See our Work

• More than 840 fixtures powered by PRG’s Series 400® Power and Data Distribution System
• Fixtures included VL2600 Profiles, PRG’s VL5 Wash, and GroundControl® Best Boy® HPs
• Lighting Design by Al Gurdon and Ben Green

• Our scenic team built a custom 18’ turntable with 24’x24’ surrounding platform for the commercial announcing the iconic model’s addition to its electric portfolio.
• Watch the commercial here.

• In June, we invited the kids to take a tour of our New Windsor scenic shop for a sneak peek of their set.
• It was a pleasure to get to know them and learn more about the program.
• Click here to learn more about Haven Kids Rock.

• Order includes 130 PRG Icon® Edge fixtures and GroundControl® Followspot system.

• PRG Scenic provided scenic elements including lighter and quicker impact pieces for the road.
• Crafted the classical 18-foot FOH elephant and distinctive heart shaped stage.
• Set and production design by Derek McLane

• The map of the game’s world was rendered on the studio LED stage, immersing the talent.
• Virtual production capability in the promo video teased the exact game experience for fans.

• The show follows the story of a friendship between two young boys living in Afghanistan and a journey to confront past mistakes after a life changing incident.
• PRG is providing lighting, audio, and video. 

• Queen Elizabeth II made a Platinum Jubilee appearance in a 260-year-old Coronation Gold State Coach without being in the coach.
• PRG Projects and Treatment Studios made it happen by applying an innovative, modular, 100% recyclable LED frame platform able to steadily display footage of the Queen as she greeted the crowds from her Coronation in 1953.
• “Extensive testing and rehearsals continued throughout the process to ensure that all the video equipment would continue to function in the rather sea-sick conditions of the coach,” said Willie Williams, Director at Treatment Studio.
• Learn more about this once-in-a-lifetime project here.

• Gryffin used the rehearsal space to practice for his Bonnaroo set in Tennessee.
• PRG gear was utilized including lighting and video equipment.

• Live broadcast featured headliner, Jason Derulo, performances by Tori Kelly and Ava Max and a stunning firework display.
• PRG provided full production support including management, tech ops production and logistics.
  
  

• The season 4 premier of the show was teased to approximately 5,000 individuals in person and around 100 million across social streams.
• PRG provided 46 – 30K laser projectors positioned at 40 stories up, a team of 10 skilled staff plus 20 laborers, 3 locations of audio and lighting support, 4 locations synched with GPS timecode connectivity and a custom projection network control system.
• Check out the video here.

• Our audio solution allowed the band to seamlessly move from arenas to amphitheaters.
• In support of their Grammy-nominated album, “Women in Music Pt.III”, the trio is utilizing an L’Acoustics system designed by PRG’s Randall Knight, Audio Project Manager.
• Check out the full article here to learn more about the tour’s audio solutions.
  
  

• The entire film was shot with ARRI cameras and Cooke Optics anamorphic lenses from PRG Brooklyn.
• The camera order allowed wide shots for plenty of real state for the actors to play with.
• “Vivian Umpierrez and the rest of the PRG team made the process of renting so easy, it became a dream come true for an indie production like ours.” - Matt Braunsdorf, DP
• Read the article here to learn more about the ensemble film, and the camera order.

• PRG provided 1,180 active tiles of Roe Carbon CB8, encased in SpaceFrame® controlled from our virtual production mobile unit
• PRG’s production mobile unit was equipped with Disguise vx2, gx2c and vx4 media servers, 2x MA2 Lite consoles for server control and programming, and three Christie x80 Spyders for primary and backup show control and truck video wall control.
• For signal routing, Extron XTP II multi format routers and Reidel MediorNets were employed.
• The Main Stage lighting order included more than 250 lighting fixtures such as PRG's Best Boy Spot HPs and GroundControl® Followspots.
• Supplied gear for artists including Harry Styles, Flume, Doja Cat, Swedish House Mafia, Lil Baby, Billie Eilish, IDLES, Stromae, Fred Again and Daniel Caesar
• Click here to read more. 

• Host Geoff Keighley returned for another showcase of the hottest new video game releases.
• The show was hosted on PRG’s massive LED stage, and the studio team handled the highly anticipated live broadcast.
  
  

• The production featured a massive wave of LEDs.
• The set, which can morph into a variety of configurations, features a floor, upstage wall, and ceiling covered with LED panels supplied by PRG.
• Learn more about the Justice Tour here.

• Record-breaking installation included 1,500 lighting fixtures and an over 26,000 sq. ft LED screen
• The semi-transparent 360° screen is the largest circular screen ever installed for a live concert
• The screen was specially designed by PRG Projects to meet the demanding requirements of the Central Tour

• PRG provided lighting, audio, scenic and automation.
• To facilitate positioning on the balcony rail, PRG customized GroundControl® Followspot System to accept Robe Robin T1 fixtures.
• Audio system included innovative d&b Soundscape with spatial audio and object-based mixing.
• Automation control, including movement up/downstage plus 90° rotation of 10’ high x 30’ wide wall, via PRG Stage Command® System.
• Scenic design by Arnulfo Maldonado , lighting design by Jen Schriever, sound design by Drew Levy.
• Click here to read the article.

• Mbox has the ability to transition between different content on the same layer, making Mbox Studio’s 12 layers the equivalent of 24 layers on other servers.
• Read our interview with gaffer Matthew Ardine here to learn more about his process on the film.

• Lighting design by John Daniels
• More than 650 fixtures including Icon® Edges, VL2600s, and PRG’s GroundControl® Followspot System used for the main event.
• Provided lighting, gear, and labor for the main stage in addition to red-carpet lighting for the arrivals.
• Click here to see the full gear list and crew.

• Shot at PRG Camera facility in Chicago.
• Furnished ARRI Alexa Mini, Canon 30-300 lens, a full set of Arri Master Primes and a special blend of filtration to capture the big moment.

• Largest gathering of community bankers in the world.
• 360° PRG solutions for the general session and breakout rooms for the 4-day event.
• Click here to watch Jim Mastey, ICBA's Senior VP Conventions and Meetings, Tom Berberet, PRG Account Executive and Nick Shafer, PRG Project Manager, take you through the making of.

• PRG came in to support on a tight turnaround with a four-day window.
• Delivered and supplied Nexus 4x4’s to help evoke a retro vibe for the singer’s performances of “About Damn Time.”

• Helped bring lighting designer Tom Kenny’s brilliant design to life with lighting and crew.
• The night was filled with show-stopping performances including Keith Urban, Carrie Underwood, Maren Morris and Walker Hayes.

• Adam projected an interactive image of water onto a 6’ x 10.8’ front screen with our NEC 6.5K lumen projector.
• A rear throw was used so that gallery guests could intentionally walk through the video.
• Shot during the pandemic, the piece thematically touched on fundamental resources.

• The show, known as the go-to for new reveals, welcomed 200k+ attendees over a 10-day run at McCormick place in February.
• PRG provided expert knowledge to turn around solutions in real-time and a relationship with local trades and unions.

• Partnered with Full Flood Inc. to bring lighting design to life with more than 1,100 fixtures.
• Proprietary Best Boys®, Icon® Edges, Icon® Beams, PRG 5L Wash and GroundControl® Followspots.
• Performances from Billie Eilish, BTS, J Balvin, Lil Nas X, Olivia Rodrigo, Lady Gaga and many more.

• For the 94th Academy Awards, PRG furnished a complete lighting system with more than 1,000 fixtures for design by Full Flood Inc.
• Proprietary Vx76 Console for control and 5 Ground Control® Best Boy® units.

• The musical work blends blues, gospel, jazz, and soul in a classical oratorio featuring 18 singers and instrumentalists.
• Supported designer Nick Kourtides’ sound design.

• PRG provided lighting, scenic and automation.
• Set included pivoting side stage window walls made of glass, 30’ high x 4’ wide.
• Lighting embedded in scenic pieces.
• Lighting effects transport the audience from the present to the past.
• Scenic design by Derek McLane, Lighting design by Natasha Katz.
• Click here to read the MJ article.

• Innovative hybrid of hand drawn and computer animated imagery.
• NCam® allowed real-time tracking for previz on set.
• Billed and delivered from PRG Dallas location.
• Watch the film here.

“It’s been a fun, creative journey to incorporate things like 3D graphics into a live action shoot to help bring this story to life.” –  Director Richard Linklater

• PRG Gear provided truss, video, camera, audio, logistics and labor.
• Partnered with Clarity Experiences.

• Provided an L-Acoustics system designed for arena touring.
• Included 72 K2, 22 KS28, 36 KARA delays, 13 X8, 8 X12, and 72 LA12 amplifiers.
• Delivered superior audio quality for such a world-renowned opera star.

• PRG supported the band as they grow in audience and design.
• Audio and lighting by PRG.

• PRG’s proprietary Best Boy® Ground Control® units were mounted on side ladders for spotlight moments and 96 Mythos made up the back ladders.
• Overhead lighting pod structure housed 288 Sharpy Washes to create hypnotizing patterns.

• For the 2022 event, PRG provided cameras, engineering, broadcast equipment, rigging and lighting.
• One of the most viewed televised music events of the year requires a famously set up in a 6-minute time frame.
• For the Pre-Show, PRG furnished 6 GrandMA2 consoles and more than 300 fixtures, with the entire system integrated with SoFi’s internal single mode fiber network.
• Built a control room inside the NFL Media Center, purpose built for the Halftime Show feed.
• Used 13 Sony Venice cameras, an assortment of Fujinon and Canon lenses, and the 35LIVE!® lens control and ancillary accessories.
• Read more about our involvement here.

• The main stage, affectionately called Big Beast, spanned an impressive 820 ft. wide by 137 ft. tall for which we supplied video, lighting, audio and rigging.
• PRG supported site-wide EVAC PA, projection mapping of the MDL Town Sculpture, and a lighting activation for a VIP entrance gate.
• Learn more about PRG and Soundstorm here.

• Partnered with Audible Theater.
• The show is available on Audible as part of the platform’s mission to make theatre more accessible and offer a different take on traditional viewing.

• Run by superstar musician Anderson .Paak, the nonprofit’s mission is to “Uplift + Engage + Support” through outreach programs and events.
• Through donations and ticket sales, The Brandon Anderson Foundation was able to provide free programming and experiences for over 3,200 people in 2021 and will continue that mission in the new year.
• Read more here. 

• The event was the concluding part of a five-day conference that brought together around 28,000 attendees for launches, games, competitions, and learning sessions.
• It took 181 chain motors, 3,900 feet of truss, and 29,000 pounds of ballast to support more than 40 tons of lighting, audio, and video to rig the largest party in the cloud tech world.

• The two-day event took place in Atlanta, Georgia at the Mercedes-Benz Stadium and featured a larger-than-life screen coming in at 263’ wide. 
• The screen had a total of 704 active heads including 12 GroundControl® LongThrows™ and 5 PRG Bad Boy® units.

• PRG provided 45 LED displays hanging above the stage
• LED panels consisted of ROE CB5 and CB8
• Video Director Gene McAuliffe chose Sony HDC 4300 and HDC-P50 cameras for their multi-format options
• Production design by Dan Braun has worked with band for 25+ years
• Click here to read the article.

• Provided local LED services from Albuquerque.
• PRG’s Enhanced Environments car process utilized for in-car shots.

• The football championship game, in its 108th year, celebrated a return after a two-year hiatus and featured a halftime performance from Hamilton’s own Arkells.
• Learn more about the event and PRG’s global audio capabilities here.

• Ground supported Absen 1.5mm 20’W x 11’3”H wall.
• Can be seen during funeral scene in Episode 2.

• The show is the first to play at the new 5,000 seat Resorts World Theatre.
• PRG provided scenic support for the show including an impressive never-before-seen water wall feature.

• PRG Gear supplied the gear and expertise needed to fit a 140ft wide x 15ft high LED in the ballroom.

• Featured artists included Solomun, Floating Points and Four Tet.
• Lights, video, rigging, staging and towers provided by PRG.

• All three festival stages serviced by PRG.
• Also supported artist- specific supplemental gear for acts including Post Malone, Doja Cat, Kendrick Lamar, Tyler the Creator and Snoh Aalegra.

• PRG Gear provided LED, lighting and all motors, distros, and truss for the special event.
• Gear included 262 tiles of ROE Black Onyx, 40 tiles of ROE CB8, 50 Martin VDO, Sceptrons. 34 Robe Spiider Wash Units and 27 Astera Titan FP-1s.

• Hosted by the diva of darkness Violet Chachki.
• The show also featured performances by Drag Race alums Gottmik, Plastique Tiara, Age of Aquaria, Rosé, and Kim Chi.
• PRG provided lighting, video and rigging.

• PRG furnished an immersive LED gallery that can be seen in the show’s trailer.
• Check out the video here. 

• Lighting, video and audio services from PRG.
• North American support on all tour stops.

• “We used PRG for all our lighting production needs. PRG’s gear was in great condition, teched and ready to go. Communication was a key element for getting this show underway and we felt fully supported by PRG. The show went off without a hitch!” - Julien Reux, Lighting Designer

• PRG provided an end-to-end solution for the in-person & live-streamed general session with creative services for visual identity & graphics and the technical solution for a memorable conference.
• The main stage included a 100ft w x 20ft h wall created by blending four (4) Barco 30K projectors.

• Collaborated with lighting designer, Tim Deiling to realize a creative vision influenced by pop divas such as Beyonce, Rihanna, Katy Perry, Ariana Grande, Alicia Keys, and Adele.
• PRG’s Longthrow™ Luminaire, Best Boy® HP and Mbox® media server were used in innovative ways to provide a concert feel, flexibility and control.
• First Broadway show to ever use Longthrow Luminaires and employ Followspot Controller Handles.
• Read the full article here.

• PRG Scenic provided technical design, fabrication and installation for the multi-room, two story exhibit.
• 106 maze walls and 90 ceiling panels comprised of three different types of mirrored surfaces.
• Self-supporting truss system, over 850 ft of LED tape and an architectural water feature that holds around 450 gallons of water.

• Provided lighting and cameras for the full show, streaming on Amazon Prime.
• NYC premiere event at The Glasshouse included video solutions from PRG.
• The immersive event included plenty of photo opportunities, specialty cocktails, and a star-studded guest list.

• LD John Daniels used a U-torm concept for the lighting design.
• 108 U-torms populated with Robe 1200 LED washes and Clay Paky Mythos 2.
• Scenius Unicos and Best Boys handled much of the keys and backs story for the show.

• Provided 360-degree services supporting the general session, GABF awards, breakout rooms, speaker ready room and overflow on demand.

• Scenery equipment included monitors, projectors and rigging equipment.
• PRG also provided an active camera package that included ARRI ALEXA mini and AMIRA cameras.

• PRG supported artists on the Roxy stage, including Jonas Brothers, Marshmello, and Megan Thee Stallion.
• PRG delivered a full audio, video, lighting and rigging solution, using its proprietary FlexiFest® system.
• The system can be safely and efficiently reconfigured between acts.
• Eliminates the need to dismantle and rebuild the rig between one event and the next.
• Cost saving – reduces trucking and labor expense.
• Sustainable – fewer buses and trucks traveling from venue to venue.

• Filmed during the pandemic before a socially-distanced audience of frontline workers and 9/11 survivors.
• Debuted on Apple TV on the 20th anniversary of 9/11.
• PRG provided lighting and scenic for the Broadway production.
• PRG has also supported multiple tours and the production in London’s West End.

• Artists include Martin Garrix, David Guetta, Armin Van Buuren, Camelphat and Eric Prydz to the delight of fans who have been waiting for live music to return.
• This is the eleventh consecutive year that PRG has supplied this festival with video and the 7th year in a row that we provide rigging and lighting.
• Video being the largest elements of this festival, this year included a total of 2500sqm of LED & 2200 lighting fixtures across 6 stages.

• The showcase of what’s new in the gaming world with Geoff Keighley was livestreamed from Los Angeles.
• PRG provided lighting, video, studio services and camera.
• Watch here.

• PRG partnered with Fireplay and Tangible Vision to produce a first-class set and virtual design mixed with a low-latency, customized, and reliable videoconferencing solution.
• Provided studio space as well as a massive, curved LED wall.
• Other services included, lighting, audio, and scenic elements.

• Provided lighting and truss for Marshmello and lighting and video for the Foo Fighters.
• Fabricated custom triangular units with lighting and video screens that are DMX controlled.
  
  
  

• Lighting and video from PRG.
• “PRG does a great job supporting us, and have always been great partners over the years,” says Video Director Josh Adams.

• In addition to the set, PRG also provided install and strike supervision.
• Watch the full performance here.
  
  
  

• Mobile xR truck brought the Virtual Production Studio to an empty airport hangar.
• Early involvement meant fully managed and inter-connected departments for a flawless viewer experience live and remote.
• Full-service production including technical direction, xR, cameras, lighting, LED, audio, catering and crew.

• Mobile xR truck brought the Virtual Production Studio to an empty airport hangar.
• Early involvement meant fully managed and inter-connected departments for a flawless viewer experience live and remote.
• Full-service production including technical direction, xR, cameras, lighting, LED, audio, catering and crew.

• Provided audio, 20’ tall by 80’ wide blended projection, cameras, switching, rigging with moving lights, project management and on-site event team.
• PRG also provided lighting, video, and audio for the Ford Pavilion and Czarnowski displays for the Boeing Pavilion.

• The camera order from PRG included Sony F55 Digital Cinema cameras and PRG’s proprietary 35LIVE!® 35mm multi-camera workflow.
• Full truck capabilities for broadcast camera package.
• Special was critically celebrated for its message, star-power and production quality.

• Performances from Anderson.Paak, Phantogram, Oliver Tree and other artists.
• Massive lighting rig for stage.
• Event lighting throughout rooftop venue and various interactive fan experiences.

• Guest speakers included President Biden, former President Clinton, and Canadian Prime Minister Justin Trudeau.
• PRG Scenic fabricated the walls, desk and podium used throughout the event.
• Client: RK Corporate Productions.

• PRG Gear supported The Catalyst Companies and Ferrari by providing audio, LED and staging.

• PRG provided cinematic single-cam as well as multicam sitcom gear orders for the show.
• PRG's Enhanced Environment car process was used for driving scenes.
• Read the interview with DP Adrian Peng Correia here.

• To celebrate the movie’s debut, PRG Scenic in Las Vegas fabricated a pop-up In the Heights designed by production designer Andy Walmsley.
• The experiential piece, built for touring outdoor application, mirrored the movie’s set with a mini bridge, lightbox, street signs, telephone poles and bodega.

• PRG provided cameras, lighting, LED, audio, studio services and the full crew for this showcase of what’s next in the gaming world.

• PRG provided 360 turnkey production.
• Including technical production, venue , live streaming, post-production, unveil clip and scenery.

• Scenic fabrication for “The Glade” a flexible performance space that features a stage, steel based light poles, and a sloped hill.
• Fabricated to be safely and easily removed during the off-season and utilized a mix of manmade and natural materials for consistency with the Park’s aesthetic and philosophy.
• Partners: Little Island, Standard Architects, and scenic designer David Zinn.

• Visuals powered by 52 projectors and 14 Mbox® media servers.
• Audio, Lighting, Media Servers, Projection, and CAD work by PRG.
• Produced by Lighthouse Immersive.

• Shot at PRG’s Virtual Production Studio in LA.
• Provided labor, facilities and all equipment for the Six Degrees production team.
• Concert series sponsored by Honda and produced by Live Nation.

• Broadcast Master Control Room fed all screens for the NFL Network, ABC and ESPN.
• 20 LED displays and an array of live feeds for individuals who participated remotely.
• More than 1,500 lighting fixtures for the design by Jon Kusner.
• Over 400 of the Classic Series 300 VL5 fixtures and 20 total PRG GroundControl units.
• Rigging: 262 motors, and over 125 tons of gear in the air.

• The three-day event with pre-recorded and live content.
• Interactive elements included a live award show.

• Combined epic design and performance elements.
• PRG supplied lighting, LED, media servers, audio and crew services.
• Flown lighting rig above the ring and a performance stage for the musical acts.

• PRG provided LED, video, audio and technical expertise including custom designed support for two drive-in stages at the beachside event.
• Two 30’ x 16’ LED screens made it possible for up to 8 films to be shown in 1080p Full HD throughout each day, regardless of light conditions.

• The outdoor experiential campaign included projection mapping on Brooklyn’s iconic Public Library in Grand Army Plaza.
• Media servers, 8 double stacked laser projectors and custom scenic structures were provided to help showcase messages of the benefits of a plastic free future.

• Virtual event broadcast from PRG Digital Studios Secaucus.
• PRG provided 360° production services including cameras, audio, lighting, LED and Fireplay’s Virtual Crowd.
• Moderators were able to field questions and interact with participants all around the globe in real time.

• PRG built out an entire XR studio for the video’s production.
• Directed by Sophie Muller.

• All event attendees joined remotely for the interactive event with the CEO and president
• PRG project managed and provided all technical labor for the live event and setup
• Purpose-built LED stage, Video Switching & Cameras and Streaming Production provided by PRG

• Provided camera packages and accessories
• Orders delivered from the Atlanta camera prep facility

• PRG Scenic fabricated studio walls and the commentator desk for the new studio.
• Provided and all-encompassing scenic solution, LED, and lighting.

• Local team hired.
• Supplied and installed four ARRI M90s and two LTM 12K Pars.

• Provided lighting, rigging, supplemental audio, and labor.
• PRG team worked on a rapid turnaround.
• Used readily available inventory to accommodate the production design.

• Implementation of Virtual Crowd— allowing us to connect artists and fans safely and virtually.
• PRG Digital Studio Nashville broadcasted the immersive livestream.
• Lindsay Ell debuted her sophomore album “Heart Theory.”
• Proceeds went to Crew Nation – a global relief fund supporting out-of-work live events workers.

• The cinematic look of The Weeknd’s halftime performance was achieved with 35LIVE!® multicamera system.
• PRG provided 700+ fixtures including PRG’s proprietary GroundControl® Followspot System, Icon® Edges and Best Boy® Spots.
• Additional services included lighting, rigging, LED, video, networking, projection and broadcast equipment.

Other Super Bowl Activities Include:
• Pre-show lighting, video and rigging for players’ introductions through the tunnel onto the field.
• PRG, in conjunction with VNTANA, projected a hologram of Vince Lombardi on the scoreboard.
• LED provided for the Showtime Cam endzone celebrations.
• Read more about how we put our 360 services into play here.

• PRG fabricated 400 monoliths for the PIC hosted memorial honoring the Americans who lost their lives to COVID-19.
• Provided lighting for Demi Lovato’s inaugural performance pre-record.
• Placed 30+ of our proprietary SmartXcan thermal scanners in key locations around DC.
• Provided flypacks for CBS News and lenses to ABC News.

• PRG lighting, audio and cameras.
• Live drive-in audience views the show via PRG projection and audio equipment.

• PRG rigging and automation.
• Clever video editing hides all gear in the final cut.

• Project created by Es Devlin and delivered by LarMac LIVE and Projects
• 15m automated rotating cube set out in the water surrounded by a lighting, firework and drone display
• Barco UDX 4k-32 projector fired onto a 15m cube with a total 2D image size of 196’ x 50’ and a total resolution of 7680 x 1920px
• PRG delivered an immersive lighting and sound experience

• Lighting grid right above the ring with 125 fixtures.
• “This feels like something completely different, a production wholly conceived during the pandemic that takes advantage of no fans rather than suffers for it.”
• Read the full article.

• Socially distanced solution featuring dedicated pods.
• Variety of content including movie nights from Tribeca Film Festival and sports.
• Provided: audio, LED and rigging.

• PRG provided camera, labor, flypacks and technical management.
• Contributed robotic cameras specifically to comply with social distancing.
• AGITO Tower cam ran on 50 ft of track with full pan and tilt range of motion.
• PRG crew and production in Manhattan.
• Over £292 million worth of art auctioned.
• Client: Roundhead Creative.

• PRG provided the fabrication of the structure, including 1,500 ft of LED.
• Our scenic experts worked closely with third-party engineers to ensure the installation met requirements for strength and special effects.
• Coordinated with special effects teams to prioritize safety during install, filming and cleanup.
• The impressive build began in our New Windsor facility and then was transported and assembled in a rock quarry in upstate New York.
• Watch the video here!

• “Elevate the culture, elevate the reggaeton movement and elevate my brand as J Balvin, with such amazing technology.” - J Balvin in the New York Times

• The competition series, filled with surprise twists, challenges teams of 10 for a chance to win $500k.
• PRG provided LED, including the main center screen – an impressive 38 tile wide curved screen comprised of 330 ROE BO3 tiles.
• The install was spaced out over a month to ensure that proper safety protocols were followed.

• Shot at PRG’s xR Stage in Los Angeles.
• Narrated by Morgan Freeman and features original song by Miranda Lambert.
• One of the first COVID-era shoots to set the precedent for productions.
• Client: Like Minded Entertainment.

• 35Live! technology used to capture shows and provide a cinematic look and feel to live broadcast.
• Spring ‘20 clients included Ralph Lauren and Tom Ford.
• Quick turnaround to support Target’s seasonal fashion show at Park Avenue Armory.

• 57 remote station markers with telescoping poles were shipped individually to each US state/territory.
• PRG SmartXcan aided in safe production installs.
• PRG GroundControl and pre rig truss.
• Custom stage build featuring real wood veneer skins and LED tape lighting.
• Custom podium builds.

• PRG provided facility renderings, content consultation and installation.
• The window display incorporates two ROE Black Onyx LED walls with graphics run in real time.

• Graphics completely run in real time.
• Scenery instantly reacted to the movements of tracked cameras, the singer and real props including a chair.
• The xR Stage provided a safe production environment within COVID-19 guidelines.

“Start on the American Idol stage, end up in a whole new world, thanks to brand new technology that's never been seen before on TV.” – Katy Perry

• Show opened with a 35 minute film projected on eight roll drops, spanning the entire width of the stage.
• PRG Best Boys for followspot moments.
• Designed and produced by Fireplay.
• Directed by Amy Tinkham.
• Read the article on Live Design.

• Glass floor and surrounding glass panels angle outward to give the feeling of leaning over the city.
• Supplied 28 Icon® Edge fixtures to produce aerial beam effects.
• 32 Best Boy® fixtures installed on terrace below to illuminate deck.
• Limited building power required a custom engineered solution to extend power where needed.

• Provided full production support including production design and lighting design.
• Event’s success set a precedent for integrating outstanding esports tournament play with live event entertainment.

• Canon Medical System USA challenged Pinnacle Exhibits and PRG to design a massive video ribbon.
• PRG design replaced traditional hanging sign that historically ran throughout their exhibit at the RSNA 2019 in Chicago.
• Resulted in large-scale creative video solution – both dynamic and viewable from any vantage point.

• Sher used PRG technology and media servers to provide six layers of content.
• Created the environment with lighting and LED screens instead of adding in post.
• This gave him full control in timing trains passing and lighting changes within the scene.
• Actors were able to react to the lighting changes in real time, preserving the fever dream feeling of the film.

• Tours include industry standard DiGiCo SD7T mixing console.
• First use of PK Sound Gravity 30 Subwoofer in a theatrical touring system.
• Loudspeakers by Alcons, Meyer Sound and D&B Audiotechnik for fill and surround.
• Load in and set up time reduced by the use of the cable-free Neutrik's Xirium digital wireless audio distribution.

• A 24' LED screen near the Palm Springs Visitor’s Center showed “Western Flag” 24/7 as a part of Desert X.
• PRG employed its proprietary SpaceFrame® and a customized hanging solution that attached to the ballasted and grounded scaffold structure.
• The PRG-designed LED structure withstood eight weeks of 50 mph winds and intermittent rainstorms.

• PRG-supported Canadian event synchronized to events in Germany and China.
• Scenic automation included sliding LED wall, pivoting projection wall, turntable and massive garage door.
• Agency: Astound.

• Technology included lighting, LED, video, and scenic.
• Provided a high resolution 60'w x 11' h curved LED wall for the stage background.
• Custom podium design & fabrication integrated with stage electrics.
• Fabricated the circular "star" truss, hung overhead.

• A wide range of artists participated, including Morrissey, Dave Chapelle, Barry Manilow, Mel Brooks and Criss Angel.
• PRG was contracted to deliver a full audio, video, lighting and rigging solution, utilizing its proprietary FlexiFest® system.
• Producers were able to book acts back-to-back due to quick change-overs.
• With FlexiFest®, there was no need to dismantle the existing set-up and install a new one for the incoming artist to reconfigure.
• Each artist was able to achieve a custom look – no two shows were the same.
• Overall labor needs were dramatically reduced.

• Co-creators Dan Weiss and David Benioff were able to see the animated dragon on the set for the first time.
• Ncam® output of the running animation informed the operation of the on-set eyeline pole.

• Mapped out the entire stadium, selecting the best areas for capturing both Kevin Hart’s performance and the massive scale of the audience watching.
• Provided 25 F55 cameras from PRG London office and seamless connection to the broadcast truck.
• 35LIVE! equipment captured the show at cinema-quality.

• Fabricated a 24-foot tall Hidden Valley Ranch bottle for the hilarious holiday.
• Las Vegas Scenic Technologies provided local construction and support.
• Agency: McGarryBowen.

• Crafted the iconic 15-foot FOH elephant and Moulin Rouge neon sign.
• Created all scenic drops.
• Provided Stage Command System® for all automation control.
• Scenic element for Satine’s Room included a 30’×14’ platform that tracks upstage/downstage and rotates 180 degrees.

• Lightweight, transparent video panels developed specifically for this tour by PRG Innovation.
• Pure10 solution made catwalk design possible in a collaboration with the artist’s creative team.
• PRG facilities used for pre-viz.

• Large curved LED stage enabled the presenters to interact with their environment.
• Commitment to excellence and innovative solutions allowed Tableau to meet their event objectives.
• “Attendees were buzzing about the look and feel of the general session space and were still talking about it long after the event concluded.”

• 360° services included lighting, audio, video, rigging, wireless connectivity and information technology.
• 15 separate activations throughout the town, including concert stage, entry archway, dance club, music lounge and more.