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• PRG provided the fabrication of the structure, including 1,500 ft of LED
• Our scenic experts worked closely with third-party engineers to ensure the installation met requirements for strength and special effects.
• Coordinated with special effects teams to prioritize safety during install, filming and cleanup
• The impressive build began in our New Windsor facility and then was transported and assembled in a rock quarry in upstate New York.
• Watch the video here!

• 57 remote station markers with telescoping poles were shipped individually to each US state/territory
• PRG SmartXcan aided in safe production installs
• PRG GroundControl and pre rig truss
• Custom stage build featuring real wood veneer skins and LED tape lighting
• Custom podium builds

• “Elevate the culture, elevate the reggaeton movement and elevate my brand as J Balvin, with such amazing technology.” - J Balvin in the New York Times

• Fans from around the world watched Metallica perform a concert streamed live in support of its charity, All Within My Hands
• Virtual Crowd allows performers and speakers interact with their audience in real time through large video screens, achieving no latency was the biggest technical challenge.
• “The most technically impressive livestream I’ve ever seen.” Zack Ruskin, review of concert in the SF Chronicle.

• Focus on bringing engaging and exciting events to its members
• PRG provided full streaming services with live switching, presenter rehearsals and capture service with editing
• Host used PRG’s at home live-streaming kit

• With a floor space of around 860 sq. ft, it was the largest mixed reality stage for the festival and concert industry
• The stage floor is comprised of PRG’s Domino— a modular LED floor that can be joined together seamlessly, frosted to optimize them for the cameras
• PRG provided: lighting, audio, rigging, video, cameras, broadcast system and media servers

• PRG provided lighting for the award show, which aired on Telemundo
• “The lighting has to replace the energy that the large audience brings” – John Daniels, Lighting Designer
• Read more to discover how the team captured the glamour of a pre-pandemic award show with innovative set and lighting choices

• The competition series, filled with surprise twists, challenges teams of 10 for a chance to win $500k
• PRG provided LED, including the main center screen – an impressive 38 tile wide curved screen comprised of 330 ROE BO3 tiles
• The install was spaced out over a month to ensure that proper safety protocols were followed

• PRG is proud to have continually supported this artist throughout the years and provided lighting and audio for his epic performance for the awards show
• Check it out here!

• Reduced crew and locations
• Furio track cameras
• Worked with Fremantle and America’s Got Talent since the show’s first season in 2006

• Socially distanced solution featuring dedicated pods
• Variety of content including movie nights from Tribeca Film Festival and sports
• Provided: audio, LED and rigging

• Provided space to dine and enjoy sports throughout the week
• Together we built five 10’ x 6’ ROE CB5 LED
• PRG provided structural design and supplemental labor & support
• Borgata Beer Garden has custom-designed, double sided truss structures supporting four of the onsite LED walls and an additional LED wall flown by the show stage

• Fans got an intimate performance from Swindell
• The artist was able to see their reactions in real-time on an LED screen behind him
• PRG provided studio space, LED, audio, lighting and streaming
• Read the article on Forbes

• PRG provided on-site streaming services live from Red Rocks Park & Amphitheater
• Services provided included livestreaming of 3 concurrent breakout sessions, remote pre-recording services, editing, and presenter coaching
• Event was hosted on PRG’s virtual conference platform, which included chat, polling, exhibit & sponsorship opportunities, custom branding and on-demand hosting after the event

• Full lighting, video, audio, camera, broadcast equipment and crew from PRG
• Ongoing series with upcoming artists, Anderson .Paak pictured
• COVID-era compliance includes PRG safety officer and social distanced workflows
• Watch the Anderson .Paak video here

• Camera setup: two Sony F55’s on the Furio floor mounted robotic camera system and one Sony F55 on a Jimmy jib
• Ncam system for real-time rendered 3D content with Unreal Engine
• Set extensions and CGI elements integrated into the xR workflow

• Shot at PRG’s xR Stage in Los Angeles
• Narrated by Morgan Freeman and features original song by Miranda Lambert
• One of the first COVID-era shoots to set the precedent for productions
• Client: Like Minded Entertainment

• Custom protective coverings for LED walls
• Multiple fabrication options to complement the stadium
• Traveling technicians on site for maintenance and execution

• Three 40 ft x 20 ft LED screens create viewing area with 250 car capacity
• Audio, FM Broadcasting , Lighting, Media Servers, and LED by PRG
• Official tailgating for the Toronto Raptors

• PRG provided crew and LED for the glamorous set design from Jorge Dominguez and Univision
• Crew quarantined together and was tested multiple times
• Onstage performances from star-studded lineup including J Balvin, Pitbull, and Ricky Martin
• Read the article 

• 50k sq. ft open air venue on the waterfront in Astoria
• Accommodates both live and pre-recorded screenings
• First feature—Phantom of the Opera— incorporated a mix of on-screen film, live performance from Broadway stars and an 11-piece orchestra
• PRG provided cameras, projection and switching

• PRG provided camera, labor, flypacks and technical management
• Contributed robotic cameras specifically to comply with social distancing
• AGITO Tower cam ran on 50 ft of track with full pan and tilt range of motion
• PRG crew and production in Manhattan
• Over £292 million worth of art auctioned
• Client: Roundhead Creative

• PRG Gear provided The Catalyst Companies with video, cameras, LED, and lighting
• The Virtual Tom Ferry Success Summit attendees were able to interact live with Tom throughout the event.

• “Powering the Movement” featured Year Up graduates now at Microsoft, LinkedIn, and JPMorgan
• A mix of pre-records and livestreaming
• Multiple speakers utilized our Pro At-Home Livestreaming kits with the support of on-site techs
• Additional services included: video pre-records, editing and a microsite platform with third party donation links

• Supported award-winning lighting looks by Noah Mitz and Full Flood's creative team
• Theatrical lighting used to enhance story telling
• An average of 10 performances per episode, each requiring its own unique look
• Show format results in many last-minute change orders and 24/7 support

• Graphics completely run in real time
• Scenery instantly reacted to the movements of tracked cameras, the singer and real props including a chair
• The xR Stage provided a safe production environment within COVID-19 guidelines

“Start on the American Idol stage, end up in a whole new world, thanks to brand new technology that's never been seen before on TV.” – Katy Perry

• Innovative hybrid of hand drawn and computer animated imagery
• NCam® allowed real-time tracking for previz on set
• Billed and delivered from PRG Dallas location

“It’s been a fun, creative journey to incorporate things like 3D graphics into a live action shoot to help bring this story to life.” –  Director Richard Linklater

• Customized broadcast truck used for self-contained complete setup on the go
• Camera, audio, wireless video and engineering systems by PRG
• Partnership has resulted in a faster, more efficient production

• Designed custom lighting solutions that could be rolled out globally
• Engineered and manufactured custom fixtures, including securing safety certifications
• Delivered over 70,000 fixtures, including PRG Bullet, frequently on expedited schedules

• Provides superior audio quality for a discerning audience
• Tour maintains an "audio first" production priority
• Over 100 microphones to capture orchestra nuances
• Uses an L'Acoustics K2 System, a speaker system designed for arena touring

• Multi-dimensional program with activations at all scales: from small kiosks to ballroom seminars to an arena show in-the-round
• Scope included Arbonne’s large-scale awards gala

• Pitched a total immersive VR experience throughout the space, no goggles required
• All technologies around the perimeter of the booth flowed to the center experience
• Provided lighting, rigging, projection and LED including walls and a custom LED door
• Agency: CSE

• Audio, video, lighting and a complete truss and rigging package
• Proprietary Mbox® Media Servers used
• Production partner for both the 2019 and 2020 tours

• Seamlessly replicated US rehearsal rig for first tour leg in Europe
• Lighting and video gear plus technical labor provided by PRG
• Go behind-the-scenes with the Backstreet Boys Tour Production Team in our exclusive 6-part series: "BSB x PRG: DNA World Tour Road Diary"

• Provided all automation including a battery powered and wirelessly controlled piano
• 35 effects on the show, controlled via PRG Stage Command®
• Built the show portal, slider legs, US wall, American Bandstand hangers and Tracking studio

• Commentary presented in four languages and streamed to 60 million spectators
• More than 1,300 lights and 680 LED screens installed in three days
• Furnished projectors and kinetics for opening ceremony
• “This is one of the reasons why we do shows with PRG: everything is going to behave and look exactly the same as visualized and planned in the studio beforehand.” - Michael Thuney, Producer at Production Associates

• In home studio kits for hosts were delivered and supported remotely by our production crew
• PRG captured the ISO recording of hosts & interviewees and uploaded all content to client server for use in post-production process
• In addition to provided production crew, PRG provided talent communications system and teleprompter feed

• Provided lighting, rigging, LED, automation and cameras
• PRG was able to adapt production needs to align with artist’s rapid growth to a worldwide market
• GroundControl™ was uniquely used as a tool to color match key lighting

• Guest appearances by Gwen Stefani and Trace Adkins
• PRG provided lighting, audio, LED, comms and camera
• Shot with 35LIVE!™ proprietary tech
• Screened simultaneously at 300 participating drive-in locations throughout the country

• One of the largest projection mapping projects in an urban setting
• 35 lighting and projection sites spanning a 30-block area of downtown
• 1.2 million attendance
• PRG provided project management and all technology, expertise and staffing

• Public event held by non-profit experimental art organization BOFFO in the historically LGBTQ community on Long Island
• Fireplay production design for artist Ryan McNamara
• PRG suggested lightweight, portable fixtures for both handheld and atmospheric uses

• 60 fps with UHD (4K) resolution of 3840 x 2160 pixels
• Camera and LED wall processors via fiber network
• Set up in one hour with operation by a single video engineer
• Check out the video!

• Camera, audio, LED, lighting, video and engineering systems by PRG
• Social distanced workspaces including artist green room and separate control rooms
• Black Eyed Peas pictured on the xR Stage at PRG Studios Los Angeles

• Entire store theme changes quarterly - requires all new scenic elements and refocusing interior lighting
• Store designs use PRG proprietary Bullet fixtures (both White Light and UV)
• Installed flexible AV systems for the in-store theater used for workshops and presentations

• Canon Medical System USA challenged Pinnacle Exhibits and PRG to design a massive video ribbon
• PRG design replaced traditional hanging sign that historically ran throughout their exhibit at the RSNA 2019 in Chicago
• Resulted in large-scale creative video solution – both dynamic and viewable from any vantage point

• Requires superior sound for 100,000+ outdoors at the US Capitol
• Simultaneous live TV broadcast
• All digital Infrastructure for fidelity and reliability
• L-Acoustics K2, KARA, and ARCS speakers

• HD technology integrated into hard sets
• 120’ x 20’ floor to ceiling screen
• Developed yearly themes, custom set designs, video elements, and show flows
• Moving video, full-screen animation, graphic presentations and wall-to-wall IMAG

• PRG provides entire camera packages including ARRI Alexa Mini and/or ARRI Amira cameras to all three shows
• Lenses include Fujinon Cabrio, Angenieux zoom, Zeiss prime and accessories
• Local PRG Chicago offices allow for swift gear swaps and low transportation costs.

• PRG engaged technical support for 3,000+ attendees
• Audio, video, lighting, scenic, project management and crew services
• Custom fabrication of 198-foot wide projection screen

• Technology included lighting, LED, video, and scenic
• Provided a high resolution 60'w x 11' h curved LED wall for the stage background
• Custom podium design & fabrication integrated with stage electrics
• Fabricated the circular "star" truss, hung overhead

• PRG and and Derse partnered on JLG’s activation developing a strategic design
• Seamlessly integrated gigantic, angular LED walls within Derse scenic elements 
• PRG engineered custom fabricated LED mounting points and pre-built truss structures at the Las Vegas scenic shop
• Provided logistics, LED, audio, project management, fabrication and engineering

• PRG provided Coachella’s main stage lighting, rigging, LED, and video services, plus lighting for the Yuma tent
• Various disciplines for 15 different artists including audio, rigging, video and lighting services
• PRG’s SpaceFrame™ LED system withstood 30 mph desert winds and saved truck space during transport
• Over 150 automated fixtures, including PRG Best Boy®, used to light the Mane Stage

• Provided live streaming and video editing for On-Demand viewing, allowing several million additional viewers outside the convention center
• Additionally provided lighting -- including PRG’s proprietary Best Boy® and PRG Bad Boy®, rigging and video solutions

• Automation and scenic supplier during Off-Broadway run
• Created an automation system that broadcasted all position information from Stage Command to Mbox® media server
• System allowed video projections to stay locked onto moving surfaces throughout the show

• PRG created an innovative solution using six different LED surfaces tied into a 3D projector to draw guests into an interactive experience
• PRG conducted a 3D study of the space prior to planning and worked with EEI’s sales, design, engineering and manufacturing departments to test and collaborate at every phase of the project

• PRG provided facility renderings, content consultation and installation
• The window display incorporates two ROE Black Onyx LED walls with graphics run in real time

• Supplied more than 400 pieces of gear including GroundControl™ Best Boy, 179 assorted Philips Vari-Lite fixtures and 74 Icon® Edge Fixtures
• Also provided additional lighting orders for Meghan Trainor, Kelly Clarkson, Maddie Pope and Marshmello

• PRG services included LED, video, and lighting
• 16-hour show builds ensured time to get LED sources, Blacktrax system and projection mapping running
• Hired a world-class crew with interchangeable knowledge of lighting and video systems

• 250k visitors throughout the year
• Extensive production included LED walls, projectors, broadcast services, pyrotechnics, staging and scenic
• Brought a network of professionals to elevate the experience
• Worked in coordination with DreamHack and Bombee Productions

• Constructed from over 2000 video panels
• 400 ft wide projection mapped surfaces and 50 ft tall illuminated pyramids
• PRG provided LED, projection, networking & rigging
• 12 PRG Super Nodes and 14,000+ feet of fiber providing control signal for the whole production

• Created an innovative solution using six different LED surfaces with a 3D projector to draw guests into an interactive experience
• Full 3D theater experience for guests inside booth
• Content on exterior LED walls changed to engage guests outside
• Conducted a 3D study of the space and facilitated testing at each phase of planning

• Supplied lighting, audio, scenic, cameras, video switching and playback
• Featured custom curved LED
• Used VL5A fixture with the color engine removed, providing a pure daylight source in a flexible moving light

• PRG worked alongside Turner & WME | IMG to stage, produce, stream and broadcast ELEAGUE events
• Furnished scenic design, LED, video and lighting technologies
• Event featured 24 professional teams from around the world

• Circuit Grounds is Insomniac and EDC main production stage: large format, electronic and digital
• Stage accommodated 40,000 to 50,000 audience members
• PRG supplied 1,100 active lighting fixtures

• Multicamera setup included a mix of Sony Venice and Sony F55 with R7 Recorders
• Provided full engineering services through the live set-up

• Engineered rigging solutions to accommodate large amount of gear integrated into the ceiling
• Utilized PRG's Domino LED floor system to facilitate fast assembly
• Customized triangle structures developed by our scenic specialists

• Crew of 180 people provided rigging, lighting, video, audio, broadcast and communication technology
• Projection sphere allowed spatial perception of performances for both the crowd and broadcast audiences

• PRG supplied camera solutions and streaming technology
• Live chat component allowed real-time press responses
• External stream was embedded into a player and streamed to Fielmann’s homepage

• Lighting, audio, LED, video and scenic
• Helped reinforce their message of athletic safety and performance
• One of 11 activations that PRG supported during 2020’s big game

• Performances from Anderson.Paak, Phantogram, Oliver Tree and other artists
• Massive lighting rig for stage
• Event lighting throughout rooftop venue and various interactive fan experiences

• Provided full production support including production design and lighting design
• Event’s success set a precedent for integrating outstanding esports tournament play with live event entertainment

• Supported creative director Steve Kidd’s vision of putting both the gamer and the fan inside the game
• 1,300+ lighting fixtures, audio and communications furnished by PRG
• Culmination of global esports phenomenon at Arthur Ashe Stadium in NYC with $100 million in prizes for its opening tournament run
• Watch the video

  “Our overarching goal was to put both the gamer and the fan inside the experience” — Steve Kidd, Executive Producer

• We build on-site, custom temporary broadcast facilities for both NBC and the Tennis Channel
• Includes lighting for set, RF camera, EVS, cameras and audio for commentary booths and set desk
• Labor includes EIC, Audio EIC, and RF technician
• Proprietary X-Frame furniture to build integrated on-site broadcast systems and workspaces for technicians and monitoring
• Two separate control rooms with 4x3 video walls for live technical production

• Built all Arendelle and Ice scenery
• PRG’s Stage Command System® provided the SIL 3 safety architecture for the entire production

• Co-creators Dan Weiss and David Benioff were able to see the animated dragon on the set for the first time
• Ncam® output of the running animation informed the operation of the on-set eyeline pole

• Scenic, rigging, automation, lights and LED
• Custom fabrication of a 30 ft. high monolith tower incorporating first stage production use of Vantablack – the world’s darkest known substance
• Structure included automated LED wall, which revealed a blinder light wall and a solid column of hybrid strobes
• Created a custom dolly system to transport the set for tour

• Proprietary V676 consoles and GroundControl™ and Series 400 for lighting designers Bob Dickinson and Noah Mitz
• Proprietary Best Boy HPs, Bad Boy GroundControl, Icon Beam fixtures
• Additional band adds for 12 artists including Rosalia, Alicia Keys and Camila Cabello

• Worked directly with designers at Wasted Potential to choose lightweight fixtures
• Created truck packs and consultation to make the design scalable to the tour’s different venues
• PRG services included lighting and video

• Lighting, audio and video services
• Gear includes proprietary PRG GroundControl™ Followspot System and Icon® Edge fixtures
• Two Las Vegas depots offered local support

• Lighting, audio and video by PRG
• Furnished all gear for runway and performances for the star-studded event and surprise concert
• Supported sustainability initiative of show, which used only recycled fabrics

• Tours include industry standard DiGiCo SD7T mixing console
• First use of PK Sound Gravity 30 Subwoofer in a theatrical touring system
• Loudspeakers by Alcons, Meyer Sound and D&B Audiotechnik for fill and surround
• Load in and set up time reduced by the use of the cable-free Neutrik's Xirium digital wireless audio distribution

• Large sensor 35mm multi- camera 35LIVE!™ system created a cinematic look and feel
• Provided a team of dedicated PRG specialists
• Proprietary technology only available at PRG

• LED screens chosen to provide daytime visibility
• Provided Mbox Player and Ascender 16 for both screens
• FM transmitter audio solution for increased social distancing
• All site lighting and screen rigging by PRG
• Agency: Uwe Bergmann Agentur (UBA)

• Video and audio services from PRG
• 28-foot diameter 2.9mm LED ring and screen enclosure that spanned 270 degrees
• Interactive globe was brought to life by four RZ-31K laser projectors
• 8.1 surround sound

• PRG is a long-term production partner for HFMA’s annual conference, focused on improving the healthcare business
• Guided new production teams through the event planning process
• 360 services for general session, breakout meetings, conference administrative offices, IT and presentations
• Concert production setup for musical performances

• Fabricated a 24-foot tall Hidden Valley Ranch bottle for the hilarious holiday
• Las Vegas Scenic Technologies provided local construction and support
• Agency: McGarryBowen

• Supplied projection, video and lighting package with special effects
• PRG demo room space used for lighting mockups
• Crew rigged the lights and truss into the trees of the forest in the Canadian Dundas Valley

• Video, LED, audio, lighting, intercom and technical project management
• A ‘floating stage’ put the audience on the terraced seating at eye level with the main speakers
• Large LED wall, seven cameras and media server for content display

• PRG provided [services] for the centerpiece event was the Chairman’s Global Dinner, featuring an Alabama concert and a Showstoppers performance, arranged by the Wynn organization
• “The inauguration was the most comprehensive, inclusive, detailed and complicated in history and due to your professionalism and dedication, was executed with the precision and rhythm of a Mozart symphony” — Letter from Chairman Thomas J. Barrack to PRG’s SVP/Special Projects James Lehner

• Mounted the car on a hydraulic lift to raise the vehicle and dyno as it was performing
• Researched effective methods and approved– adding automated pop-up fans as an increased safety measure
• Our large New Windsor facility allowed us to test on site with Jeep Engineers

• Production staged at the Mark Anthony Armory in Brooklyn rather than a TV studio
• PRG's extensive Broadway experience valuable in hybrid production combining musical theatre and live television

• Researched and advised on best LED materials for scenic elements
• Created truck packs and CAD drawings
• Provided lighting and video services for design by Silent House Productions

• A 24' LED screen near the Palm Springs Visitor’s Center showed “Western Flag” 24/7 as a part of Desert X
• PRG employed its proprietary SpaceFrame™ and a customized hanging solution that attached to the ballasted and grounded scaffold structure
• The PRG-designed LED structure withstood eight weeks of 50 mph winds and intermittent rainstorms

• Sher used PRG technology and media servers to provide six layers of content
• Created the environment with lighting and LED screens instead of adding in post
• This gave him full control in timing trains passing and lighting changes within the scene
• Actors were able to react to the lighting changes in real time, preserving the fever dream feeling of the film

• Automated three-sided, 50-foot LED bar with hidden lighting and special effects encompasses five disciplines into one design
• Designed for quick deployment and minimal load-in/load-out preparation
• Custom carts allow the entire rig to fit into 28 feet of truck space
• All design and manufacturing done in-house and delivered to show site within 2.5 weeks

• Mapped out the entire stadium, selecting the best areas for capturing both Kevin Hart’s performance and the massive scale of the audience watching
• Provided 25 F55 cameras from PRG London office and seamless connection to the broadcast truck 
• 35LIVE! equipment captured the show at cinema-quality

• 9x16 CB5 outdoor rated LED wall with standard CB5 Ground support
• Meyer Sound LEOPARD line array set up on the school’s football field
• Video, audio and labor provided by PRG

• Provided engineering consultation to with the design team and technical director throughout production process
• Performed extensive structural evaluation of the theatre and rigging
• In addition, PRG provided scenery packages and scenic automation

• Featured speaker NY Governor Andrew Cuomo
• Bridge lighting from barges below with 98 automated lights per barge, plus fiber network and on-shore control
• Light show synchronized with Empire State Building and an app inviting user participation in the experience
• Agency: Tactical Manoeuvre Inc.

• PRG provided camera, lighting and LED
• Their very first livestream NOT US, THEM was hosted on edm.com and featured sets from Dr. Fresch and Jayceeoh
• Four camera setup included two Robocams and two Sony HDC-1500 HD Multi-Format Broadcast Cameras
• Broadcasted on YouTube, Twitch and Facebook Live

• Provided a variety of high demand gear completely catered to the needs of the production
• Utilized a rental package of over 600 products to cover lighting, control and effects

• Provided LED and media servers for the stages along with Red Carpet support
• 762 ROE tiles; 7,500 feet of TAC fiber, 350 Revolution Blades, Brompton processing and 13 Barco Image Pros

• Theatrical and architectural lighting with zoned audio engineered by PRG
• High-end retail feel rather than traditional tradeshow booth
• Curved LED panels created a virtual forest pathway
• Agency: Czarnowski

• Demonstrates PRG's commitment to and support of tours in small to mid-size music venues
• Supported the creative team's cabaret gospel aesthetic and bold looks
• “PRG delivered an outstanding lighting package for the tour that was built to be flexible on a daily basis.” - Drew Gnagey, Creative Director

• Immersive audio, video and lighting production made versatile spaces with fast changeovers
• Simulated and delivered trivia game show production
• Attendees interacted with multiple vertical touchscreens that replicated smart phones to test drive loyalty program apps

• Red carpet experience, champagne reception, awards and dinner for 1,200
• PRG provided lighting, rigging, video, audio, staging and scenic
• More than 500 moving lights, 988 LED tiles, 2.5 miles of fiber, 130 rigging points and bespoke interactive table plan

• Provided LED, rigging, motors, audio and the camera system for the historical event
• Dan Braun's design included four flown LED rings hovering above the round stage setup
• The floating video rings were of varying large-scale dimensions: 60', 45', 30' and 16'
• Custom hardware designed for a fast load-in
• PRG solutions included smart gear packs and keeping crew consistent throughout rehearsals and show

• Utilized audiovisual technology to create engagement and collaboration among the attendees
• Provided audio, video, lighting, scenic and suite of digital engagement solutions including presentation management and digital signage
• Worked alongside MGMA’s meeting professionals to build creative content for their keynote general sessions

• Weeklong art gallery by day and party by night located in Wynwood arts district
• Multidisciplinary experience included array of late-night DJs, live mural painting and art installations by more than 20 visual artists
• VER Miami provided gear, cutting transportation costs and offering local support

• Crafted the iconic 15-foot FOH elephant and Moulin Rouge neon sign
• Created all scenic drops
• Provided Stage Command system for all automation control
• Scenic element for Satine’s Room included a 30’×14’ platform that tracks upstage/downstage and rotates 180 degrees

• The nights big winners included Ariana Grande, Taylor Swift, and Billie Eilish
• Proprietary Best Boy® HPs, Best Boy and Bad Boy® GroundControl™ and Icon® Edge fixtures used in the main lighting package

• With beveled glass and reflective surfaces on the train set, green screen was not an option
• Enhanced Environments offered video playout on LED screens to create a “real world” on set
• Resulted in a massive 40’ X 90’ high-res LED wall around the train set

• Audio, video, lighting, LED, scenic, creative services, content management, speaker-ready rooms and tradeshow floor services by PRG
• Large LED walls allowed presenters to interact with the audience
• Custom graphics, voice-overs and video

• Edited all audio and video files and built landing page
• Verified all Zoom webinar setups and uploaded all content
• PRG technicians provided real-time support from set up through the livestream

• Installed ReNew 2.0 LED retrofit kits so existing fixtures didn’t need to replaced
• The facility acheived an overall savings on lamp purchases and the labor costs associated with frequently replacing the lamps
• Additional savings were realized because the fixtures are 40’ in the air, every lamp change required a personnel lift

• Complete production control: switcher, router, 4x2 monitor wall
• Versa Pak Systems Control Rooms utilizing proprietary X-Frame technology was fully prepped in Los Angeles and put onto shipping containers
• 18 cameras, lenses, racks, audio, EVS network plus 5 engineers on site for two weeks
• Same package was used for ESPN’s Armed Forces Classic a month earlier

• 35Live! technology used to capture shows and provide a cinematic look and feel to live broadcast
• Spring ‘20 clients included Ralph Lauren and Tom Ford
• Quick turnaround to support Target’s seasonal fashion show at Park Avenue Armory

• PRG supplied In-Home livestreaming kits for presenters across the country
• PRG techs traveled to provide support for important interviews
• Pre-recorded intro segment and interviews edited by PRG

• Furnished a complete lighting system with more than 1,000 fixtures for design by Full Flood Inc.
• Proprietary V676 Console [link to product] for control
• Supported the Red Carpet Pre-Show and Arrivals

• PRG provides camera and camera support for the series
• Local PRG Atlanta offices allow for swift gear swaps and low transportation costs

• PRG provides large and complex lighting rig and video setup each year
• Reliable power and a large data infrastructure for LED video effect elements provided by PRG
• Relationship has grown to accommodate lighting and video for more than 65,000 college students at the 2020 event

• Entire field setup in six minutes flat
• High stakes: One of the most viewed television events with an estimated 102 million watching
• In 2020 we provided lighting support for 22 Degrees over 500 automated fixtures and proprietary V676 control consoles
• Used 15,000' of fiber optic cable

• PRG-supported Canadian event synchronized to events in Germany and China
• Scenic automation included sliding LED wall, pivoting projection wall, turntable and massive garage door
• Agency: Astound

• PRG provided audio, video, lighting and rigging
• Crew from both USA and Europe
• Local support and gear in all countries on the tour’s route

• Engineered the 35’ high Q scenic piece to hold lasers and lighting fixtures.
• PRG’s Rolling Stage decks were used to facilitate fast load in and load out.
• Custom carts with integrated pivot points were designed to allow lighting and scenic elements to be easily deployed at the venue.

• Show offers support and assistance with donations of goods and services
• Produced and created by Big Fish Entertainment and MGM Company

• Supported lighting design from 22 Degrees
• Our experience in television and Broadway was invaluable to this hybrid production

• Provided more than 500 fixtures for rehearsals
• Lighting package included PRG GroundControl™ Followspot System
• PRG supplied a Las Vegas local crew

• Scaled scenic elements, applied textures and chose color palettes
• Hard-coated, self-supporting elements constructed for the stage
• Scenic details designed to be viewed by a sold-out show of 80,000

• Interactive audience experience includes scenic, LED, video and lighting from PRG
• Residency at the Flamingo Las Vegas
• Also support RuPaul’s Drag Race television series and the Werq the World Tour

• Proprietary PRG Best Boy HPs used along with more than 150 other fixtures to light the Mane Stage in 2019
• Record-breaking Stagecoach crowd estimated at 80,000

• Solutions included Enhanced Environments and Mbox technology
• Multiple driving scenes utilized PRG's proprietary media server to control realistic lighting conditions and scenery seen through windows 

• Lighting, audio, video, supporting services and expert technicians from PRG
• Technology across the keynote room and multiple breakout areas included high resolution LED video walls, plasma screens, and projection
• Audio gear included speakers, audio fibre system and Sennheiser radio channels in all breakout rooms with custom built lecterns

• Audience of 14,000 data scientists from 50 countries
• Solution featured a curved stage with a 160-foot LED wall, creating an immersive environment for attendees

• Large curved LED stage enabled the presenters to interact with their environment
• Commitment to excellence and innovative solutions allowed Tableau to meet their event objectives
• “Attendees were buzzing about the look and feel of the general session space and were still talking about it long after the event concluded”

• PRG operated the event by live switching between pre-recorded and live content out of our Orlando Digital Studio
• PRG developed a back of house communications platform allowing presenters to interact with each other and technicians.
• Participant interactivity included live Q&A submissions and chat
• PRG partnered a web design agency to develop a fully customized website for the event.

• Camera, broadcast and audio services for the community theater and main stage
• Necessitates set-up and operation of two separate control rooms
• LED wall, PA for both stages, overhead speakers, mics, transmitters and receivers
• Also provided all comms

• Glass floor and surrounding glass panels angle outward to give the feeling of leaning over the city
• Supplied 28 Icon® Edge fixtures to produce aerial beam effects
• 32 Best Boy® fixtures installed on terrace below to illuminate deck
• Limited building power required a custom engineered solution to extend power where needed

• Indicative of PRG expertise and inventory in full force
• 698 fixtures supplied in total including 269 assorted Vari-Lite fixtures,100+ Sharpys and 60+ Solaris Flares
• Video sphere with 6-foot diameter

• Production management, lighting, camera, labor and logistics
• Performed fixer duties for US filming locations including permits, labor, runners, location management and talent acquisition
• Organized music festival for pilot episode

• The engaging war drama features an acclaimed cast, including Samuel L. Jackson, Sebastian Stan, and Christopher Plummer
• Noteworthy crew includes DP Byron Werner and Key Grip Frank Boone, pictured

• 22,000 attendees in 2019
• PRG provides audio, video, lighting, computers and labor for the general session and technical operators for 60 breakout rooms per day
• The Hinman Dental Society is a non-profit organization that fosters dental education through scholarships to individuals

• Proximity of PRG Belgium makes gear swaps and support convenient
• One of the world's largest and most notable music festivals, now spanning over two weekends
• Main Stage utilizes proprietary PRG Bad Boy® and Best Boy® fixtures

• Provided lighting and video for both legs of the tour, stopping in 66 cities for 100-plus performances along the way
• Two separate touring crews and performers often played two shows per day
• More than 350 lighting fixtures and 350 revolution blades per tour

• Lightweight, transparent video panels developed specifically for this tour by PRG Innovation
• Pure10 solution made catwalk design possible in a collaboration with the artist’s creative team
• PRG facilities used for pre-viz

• Entire movie shot in New Orleans during hurricane season and takes place in one script day
• Special Black-Tek rigging system allowed for quick camera setup
• Camera package included three Sony Venices, one with a Rialto tethered extension system, allowing flexibility in remote mounting
• Quick, efficient gear swaps meant the DP and director never waited on any equipment

“I can’t say enough good things about Mindy from PRG and the entire crew in New Orleans. They were so supportive, and all the gear swaps were seamless. I have no recollection of anything coming in and out, and that’s the way it should be.”
- Brendan Galvin, Director of Photography, Unhinged

• Quickly pivoted from a live event to a partially virtual event as government mandates evolved
• A mix of live presenters and Zoom attendees and upward of 300 guests viewed via a web platform
• PRG hosted regular calls to heighten collaboration and control scope
• Provided broadcast, cameras, audio and labor

• Content projected onto a custom-built 360º translucent cylinder
• Actors interacted in realtime with the projected content
• Media server allowed content to be instantly re-called and manipulated while shooting
• Reduced costs by eliminating the need to create effects in post

• Provided broadcast, cameras, audio and labor
• Utilized proprietary X-Frame furniture to construct integrated broadcast systems
• Facility included customized workspaces for technicians and monitoring, a control room with a 4x2 video wall for live technical production, video shading, EVS records, edit facilities, audio mixing and master control featuring Grass Valley NVISION routing

• Visuals powered by 52 projectors and 14 MBox media servers
• Audio, Lighting, Media Servers, Projection, and CAD work by PRG
• Produced by Lighthouse Immersive

• PRG lights illuminated almost every area of the party
• More than 800 lighting fixtures, cabling and rigging
• Proprietary PRG Best Boy Spots and Bad Boy Washes used throughout the event

• 360° services included lighting, audio, video, rigging, wireless connectivity and information technology
• 15 separate activations throughout the town, including concert stage, entry archway, dance club, music lounge and more

• PRG provided lighting, rigging, LED, and media servers
• Proprietary Mbox® media server facilitates fast-changing screen graphic and video content
• PRG lighting technology provides seamless transitions on a set where unpredictability is the norm

• Converted client’s rehearsal space into a broadcast studio
• Provided the broadcast audio gear
• Provided the camera package including operators, video engineers