See our Work

• PRG provided lighting, audio, scenic and automation.
• To facilitate positioning on the balcony rail, PRG customized GroundControl™ Followspot System to accept Robe Robin T1 fixtures.
• Audio system included innovative d&b Soundscape with spatial audio and object-based mixing.
• Automation control, including movement up/downstage plus 90° rotation of 10’ high x 30’ wide wall, via PRG Stage Command® System.
• Scenic design by Arnulfo Maldonado , lighting design by Jen Schriever, sound design by Drew Levy.
• Click here to read the article.

• Partnered with Full Flood Inc. to bring lighting design to life with more than 1,100 fixtures.
• Proprietary Best Boys®, Icon® Edges, Icon® Beams, PRG 5L Wash and GroundControl™ Followspots.
• Performances from Billie Eilish, BTS, J Balvin, Lil Nas X, Olivia Rodrigo, Lady Gaga and many more.

• For the 94th Academy Awards, PRG furnished a complete lighting system with more than 1,000 fixtures for design by Full Flood Inc.
• Proprietary Vx76 Console for control and 5 Ground Control™ Best Boy® units.

• The musical work blends blues, gospel, jazz, and soul in a classical oratorio featuring 18 singers and instrumentalists.
• Supported designer Nick Kourtides’ sound design.

• PRG provided lighting, scenic and automation.
• Set included pivoting side stage window walls made of glass, 30’ high x 4’ wide.
• Lighting embedded in scenic pieces.
• Lighting effects transport the audience from the present to the past.
• Scenic design by Derek McLane, Lighting design by Natasha Katz.
• Click here to read the MJ article.

• Innovative hybrid of hand drawn and computer animated imagery.
• NCam® allowed real-time tracking for previz on set.
• Billed and delivered from PRG Dallas location.
• Watch the film here.

“It’s been a fun, creative journey to incorporate things like 3D graphics into a live action shoot to help bring this story to life.” –  Director Richard Linklater

• Provided an L-Acoustics system designed for arena touring.
• Included 72 K2, 22 KS28, 36 KARA delays, 13 X8, 8 X12, and 72 LA12 amplifiers.
• Delivered superior audio quality for such a world-renowned opera star.

• PRG supported the band as they grow in audience and design.
• Audio and lighting by PRG.

• PRG’s proprietary Best Boy® Ground Control™ units were mounted on side ladders for spotlight moments and 96 Mythos made up the back ladders.
• Overhead lighting pod structure housed 288 Sharpy Washes to create hypnotizing patterns.

• For the 2022 event, PRG provided cameras, engineering, broadcast equipment, rigging and lighting.
• One of the most viewed televised music events of the year requires a famously set up in a 6-minute time frame.
• For the Pre-Show, PRG furnished 6 GrandMA2 consoles and more than 300 fixtures, with the entire system integrated with SoFi’s internal single mode fiber network.
• Built a control room inside the NFL Media Center, purpose built for the Halftime Show feed.
• Used 13 Sony Venice cameras, an assortment of Fujinon and Canon lenses, and the 35LIVE!® lens control and ancillary accessories.
• Read more about our involvement here.

• The main stage, affectionately called Big Beast, spanned an impressive 820 ft. wide by 137 ft. tall for which we supplied video, lighting, audio and rigging.
• PRG supported site-wide EVAC PA, projection mapping of the MDL Town Sculpture, and a lighting activation for a VIP entrance gate.
• Learn more about PRG and Soundstorm here.

• Partnered with Audible Theater.
• The show is available on Audible as part of the platform’s mission to make theatre more accessible and offer a different take on traditional viewing.

• Run by superstar musician Anderson .Paak, the nonprofit’s mission is to “Uplift + Engage + Support” through outreach programs and events.
• Through donations and ticket sales, The Brandon Anderson Foundation was able to provide free programming and experiences for over 3,200 people in 2021 and will continue that mission in the new year.
• Read more here. 

• The event was the concluding part of a five-day conference that brought together around 28,000 attendees for launches, games, competitions, and learning sessions.
• It took 181 chain motors, 3,900 feet of truss, and 29,000 pounds of ballast to support more than 40 tons of lighting, audio, and video to rig the largest party in the cloud tech world.

• The two-day event took place in Atlanta, Georgia at the Mercedes-Benz Stadium and featured a larger-than-life screen coming in at 263’ wide. 
• The screen had a total of 704 active heads including 12 GroundControl™ LongThrows™ and 5 PRG Bad Boy® units.

• PRG provided 45 LED displays hanging above the stage
• LED panels consisted of ROE CB5 and CB8
• Video Director Gene McAuliffe chose Sony HDC 4300 and HDC-P50 cameras for their multi-format options
• Production design by Dan Braun has worked with band for 25+ years
• Click here to read the article.

• Provided local LED services from Albuquerque.
• PRG’s Enhanced Environments car process utilized for in-car shots.

• The football championship game, in its 108th year, celebrated a return after a two-year hiatus and featured a halftime performance from Hamilton’s own Arkells.
• Learn more about the event and PRG’s global audio capabilities here.

• Ground supported Absen 1.5mm 20’W x 11’3”H wall.
• Can be seen during funeral scene in Episode 2.

• The show is the first to play at the new 5,000 seat Resorts World Theatre.
• PRG provided scenic support for the show including an impressive never-before-seen water wall feature.

• PRG Gear supplied the gear and expertise needed to fit a 140ft wide x 15ft high LED in the ballroom.

• Featured artists included Solomun, Floating Points and Four Tet.
• Lights, video, rigging, staging and towers provided by PRG.

• All three festival stages serviced by PRG.
• Also supported artist- specific supplemental gear for acts including Post Malone, Doja Cat, Kendrick Lamar, Tyler the Creator and Snoh Aalegra.

• PRG Gear provided LED, lighting and all motors, distros, and truss for the special event.
• Gear included 262 tiles of ROE Black Onyx, 40 tiles of ROE CB8, 50 Martin VDO, Sceptrons. 34 Robe Spiider Wash Units and 27 Astera Titan FP-1s.

• Hosted by the diva of darkness Violet Chachki.
• The show also featured performances by Drag Race alums Gottmik, Plastique Tiara, Age of Aquaria, Rosé, and Kim Chi.
• PRG provided lighting, video and rigging.

• PRG furnished an immersive LED gallery that can be seen in the show’s trailer.
• Check out the video here. 

• Lighting, video and audio services from PRG.
• North American support on all tour stops.

• “We used PRG for all our lighting production needs. PRG’s gear was in great condition, teched and ready to go. Communication was a key element for getting this show underway and we felt fully supported by PRG. The show went off without a hitch!” - Julien Reux, Lighting Designer

• PRG provided an end-to-end solution for the in-person & live-streamed general session with creative services for visual identity & graphics and the technical solution for a memorable conference.
• The main stage included a 100ft w x 20ft h wall created by blending four (4) Barco 30K projectors.

• Collaborated with lighting designer, Tim Deiling to realize a creative vision influenced by pop divas such as Beyonce, Rihanna, Katy Perry, Ariana Grande, Alicia Keys, and Adele.
• PRG’s Longthrow™ Luminaire, Best Boy® HP and Mbox® media server were used in innovative ways to provide a concert feel, flexibility and control.
• First Broadway show to ever use Longthrow Luminaires and employ Followspot Controller Handles.
• Read the full article here.

• PRG Scenic provided technical design, fabrication and installation for the multi-room, two story exhibit.
• 106 maze walls and 90 ceiling panels comprised of three different types of mirrored surfaces.
• Self-supporting truss system, over 850 ft of LED tape and an architectural water feature that holds around 450 gallons of water.

• Provided lighting and cameras for the full show, streaming on Amazon Prime.
• NYC premiere event at The Glasshouse included video solutions from PRG.
• The immersive event included plenty of photo opportunities, specialty cocktails, and a star-studded guest list.

• Provided 360-degree services supporting the general session, GABF awards, breakout rooms, speaker ready room and overflow on demand.

• LD John Daniels used a U-torm concept for the lighting design.
• 108 U-torms populated with Robe 1200 LED washes and Clay Paky Mythos 2.
• Scenius Unicos and Best Boys handled much of the keys and backs story for the show.

• Scenery equipment included monitors, projectors and rigging equipment.
• PRG also provided an active camera package that included ARRI ALEXA mini and AMIRA cameras.

• PRG supported artists on the Roxy stage, including Jonas Brothers, Marshmello, and Megan Thee Stallion.
• PRG delivered a full audio, video, lighting and rigging solution, using its proprietary FlexiFest® system.
• The system can be safely and efficiently reconfigured between acts.
• Eliminates the need to dismantle and rebuild the rig between one event and the next.
• Cost saving – reduces trucking and labor expense.
• Sustainable – fewer buses and trucks traveling from venue to venue.

• Filmed during the pandemic before a socially-distanced audience of frontline workers and 9/11 survivors.
• Debuted on Apple TV on the 20th anniversary of 9/11.
• PRG provided lighting and scenic for the Broadway production.
• PRG has also supported multiple tours and the production in London’s West End.

• Provided main studio in Kansas City with 360-degree support (LED, lighting, camera, audio, video engineering, graphics, teleprompter, live streaming and networking and crew services).
• Deployment of remote support to 15 States, which included use of our OneStream‚ studio kits, remote studio recording in Atlanta, and live broadcast from the Cirque Du Soleil Mystere Theater in Las Vegas.

• Artists include Martin Garrix, David Guetta, Armin Van Buuren, Camelphat and Eric Prydz to the delight of fans who have been waiting for live music to return.
• This is the eleventh consecutive year that PRG has supplied this festival with video and the 7th year in a row that we provide rigging and lighting.
• Video being the largest elements of this festival, this year included a total of 2500sqm of LED & 2200 lighting fixtures across 6 stages.

• The showcase of what’s new in the gaming world with Geoff Keighley was livestreamed from Los Angeles.
• PRG provided lighting, video, studio services and camera.
• Watch here.

• PRG partnered with Fireplay and Tangible Vision to produce a first-class set and virtual design mixed with a low-latency, customized, and reliable videoconferencing solution.
• Provided studio space as well as a massive, curved LED wall.
• Other services included, lighting, audio, and scenic elements.

• Provided lighting and truss for Marshmello and lighting and video for the Foo Fighters.
• Fabricated custom triangular units with lighting and video screens that are DMX controlled.
  
  
  

• Lighting and video from PRG.
• “PRG does a great job supporting us, and have always been great partners over the years,” says Video Director Josh Adams.

• In addition to the set, PRG also provided install and strike supervision.
• Watch the full performance here.
  
  
  

• Mobile xR truck brought the Virtual Production Studio to an empty airport hangar.
• Early involvement meant fully managed and inter-connected departments for a flawless viewer experience live and remote.
• Full-service production including technical direction, xR, cameras, lighting, LED, audio, catering and crew.

• Provided audio, 20’ tall by 80’ wide blended projection, cameras, switching, rigging with moving lights, project management and on-site event team.
• PRG also provided lighting, video, and audio for the Ford Pavilion and Czarnowski displays for the Boeing Pavilion.

• The camera order from PRG included Sony F55 Digital Cinema cameras and PRG’s proprietary 35LIVE!® 35mm multi-camera workflow.
• Full truck capabilities for broadcast camera package.
• Special was critically celebrated for its message, star-power and production quality.

• Performances from Anderson.Paak, Phantogram, Oliver Tree and other artists.
• Massive lighting rig for stage.
• Event lighting throughout rooftop venue and various interactive fan experiences.

• PRG Gear supported The Catalyst Companies and Ferrari by providing audio, LED and staging.

• Guest speakers included President Biden, former President Clinton, and Canadian Prime Minister Justin Trudeau.
• PRG Scenic fabricated the walls, desk and podium used throughout the event.
• Client: RK Corporate Productions.

• PRG provided cinematic single-cam as well as multicam sitcom gear orders for the show.
• PRG's Enhanced Environment car process was used for driving scenes.
• Read the interview with DP Adrian Peng Correia here.

• PRG provided cameras, lighting, LED, audio, studio services and the full crew for this showcase of what’s next in the gaming world.

• To celebrate the movie’s debut, PRG Scenic in Las Vegas fabricated a pop-up In the Heights designed by production designer Andy Walmsley.
• The experiential piece, built for touring outdoor application, mirrored the movie’s set with a mini bridge, lightbox, street signs, telephone poles and bodega.

• PRG provided 360 turnkey production.
• Including technical production, venue , live streaming, post-production, unveil clip and scenery.

• Demonstrates PRG’s ‘people first’ ethos with the team working round the clock on the project, supporting 140 hours of live matches along with daily news-and-analysis.
• “PRG’s build-out this year has been flawless,” says SVP, production/executive producer Bob Whyley. “It’s not easy to have a facility this size in Paris, since the country just opened back up on May 15.”
• Read the full article in SVG.

• Scenic fabrication for “The Glade” a flexible performance space that features a stage, steel based light poles, and a sloped hill.
• Fabricated to be safely and easily removed during the off-season and utilized a mix of manmade and natural materials for consistency with the Park’s aesthetic and philosophy.
• Partners: Little Island, Standard Architects, and scenic designer David Zinn.

• Shot at PRG’s Virtual Production Studio in LA.
• Provided labor, facilities and all equipment for the Six Degrees production team.
• Concert series sponsored by Honda and produced by Live Nation.

• Broadcast Master Control Room fed all screens for the NFL Network, ABC and ESPN.
• 20 LED displays and an array of live feeds for individuals who participated remotely.
• More than 1,500 lighting fixtures for the design by Jon Kusner.
• Over 400 of the Classic Series 300 VL5 fixtures and 20 total PRG GroundControl units.
• Rigging: 262 motors, and over 125 tons of gear in the air.

• The three-day event with pre-recorded and live content.
• Interactive elements included a live award show.

• Combined epic design and performance elements.
• PRG supplied lighting, LED, media servers, audio and crew services.
• Flown lighting rig above the ring and a performance stage for the musical acts.

• PRG provided LED, video, audio and technical expertise including custom designed support for two drive-in stages at the beachside event.
• Two 30’ x 16’ LED screens made it possible for up to 8 films to be shown in 1080p Full HD throughout each day, regardless of light conditions.

• The outdoor experiential campaign included projection mapping on Brooklyn’s iconic Public Library in Grand Army Plaza.
• Media servers, 8 double stacked laser projectors and custom scenic structures were provided to help showcase messages of the benefits of a plastic free future.

• Check out this behind the scenes look into the filming process.
• PRG’s Los Angeles warehouse was transformed into a full-service filming location for the video.
• LED stage used as a digital background for all scenes.

• Virtual event broadcast from PRG Digital Studios Secaucus.
• PRG provided 360° production services including cameras, audio, lighting, LED and Fireplay’s Virtual Crowd.
• Moderators were able to field questions and interact with participants all around the globe in real time.

• PRG built out an entire XR studio for the video’s production.
• Directed by Sophie Muller.

• All event attendees joined remotely for the interactive event with the CEO and president
• PRG project managed and provided all technical labor for the live event and setup
• Purpose-built LED stage, Video Switching & Cameras and Streaming Production provided by PRG

• Provided camera packages and accessories
• Orders delivered from the Atlanta camera prep facility

• PRG Scenic fabricated studio walls and the commentator desk for the new studio.
• Provided and all-encompassing scenic solution, LED, and lighting.

• Local team hired.
• Supplied and installed four ARRI M90s and two LTM 12K Pars.

• Provided lighting, rigging, supplemental audio, and labor.
• PRG team worked on a rapid turnaround.
• Used readily available inventory to accommodate the production design.

• Implementation of Virtual Crowd— allowing us to connect artists and fans safely and virtually.
• PRG Digital Studio Nashville broadcasted the immersive livestream.
• Lindsay Ell debuted her sophomore album “Heart Theory.”
• Proceeds went to Crew Nation – a global relief fund supporting out-of-work live events workers.

• Activations ranged from a brilliantly illuminated pirate ship to projection-mapped skyscrapers.
• PRG Gear order included 20 Panasonic 31k projectors with the extremely long Panasonic 7.3-13.8 lensing, eight Barco 32k projectors, and PRG Bad Boy® units.

• The cinematic look of The Weeknd’s halftime performance was achieved with 35LIVE!® multicamera system.
• PRG provided 700+ fixtures including PRG’s proprietary GroundControl™ Followspot System, Icon® Edges and Best Boy Spots.
• Additional services included lighting, rigging, LED, video, networking, projection and broadcast equipment.

Other Super Bowl Activities Include:
• Pre-show lighting, video and rigging for players’ introductions through the tunnel onto the field.
• PRG, in conjunction with VNTANA, projected a hologram of Vince Lombardi on the scoreboard.
• LED provided for the Showtime Cam endzone celebrations.
• Read more about how we put our 360 services into play here.

• PRG fabricated 400 monoliths for the PIC hosted memorial honoring the Americans who lost their lives to COVID-19.
• Provided lighting for Demi Lovato’s inaugural performance pre-record.
• Placed 30+ of our proprietary SmartXcan thermal scanners in key locations around DC.
• Provided flypacks for CBS News and lenses to ABC News.

• PRG lighting, audio and cameras.
• Live drive-in audience views the show via PRG projection and audio equipment.

• Lighting order included more than 375 fixtures.
• Furnished an impressive multi camera system, and our proprietary Mbox® media server.
• Rehearsals held at PRG’s Virtual Production Studio over the holiday season.
• PRG technicians became a part of the “Bieber Bubble.”

• PRG contracted to deliver the full audio, video, lighting and rigging solution.
• 82’ tall stage was one of the largest in Dubai and the band’s history.
• PRG’s video team flew the back LED wall with over 3,000 sq. ft of ROE CB5 and the side screens with 3,000 sq. ft of ROE MC-7.
• Over 400 fixtures installed across the stage, swimming pool and Atlantis hotel including; BMFL Blades, JDC1, Mythos, ICON® Edge, GLP X4, VL Washes and the PRG GroundControl™ Followspots System.
• An unconventional audio system was designed based around the unique venue using a variety of L-Acoustics products.
• 58 PRG crew members worked on site.

• Lighting, cameras, LED, comms and crew by PRG.
• Record-breaking PPV viewership.
• Shot at PRG Digital Studios Nashville.

• Focus on bringing engaging and exciting events to its members.
• PRG provided full streaming services with live switching, presenter rehearsals and capture service with editing.
• Host used PRG’s at home live-streaming kit.

• PRG rigging and automation.
• Clever video editing hides all gear in the final cut.

• Provides superior audio quality for a discerning audience.
• Tour maintains an "audio first" production priority.
• Over 100 microphones to capture orchestra nuances.
• Uses an L'Acoustics K2 System, a speaker system designed for arena touring.

• Project created by Es Devlin and delivered by LarMac LIVE and Projects
• 15m automated rotating cube set out in the water surrounded by a lighting, firework and drone display
• Barco UDX 4k-32 projector fired onto a 15m cube with a total 2D image size of 196’ x 50’ and a total resolution of 7680 x 1920px
• PRG delivered an immersive lighting and sound experience

• Lighting grid right above the ring with 125 fixtures.
• “This feels like something completely different, a production wholly conceived during the pandemic that takes advantage of no fans rather than suffers for it.”
• Read the full article.

• Socially distanced solution featuring dedicated pods.
• Variety of content including movie nights from Tribeca Film Festival and sports.
• Provided: audio, LED and rigging.

• 1,200 fixtures, including the GroundControl Followspot™ System.
• ROE CB5 screens and the BM4 Floor.
• Read the full article on PLSN Magazine.

• PRG provided camera, labor, flypacks and technical management.
• Contributed robotic cameras specifically to comply with social distancing.
• AGITO Tower cam ran on 50 ft of track with full pan and tilt range of motion.
• PRG crew and production in Manhattan.
• Over £292 million worth of art auctioned.
• Client: Roundhead Creative.

• PRG provided the fabrication of the structure, including 1,500 ft of LED.
• Our scenic experts worked closely with third-party engineers to ensure the installation met requirements for strength and special effects.
• Coordinated with special effects teams to prioritize safety during install, filming and cleanup.
• The impressive build began in our New Windsor facility and then was transported and assembled in a rock quarry in upstate New York.
• Watch the video here!

• Fans from around the world watched Metallica perform a concert streamed live in support of its charity, All Within My Hands.
• Virtual Crowd allows performers and speakers interact with their audience in real time through large video screens, achieving no latency was the biggest technical challenge.
• “The most technically impressive livestream I’ve ever seen.” Zack Ruskin, review of concert in the SF Chronicle.

• “Elevate the culture, elevate the reggaeton movement and elevate my brand as J Balvin, with such amazing technology.” - J Balvin in the New York Times

• Pitched a total immersive VR experience throughout the space, no goggles required.
• All technologies around the perimeter of the booth flowed to the center experience.
• Provided lighting, rigging, projection and LED including walls and a custom LED door.
• Agency: CSE

• HD technology integrated into hard sets.
• 120’ x 20’ floor to ceiling screen.
• Developed yearly themes, custom set designs, video elements, and show flows.
• Moving video, full-screen animation, graphic presentations and wall-to-wall IMAG.

• PRG is proud to have continually supported this artist throughout the years and provided lighting and audio for his epic performance for the awards show.
• Check it out here!

• The competition series, filled with surprise twists, challenges teams of 10 for a chance to win $500k.
• PRG provided LED, including the main center screen – an impressive 38 tile wide curved screen comprised of 330 ROE BO3 tiles.
• The install was spaced out over a month to ensure that proper safety protocols were followed.

• Shot at PRG’s xR Stage in Los Angeles.
• Narrated by Morgan Freeman and features original song by Miranda Lambert.
• One of the first COVID-era shoots to set the precedent for productions.
• Client: Like Minded Entertainment.

• Three 40 ft x 20 ft LED screens create viewing area with 250 car capacity
• Audio, FM Broadcasting , Lighting, Media Servers, and LED by PRG
• Official tailgating for the Toronto Raptors

• We build on-site, custom temporary broadcast facilities for both NBC and the Tennis Channel.
• Includes lighting for set, RF camera, EVS, cameras and audio for commentary booths and set desk.
• Labor includes EIC, Audio EIC, and RF technician.
• Proprietary X-Frame furniture to build integrated on-site broadcast systems and workspaces for technicians and monitoring.
• Two separate control rooms with 4x3 video walls for live technical production.

• Reduced crew and locations.
• Furio track cameras.
• Worked with Fremantle and America’s Got Talent since the show’s first season in 2006.

• Supported award-winning lighting looks by Noah Mitz and Full Flood's creative team.
• Theatrical lighting used to enhance story telling.
• An average of 10 performances per episode, each requiring its own unique look.
• Show format results in many last-minute change orders and 24/7 support.

• Full lighting, video, audio, camera, broadcast equipment and crew from PRG.
• Ongoing series with upcoming artists, Anderson .Paak pictured.
• COVID-era compliance includes PRG safety officer and social distanced workflows.
• Watch the Anderson .Paak video here.

• Constructed from over 2000 video panels.
• 400 ft wide projection mapped surfaces and 50 ft tall illuminated pyramids.
• PRG provided LED, projection, networking & rigging.
• 12 PRG Super Nodes and 14,000+ feet of fiber providing control signal for the whole production.

• PRG provided on-site streaming services live from Red Rocks Park & Amphitheater.
• Services provided included livestreaming of 3 concurrent breakout sessions, remote pre-recording services, editing, and presenter coaching.
• Event was hosted on PRG’s virtual conference platform, which included chat, polling, exhibit & sponsorship opportunities, custom branding and on-demand hosting after the event.

• “Powering the Movement” featured Year Up graduates now at Microsoft, LinkedIn, and JPMorgan.
• A mix of pre-records and livestreaming.
• Multiple speakers utilized our Pro At-Home Livestreaming kits with the support of on-site techs.
• Additional services included: video pre-records, editing and a microsite platform with third party donation links.

• Custom protective coverings for LED walls.
• Multiple fabrication options to complement the stadium.
• Traveling technicians on site for maintenance and execution.

• 35Live! technology used to capture shows and provide a cinematic look and feel to live broadcast.
• Spring ‘20 clients included Ralph Lauren and Tom Ford.
• Quick turnaround to support Target’s seasonal fashion show at Park Avenue Armory.

• Customized broadcast truck used for self-contained complete setup on the go.
• Camera, audio, wireless video and engineering systems by PRG.
• Partnership has resulted in a faster, more efficient production.

• PRG Gear provided The Catalyst Companies with video, cameras, LED, and lighting.
• The Virtual Tom Ferry Success Summit attendees were able to interact live with Tom throughout the event.

• 57 remote station markers with telescoping poles were shipped individually to each US state/territory.
• PRG SmartXcan aided in safe production installs.
• PRG GroundControl and pre rig truss.
• Custom stage build featuring real wood veneer skins and LED tape lighting.
• Custom podium builds.

• Camera, audio, LED, lighting, video and engineering systems by PRG.
• Social distanced workspaces including artist green room and separate control rooms.
• Black Eyed Peas pictured on the xR Stage at PRG Studios Los Angeles.

• PRG provided crew and LED for the glamorous set design from Jorge Dominguez and Univision.
• Crew quarantined together and was tested multiple times.
• Onstage performances from star-studded lineup including J Balvin, Pitbull, and Ricky Martin.
• Read the article.

• Annual conference for nearly 1,000 in-person attendees held at the Phoenix Convention Center in July 2020.
• Event marked the first use of PRG’s OneStream™ Pro, designed for livestreaming and content capture.
• With OneStream, content is stored on the cloud and edit-ready as soon as record is complete.
• PRG’s industry-leading Digital Services team was on-site to oversee all aspects of streaming and capture.

• With a floor space of around 860 sq. ft, it was the largest mixed reality stage for the festival and concert industry.
• The stage floor is comprised of PRG’s Domino—a modular LED floor that can be joined together seamlessly, frosted to optimize them for the cameras.
• PRG provided: lighting, audio, rigging, video, cameras, broadcast system and media servers.

• Guest appearances by Gwen Stefani and Trace Adkins.
• PRG provided lighting, audio, LED, comms and camera.
• Shot with 35LIVE!® proprietary tech.
• Screened simultaneously at 300 participating drive-in locations throughout the country.

• PRG supplied camera solutions and streaming technology.
• Live chat component allowed real-time press responses.
• External stream was embedded into a player and streamed to Fielmann’s homepage.

• PRG provided facility renderings, content consultation and installation.
• The window display incorporates two ROE Black Onyx LED walls with graphics run in real time.

• Seamlessly replicated US rehearsal rig for first tour leg in Europe.
• Lighting and video gear plus technical labor provided by PRG.
• Go behind-the-scenes with the Backstreet Boys Tour Production Team in our exclusive 6-part series: "BSB x PRG: DNA World Tour Road Diary."

• In home studio kits for hosts were delivered and supported remotely by our production crew
• PRG captured the ISO recording of hosts & interviewees and uploaded all content to client server for use in post-production process
• In addition to provided production crew, PRG provided talent communications system and teleprompter feed

• PRG operated the event by live switching between pre-recorded and live content out of our Orlando Digital Studio.
• PRG developed a back of house communications platform allowing presenters to interact with each other and technicians.
• Participant interactivity included live Q&A submissions and chat
• PRG partnered a web design agency to develop a fully customized website for the event.

• Scenic, rigging, automation, lights and LED.
• Custom fabrication of a 30 ft. high monolith tower incorporating first stage production use of Vantablack – the world’s darkest known substance.
• Structure included automated LED wall, which revealed a blinder light wall and a solid column of hybrid strobes.
• Created a custom dolly system to transport the set for tour.

• LED screens chosen to provide daytime visibility.
• Provided Mbox® Player and Ascender 16 for both screens.
• FM transmitter audio solution for increased social distancing.
• All site lighting and screen rigging by PRG.
• Agency: Uwe Bergmann Agentur (UBA).

• Large sensor 35mm multi- camera 35LIVE!® system created a cinematic look and feel.
• Provided a team of dedicated PRG specialists.
• Proprietary technology only available at PRG.

• Graphics completely run in real time.
• Scenery instantly reacted to the movements of tracked cameras, the singer and real props including a chair.
• The xR Stage provided a safe production environment within COVID-19 guidelines.

“Start on the American Idol stage, end up in a whole new world, thanks to brand new technology that's never been seen before on TV.” – Katy Perry

• Show offers support and assistance with donations of goods and services.
• Produced and created by Big Fish Entertainment and MGM Company.

• Quickly pivoted from a live event to a partially virtual event as government mandates evolved.
• A mix of live presenters and Zoom attendees and upward of 300 guests viewed via a web platform.
• PRG hosted regular calls to heighten collaboration and control scope.
• Provided broadcast, cameras, audio and labor.

• Original activation opened in Toronto in July of 2020, producers now plan to activate in 17 US cities.
• Current activations include Toronto Chicago, and New York with 2021 openings planned in San Francisco, Los Angeles and Charlotte.
• Visuals powered by 52 projectors and 14 Mbox® media servers.
• Audio, Lighting, Media Servers, Projection, and CAD work by PRG.
• Produced by Lighthouse Immersive.

• Show opened with a 35 minute film projected on eight roll drops, spanning the entire width of the stage.
• PRG Best Boys for followspot moments.
• Designed and produced by Fireplay.
• Directed by Amy Tinkham.
• Read the article on Live Design.

• Commentary presented in four languages and streamed to 60 million spectators.
• More than 1,300 lights and 680 LED screens installed in three days.
• Furnished projectors and kinetics for opening ceremony.
• “This is one of the reasons why we do shows with PRG: everything is going to behave and look exactly the same as visualized and planned in the studio beforehand.” - Michael Thuney, Producer at Production Associates.

• Provided all automation including a battery powered and wirelessly controlled piano.
• 35 effects on the show, controlled via PRG Stage Command®.
• Built the show portal, slider legs, US wall, American Bandstand hangers and Tracking studio.

• Glass floor and surrounding glass panels angle outward to give the feeling of leaning over the city.
• Supplied 28 Icon® Edge fixtures to produce aerial beam effects.
• 32 Best Boy® fixtures installed on terrace below to illuminate deck.
• Limited building power required a custom engineered solution to extend power where needed.

• Provided lighting, rigging, LED, automation and cameras.
• PRG was able to adapt production needs to align with artist’s rapid growth to a worldwide market.
• GroundControl™ was uniquely used as a tool to color match key lighting.

• Requires superior sound for 100,000+ outdoors at the US Capitol.
• Simultaneous live TV broadcast.
• All digital Infrastructure for fidelity and reliability.
• L-Acoustics K2, KARA, and ARCS speakers.

• Designed custom lighting solutions that could be rolled out globally.
• Engineered and manufactured custom fixtures, including securing safety certifications.
• Delivered over 70,000 fixtures, including PRG Bullet, frequently on expedited schedules.

• Lighting, audio and video by PRG.
• Furnished all gear for runway and performances for the star-studded event and surprise concert.
• Supported sustainability initiative of show, which used only recycled fabrics.

• Mounted the car on a hydraulic lift to raise the vehicle and dyno as it was performing.
• Researched effective methods and approved– adding automated pop-up fans as an increased safety measure.
• Our large New Windsor facility allowed us to test on site with Jeep Engineers.

• PRG lights illuminated almost every area of the party.
• More than 800 lighting fixtures, cabling and rigging.
• Proprietary PRG Best Boy Spots and Bad Boy Washes used throughout the event.

• Entire field setup in six minutes flat.
• High stakes: One of the most viewed television events with an estimated 102 million watching.
• In 2020 we provided lighting support for 22 Degrees over 500 automated fixtures and proprietary V676 control consoles.
• Used 15,000' of fiber optic cable.

• Provided full production support including production design and lighting design.
• Event’s success set a precedent for integrating outstanding esports tournament play with live event entertainment.

• Interactive audience experience includes scenic, LED, video and lighting from PRG.
• Residency at the Flamingo Las Vegas.
• Also support RuPaul’s Drag Race television series and the Werq the World Tour.

• Automated three-sided, 50-foot LED bar with hidden lighting and special effects encompasses five disciplines into one design.
• Designed for quick deployment and minimal load-in/load-out preparation.
• Custom carts allow the entire rig to fit into 28 feet of truck space.
• All design and manufacturing done in-house and delivered to show site within 2.5 weeks.

• PRG engaged technical support for 3,000+ attendees.
• Audio, video, lighting, scenic, project management and crew services.
• Custom fabrication of 198-foot wide projection screen.

• Video and audio services from PRG.
• 28-foot diameter 2.9mm LED ring and screen enclosure that spanned 270 degrees.
• Interactive globe was brought to life by four RZ-31K laser projectors.
• 8.1 surround sound.

• PRG provides large and complex lighting rig and video setup each year.
• Reliable power and a large data infrastructure for LED video effect elements provided by PRG.
• Relationship has grown to accommodate lighting and video for more than 65,000 college students at the 2020 event.

• Entire store theme changes quarterly - requires all new scenic elements and refocusing interior lighting.
• Store designs use PRG proprietary Bullet fixtures (both White Light and UV).
• Installed flexible AV systems for the in-store theater used for workshops and presentations.

• Canon Medical System USA challenged Pinnacle Exhibits and PRG to design a massive video ribbon.
• PRG design replaced traditional hanging sign that historically ran throughout their exhibit at the RSNA 2019 in Chicago.
• Resulted in large-scale creative video solution – both dynamic and viewable from any vantage point.

• Complete production control: switcher, router, 4x2 monitor wall.
• Versa Pak Systems Control Rooms utilizing proprietary X-Frame technology was fully prepped in Los Angeles and put onto shipping containers.
• 18 cameras, lenses, racks, audio, EVS network plus 5 engineers on site for two weeks.
• Same package was used for ESPN’s Armed Forces Classic a month earlier.

• Automation and scenic supplier during Off-Broadway run.
• Created an automation system that broadcasted all position information from Stage Command to Mbox® media server.
• System allowed video projections to stay locked onto moving surfaces throughout the show.

• Built all Arendelle and Ice scenery.
• PRG’s Stage Command System® provided the SIL 3 safety architecture for the entire production.

• Crew of 180 people provided rigging, lighting, video, audio, broadcast and communication technology.
• Projection sphere allowed spatial perception of performances for both the crowd and broadcast audiences.

• Supplied projection, video and lighting package with special effects.
• PRG demo room space used for lighting mockups.
• Crew rigged the lights and truss into the trees of the forest in the Canadian Dundas Valley.

• Red carpet experience, champagne reception, awards and dinner for 1,200.
• PRG provided lighting, rigging, video, audio, staging and scenic.
• More than 500 moving lights, 988 LED tiles, 2.5 miles of fiber, 130 rigging points and bespoke interactive table plan.

• The engaging war drama features an acclaimed cast, including Samuel L. Jackson, Sebastian Stan, and Christopher Plummer.
• Noteworthy crew includes DP Byron Werner and Key Grip Frank Boone, pictured.

• PRG provides entire camera packages including ARRI Alexa Mini and/or ARRI Amira cameras to all three shows.
• Lenses include Fujinon Cabrio, Angenieux zoom, Zeiss prime and accessories.
• Local PRG Chicago offices allow for swift gear swaps and low transportation costs.

• One of the largest projection mapping projects in an urban setting.
• 35 lighting and projection sites spanning a 30-block area of downtown.
• 1.2 million attendance.
• PRG provided project management and all technology, expertise and staffing.

• Provided LED, rigging, motors, audio and the camera system for the historical event.
• Dan Braun's design included four flown LED rings hovering above the round stage setup.
• The floating video rings were of varying large-scale dimensions: 60', 45', 30' and 16.'
• Custom hardware designed for a fast load-in.
• PRG solutions included smart gear packs and keeping crew consistent throughout rehearsals and show.

• Sher used PRG technology and media servers to provide six layers of content.
• Created the environment with lighting and LED screens instead of adding in post.
• This gave him full control in timing trains passing and lighting changes within the scene.
• Actors were able to react to the lighting changes in real time, preserving the fever dream feeling of the film.

• 60 fps with UHD (4K) resolution of 3840 x 2160 pixels.
• Camera and LED wall processors via fiber network.
• Set up in one hour with operation by a single video engineer.
• Check out the video!

• Scaled scenic elements, applied textures and chose color palettes.
• Hard-coated, self-supporting elements constructed for the stage.
• Scenic details designed to be viewed by a sold-out show of 80,000.

• PRG provided audio, video, lighting and rigging.
• Crew from both USA and Europe.
• Local support and gear in all countries on the tour’s route.

• A 24' LED screen near the Palm Springs Visitor’s Center showed “Western Flag” 24/7 as a part of Desert X.
• PRG employed its proprietary SpaceFrame™ and a customized hanging solution that attached to the ballasted and grounded scaffold structure.
• The PRG-designed LED structure withstood eight weeks of 50 mph winds and intermittent rainstorms.

• Tours include industry standard DiGiCo SD7T mixing console.
• First use of PK Sound Gravity 30 Subwoofer in a theatrical touring system.
• Loudspeakers by Alcons, Meyer Sound and D&B Audiotechnik for fill and surround.
• Load in and set up time reduced by the use of the cable-free Neutrik's Xirium digital wireless audio distribution.

• PRG-supported Canadian event synchronized to events in Germany and China.
• Scenic automation included sliding LED wall, pivoting projection wall, turntable and massive garage door.
• Agency: Astound.

• Featured speaker NY Governor Andrew Cuomo.
• Bridge lighting from barges below with 98 automated lights per barge, plus fiber network and on-shore control.
• Light show synchronized with Empire State Building and an app inviting user participation in the experience.
• Agency: Tactical Manoeuvre Inc.

• The nights big winners included Ariana Grande, Taylor Swift, and Billie Eilish.
• Proprietary Best Boy® HPs, Best Boy and Bad Boy® GroundControl™ and Icon® Edge fixtures used in the main lighting package.

• Provided broadcast, cameras, audio and labor.
• Utilized proprietary X-Frame furniture to construct integrated broadcast systems.
• Facility included customized workspaces for technicians and monitoring, a control room with a 4x2 video wall for live technical production, video shading, EVS records, edit facilities, audio mixing and master control featuring Grass Valley NVISION routing.

• Provided the LED panels for 52 custom-fabricated moving cubes that were positioned over the stage.
• Engineered a video network for signal distribution solution to each screen, made more challenging by the automation of the cubes.
• Designed an innovative, custom record/capture/playback video system, Ingest.
• Provided a full HD camera package including furio tacks and robotic cameras.
• Provided media severs and projectors.
• Provided entire video crew for the two-year tour.

• Provided engineering consultation to with the design team and technical director throughout production process.
• Performed extensive structural evaluation of the theatre and rigging.
• In addition, PRG provided scenery packages and scenic automation.

• PRG provided lighting, rigging, LED, and media servers.
• Proprietary Mbox® media server facilitates fast-changing screen graphic and video content.
• PRG lighting technology provides seamless transitions on a set where unpredictability is the norm.

• Technology included lighting, LED, video, and scenic.
• Provided a high resolution 60'w x 11' h curved LED wall for the stage background.
• Custom podium design & fabrication integrated with stage electrics.
• Fabricated the circular "star" truss, hung overhead.

• Proximity of PRG Belgium makes gear swaps and support convenient.
• One of the world's largest and most notable music festivals, now spanning over two weekends.
• Main Stage utilizes proprietary PRG Bad Boy® and Best Boy® fixtures.

• Supported creative director Steve Kidd’s vision of putting both the gamer and the fan inside the game.
• 1,300+ lighting fixtures, audio and communications furnished by PRG.
• Culmination of global esports phenomenon at Arthur Ashe Stadium in NYC with $100 million in prizes for its opening tournament run.
• Watch the video.

  “Our overarching goal was to put both the gamer and the fan inside the experience” — Steve Kidd, Executive Producer

• Engineered the 35’ high Q scenic piece to hold lasers and lighting fixtures.
• PRG’s Rolling Stage decks were used to facilitate fast load in and load out.
• Custom carts with integrated pivot points were designed to allow lighting and scenic elements to be easily deployed at the venue.

• Demonstrates PRG's commitment to and support of tours in small to mid-size music venues.
• Supported the creative team's cabaret gospel aesthetic and bold looks.
• “PRG delivered an outstanding lighting package for the tour that was built to be flexible on a daily basis.” - Drew Gnagey, Creative Director

• Solutions included Enhanced Environments and Mbox technology.
• Multiple driving scenes utilized PRG's proprietary media server to control realistic lighting conditions and scenery seen through windows.

• Researched and advised on best LED materials for scenic elements.
• Created truck packs and CAD drawings.
• Provided lighting and video services for design by Silent House Productions.

• A wide range of artists participated, including Morrissey, Dave Chapelle, Barry Manilow, Mel Brooks and Criss Angel.
• PRG was contracted to deliver a full audio, video, lighting and rigging solution, utilizing its proprietary FlexiFest® system.
• Producers were able to book acts back-to-back due to quick change-overs.
• With FlexiFest®, there was no need to dismantle the existing set-up and install a new one for the incoming artist to reconfigure.
• Each artist was able to achieve a custom look – no two shows were the same.
• Overall labor needs were dramatically reduced.

• Provided live streaming and video editing for On-Demand viewing, allowing several million additional viewers outside the convention center.
• Additionally provided lighting -- including PRG’s proprietary Best Boy® and PRG Bad Boy®, rigging and video solutions.

• Co-creators Dan Weiss and David Benioff were able to see the animated dragon on the set for the first time.
• Ncam® output of the running animation informed the operation of the on-set eyeline pole.

• Circuit Grounds is Insomniac and EDC main production stage: large format, electronic and digital.
• Stage accommodated 40,000 to 50,000 audience members.
• PRG supplied 1,100 active lighting fixtures.

• Proprietary PRG Best Boy HPs used along with more than 150 other fixtures to light the Mane Stage in 2019.
• Record-breaking Stagecoach crowd estimated at 80,000.

• PRG provided Coachella’s main stage lighting, rigging, LED, and video services, plus lighting for the Yuma tent.
• Various disciplines for 15 different artists including audio, rigging, video and lighting services.
• PRG’s SpaceFrame™ LED system withstood 30 mph desert winds and saved truck space during transport.
• Over 150 automated fixtures, including PRG Best Boy®, used to light the Mane Stage.

• Camera, broadcast and audio services for the community theater and main stage.
• Necessitates set-up and operation of two separate control rooms.
• LED wall, PA for both stages, overhead speakers, mics, transmitters and receivers.
• Also provided all comms.

• Mapped out the entire stadium, selecting the best areas for capturing both Kevin Hart’s performance and the massive scale of the audience watching.
• Provided 25 F55 cameras from PRG London office and seamless connection to the broadcast truck.
• 35LIVE! equipment captured the show at cinema-quality.

• PRG worked alongside Turner & WME | IMG to stage, produce, stream and broadcast ELEAGUE events.
• Furnished scenic design, LED, video and lighting technologies.
• Event featured 24 professional teams from around the world.

• 22,000 attendees in 2019.
• PRG provides audio, video, lighting, computers and labor for the general session and technical operators for 60 breakout rooms per day.
• The Hinman Dental Society is a non-profit organization that fosters dental education through scholarships to individuals.

• PRG provides camera and camera support for the series.
• Local PRG Atlanta offices allow for swift gear swaps and low transportation costs.

• Fabricated a 24-foot tall Hidden Valley Ranch bottle for the hilarious holiday.
• Las Vegas Scenic Technologies provided local construction and support.
• Agency: McGarryBowen.

• Supported lighting design from 22 Degrees.
• Our experience in television and Broadway was invaluable to this hybrid production.

• Supplied lighting, audio, scenic, cameras, video switching and playback.
• Featured custom curved LED.
• Used VL5A fixture with the color engine removed, providing a pure daylight source in a flexible moving light.

• PRG created an innovative solution using six different LED surfaces tied into a 3D projector to draw guests into an interactive experience.
• PRG conducted a 3D study of the space prior to planning and worked with EEI’s sales, design, engineering and manufacturing departments to test and collaborate at every phase of the project.

• Theatrical and architectural lighting with zoned audio engineered by PRG.
• High-end retail feel rather than traditional tradeshow booth.
• Curved LED panels created a virtual forest pathway.
• Agency: Czarnowski.

• Provided a variety of high demand gear completely catered to the needs of the production.
• Utilized a rental package of over 600 products to cover lighting, control and effects.

• PRG services included LED, video, and lighting.
• 16-hour show builds ensured time to get LED sources, Blacktrax system and projection mapping running.
• Hired a world-class crew with interchangeable knowledge of lighting and video systems.

• Utilized audiovisual technology to create engagement and collaboration among the attendees.
• Provided audio, video, lighting, scenic and suite of digital engagement solutions including presentation management and digital signage.
• Worked alongside MGMA’s meeting professionals to build creative content for their keynote general sessions.

• Indicative of PRG expertise and inventory in full force.
• 698 fixtures supplied in total including 269 assorted Vari-Lite fixtures,100+ Sharpys and 60+ Solaris Flares.
• Video sphere with 6-foot diameter.

• Crafted the iconic 15-foot FOH elephant and Moulin Rouge neon sign.
• Created all scenic drops.
• Provided Stage Command system for all automation control.
• Scenic element for Satine’s Room included a 30’×14’ platform that tracks upstage/downstage and rotates 180 degrees.

• Video, LED, audio, lighting, intercom and technical project management.
• A ‘floating stage’ put the audience on the terraced seating at eye level with the main speakers.
• Large LED wall, seven cameras and media server for content display.

• Lightweight, transparent video panels developed specifically for this tour by PRG Innovation.
• Pure10 solution made catwalk design possible in a collaboration with the artist’s creative team.
• PRG facilities used for pre-viz.

• Production staged at the Mark Anthony Armory in Brooklyn rather than a TV studio.
• PRG's extensive Broadway experience valuable in hybrid production combining musical theatre and live television.

• With beveled glass and reflective surfaces on the train set, green screen was not an option.
• Enhanced Environments offered video playout on LED screens to create a “real world” on set.
• Resulted in a massive 40’ X 90’ high-res LED wall around the train set.

• 250k visitors throughout the year.
• Extensive production included LED walls, projectors, broadcast services, pyrotechnics, staging and scenic.
• Brought a network of professionals to elevate the experience.
• Worked in coordination with DreamHack and Bombee Productions.

• Lighting, audio, video, supporting services and expert technicians from PRG.
• Technology across the keynote room and multiple breakout areas included high resolution LED video walls, plasma screens, and projection.
• Audio gear included speakers, audio fibre system and Sennheiser radio channels in all breakout rooms with custom built lecterns.

• Large curved LED stage enabled the presenters to interact with their environment.
• Commitment to excellence and innovative solutions allowed Tableau to meet their event objectives.
• “Attendees were buzzing about the look and feel of the general session space and were still talking about it long after the event concluded.”

• Provided more than 500 fixtures for rehearsals.
• Lighting package included PRG GroundControl™ Followspot System.
• PRG supplied a Las Vegas local crew.

• 360° services included lighting, audio, video, rigging, wireless connectivity and information technology.
• 15 separate activations throughout the town, including concert stage, entry archway, dance club, music lounge and more.