Ncam® output of the running animation informed the operation of the on-set eyeline pole.

• With beveled glass and reflective surfaces on the train set, green screen was not an option.
• Enhanced Environments offered video playout on LED screens to create a “real world” on set.
• Resulted in a massive 40’ X 90’ high-res LED wall around the train set.

• Content projected onto a custom-built 360º translucent cylinder
• Actors interacted in realtime with the projected content
• Media server allowed content to be instantly re-called and manipulated while shooting
• Reduced costs by eliminating the need to create effects in post