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• Visually, the Big Ass Tour features bold architectural staging with a playful, honky-tonk edge. The set features industrial textures, geometric forms and raw materials that evoke both a modern urban landscape and the rugged Americana of Post Malone's recent country-tinged music.
• In collaboration with PRG Scenic and PRG Projects, we fabricated two identical Posty Co. signs and the tour's scenic build which featured 500 meters of LED tape and 150 LED nodes integrated into the signs, as well as nearly 100 sheets of perforated metal with roughly 450,000 holes.
• The lighting package included a 1,000+ fixture lighting rig with PRG's GroundControl Followspot System, Acme Pixel Line IPs, Astera Titan Tubes, GLP JDC Burst 1s, and Vari-Lite VL3600s. 
• The massive LED package, integrated into the scenic design, included over 500 Infiled Titan X tiles, side walls, header screens and custom signage—all processed via Novastar and Brompton systems.

• Featuring a mesmerizing performance by Sarah Snook, who portrays 26 different characters, the production pushes the boundaries of traditional theater.
• PRG supported this bold production with audio, automation, scenic modifications and video.
• Audio Design: Clemence Williams
• Scenic & Automation Design: Marg Horwell
• Video Design: David Bergman

• The groundbreaking 10-episode competition series, created by MrBeast, set an astonishing 40 Guinness World Records, making history for the largest unscripted show in terms of prize money, number of contestants, gear and logistics.
• PRG had one month of planning to provide over 325 cameras, including ARRI, Sony, Black Magic and Panasonic, and coordinated 5 miles of fiber infrastructure.
• All this gear was packed into fifteen 53-foot semis dedicated to video, audio, LED and cameras.
• Set up 2 control rooms spanning 3 locations with a team of specialists
• Utilized a variety of broadcast equipment, including 3 Evertz NEXX routers, EQX16 Routers, and over 40 Riedel Micron UHD

• Nearly 60,000 feet (11+ miles) of fiber optic cable was used, enough to stretch across 150 football fields.
• Elation Proteus Radius fixtures lit up the stage, fresh off their debut at the CMA Awards.
• Pathway Connectivity developed and tested a new solution for their Via 12 Ethernet Switches, ensuring seamless fiber integration for the lighting system.
• The team provided an additional 55 fixtures, networking infrastructure and atmospherics for various pre-game events.
• PRG also equipped Van Wagner’s ‘auxiliary control room’ with flypacks including modular furniture as well as camera packages to capture talent, celebrity shots, pre-game elements and more.

“I’ve collaborated with PRG worldwide for decades because I value their approach—supporting both me and the production throughout pre-production, the show and beyond. They always make it work, and their crews take real pride in every project’s success.” — Al Gurdon 

• With over 51,000 sq ft of LED panels, this monumental feat united our teams across the globe to create an unforgettable visual experience for acts like Eminem and Linkin Park.
• The full package included INFILED TITAN X on the main wings and canopy along with INFILED ATLAS X panels for the upstage risers.
• PRG Germany's rigging team designed and built an entire system of diverter rigging to keep the hoists on the ground for a minimal rigging profile along the top of the screen.
• Dive into the story behind this engineering marvel, from hidden rigging systems to handling extreme desert temperatures and discover how PRG made the impossible possible.

• PRG supplied and deployed a Meyer Sound 7.1 system for TED2024.
• The system ensured clear and immersive audio for a variety of presentations, maintaining TED’s high audio standards.
• PRG’s expertise and innovative solutions contributed to the seamless execution and enhanced attendee experience at the event.
• Learn more about the audio solutions here.

• Based on Sara Green’s 2006 critically acclaimed bestselling novel, Water for Elephants premiered at Atlanta’s Alliance Theatre last year before landing on Broadway’s Imperial Theatre.
• From daring acrobatics to enchanting puppetry, this production mesmerizes audiences with its seamless integration of theatrical and cirque artistry.
• Read about our involvement in this breathtaking show in the news article.

• This illustrious awards show celebrates the pinnacle of Latin music and took place at Miami's Kaseya Center with performances by Maluma, Grupo Frontera, Camilo & Evaluna, Gente De Zona, Yuridia and Angela Aguilar, and more.
• PRG developed custom frames for the award show's video closedown screens.
• Set Design by Jorge Dominguez.

• PRG’s custom LED screens displayed crowd-sourced memories powered by AI.
• This interactive approach allowed attendees to contribute to the immersive narrative, creating a collective tapestry of memories displayed as art for all to see.

• This year, the Super Bowl attracted over 200 million viewers across all platforms, breaking a record for the most watched telecast of all time.
• PRG supported Usher's Halftime performance, where he was joined by Alicia Keys, H.E.R., Lil Jon, Ludacris, will.i.am, and Jermaine Dupri.
• Usher a memorable performance, featuring 12 hits from his three-decade-spanning career, captivating an audience of over 30 million households.
• PRG was honored to support brilliant Lighting Designer Al Gurdon with networking, power distribution and lighting expertise.

• #PRGProud proud to continue to support the show that has captivated audiences for two decades.
• excited to be bringing the fleet of new VL3600, ETC Halcyon Golds and ColorSource PAR fixtures to theaters across the UK and Ireland.

• We provided lighting and production services to IMG for the week-long fashion extravaganza.
• The lighting design encompassed over 150 automated fixtures, including Robe BMFL Blades for front lighting, and ARRI SkyPanels to illuminate the back wall
• Over the course of 5 days, PRG offered support for a total of 25 distinct runway shows across multiple floors of the venue.
• In addition to the runway shows, PRG assisted in supporting brand activations within the space, such as the launch of TRESemmé's immersive experience.
• Learn more about PRG’s support in the article.

• PRG provided lighting, audio and video services.
• Due to different venue sizes, the touring rig was set up with three different height configurations to always give the audience the best possible view.
• The creative team and lighting designer Mike Pascucci created an intimate bedroom stage setup complete with a ROE CB5 LED wall for scenery, a bed, and a desk area, all flanked by VL2600s, JDC-1s, Mac Auras and Bar 20s.
• Read more about our support in the article.

• PRG employed IP-rated lighting fixtures and Astera Titan Tubes, to create a feeling of movement and speed for the activation, which included an Aston Martin Formula 1 car display.
• Wireless technology, such as the Lumen Radio’s Stardust, provided flexibility in placement of the fixtures, facilitating a seamless integration of visuals and audio that brought the vision of agency Invisible North to life.
• Read more about the cutting-edge technology, wireless innovations, and emotional impact that made this experience shine in the article.

• From the meticulously curated setlist to the soul-stirring moments of reflection, this performance radiated love and respect for the LGBTQIA+ community.
• Together, we celebrated diversity, showcased creativity, and embraced inclusivity, making this an unforgettable show.
• Read more about our involvement in the article.

• PRG UK collaborates with the Crazy For You London team
• #TeamPRG prepared for two weeks at the UK HQ, ensuring a seamless transition of the toe-tapping musical to its West End Venue.

• The North American leg kicked off in Tampa and wrapped in Seattle.
• Renowned dance crew Jabbawockeez joined Puerto Rican singer at every stop.
• PRG provided lighting, LED, video, camera and rigging support for the tour.

• Ms. Jackson kicked off her tour earlier this year to celebrate 50 years of being in the spotlight.
• Of PRG’s support, Wade said “One thing I do really love—that is hard to get around with other companies—is the fact that anywhere I’m at I can usually get support. They are all over. They’re not having to ship things; and shipping the way it is these days is very unreliable. We just wait until we get to a city where they’ve got a shop, and we pick up what we need. They’ve been outstanding. It’s the very first time I’ve ever used their scenic department. The sniffer is theirs; all the automation is theirs, the risers. They did all this stuff, and really knocked it out of the park. It’s been great."

• "PRG isn’t only about the gear. They excel at understanding what's at stake. They want to make you, the designer, look good. And their response time is impressive. When I'm at the theatre, it's 5 pm, and I realize I need something; low and behold, it's there at 8 am the next morning," said Lighting Designer, Dave Grill, of PRG’s support for the revival of Bob Fosse’s “Dancin’ on Broadway.
• Learn more about how lighting can become part of a show’s choreography and what it takes to make it happen in the article.

• PRG handled the rigging for audio, camera, lighting, LED, and scenic.
• The lighting order included six GrandMA2 consoles, one GrandMA2 Light console, two MDG TheOne hazers, VL3600 fixtures, and VL3600 outfitted GroundControl® units, along with more than 1,400 lighting fixtures.
• This was the first widespread use of PRG's Hydra Node™.
• Crew and LED were provided by PRG.
• Reade the article to get a full breakdown of the crew and production services they provided.

• One of only five Fujinon Duvo 25-1000 PL box lenses was used to capture close-ups of Mulaney.
• Prep for the special took place at PRG Brooklyn.
• Read more about Barnett's approach to shooting "Baby J" in the article.

• This year, PRG brought technical labor, lighting, rigging, networking and LED to 2023’s pregame coverage and player introductions
• Provided lighting and networking for the Apple Music Halftime Show
• 2023 was the third most watched television program ever with more than 118 million viewers and 7 million streamers
• Rihanna took the stage during halftime for her first performance since 2018

• PRG provided a turnkey technical delivery for the three-day extravaganza, themed 'This Is It', featuring performances by global icons Beyonce and Swedish House Mafia redefining perceptions of luxury with an impressive guest list including celebrities and influencers.

• The lighting team lit models on the runway using eight PRG Bad Boy GroundControl® Followspots from the front and six PRG Best Boy GroundControl® Followspots from the back
• PRG supplied a complete camera package to BLIVE, including ARRI AMIRA and ARRI ALEXA Mini
• PRG’s 35LIVE!® was used to capture the show and produce a more cinematic look and feel

• Tech rehearsals were held at Starwood Rehearsals in Nashville
• Wynonna Judd was the first artist to sign PRG’s autograph wall at the rehearsal studio
• The tour featured 193 lighting fixtures for the A and B stages, 3 31K Panasonic HD Laser Projectors and 112 ROE CB5 LED tiles

• PRG Projects worked on the engineering and fabrication of four inflatable LED spheres that play a role in supporting their green goals
• PRG supplied camera, switching, video and LED
• They hit the road with 50% reduced direct emissions compared to their previous tour
• Read more in the article and watch the video.

• Ceremony celebrates Hispanic community leaders in the United States and their contributions to the community
• Read the article for insight from Production Designer Jorge Dominguez and Lighting Designer Rene Garcia

• PRG supplied more than 200 fixtures for the special
• Lighting design by Tom Kenny
• Read the article to see the full lighting gear list

• The lighting ordered contained over 450 fixtures: 4 PRG GroundControl® Longthrow followspots, 10 Best Boy GroundControl fixtures, and Ayrton Hurricans.
• PRG provided the entirety of the LED screen package and I-Mag camera package

• PRG provided L’Acoustics K2/KS28 loudspeaker package for the tour
• The system was designed to cover the larger venues with a big, full-range sound
• Learn more about the tour’s audio solutions in the article.

• The festival’s live event was filmed in June at Nashville’s Nissan Stadium
• Some of the genre’s biggest artists including Carrie Underwood, Thomas Atkins, Billy Ray Cyrus, Deana Carter, Jason Aldean and Luke Bryan performed
• PRG provided the lighting rig for designer Mike Swinford
• Lighting order included 150 PRG 5L fixtures and 10 proprietary GroundControl® Followspot controllers with LongThrow Followspots

• PRG provided multi-discipline services with an emphasis on understanding the lighting challenges of doing outdoor shows.
• “IP-rated fixtures have only become widely available in the last couple of years, but demand for them has been increasing and we were eager to make the investment to support Summer for the City and other outdoor events in the New York area,” said Susanna Harris Rea, PRG Account Executive and Northeast Sales Lead.
• Learn more about PRG’s support for ‘Summer for the City’ in the article.

• Record-breaking installation included 1,500 lighting fixtures and an over 26,000 sq. ft LED screen
• The semi-transparent 360° screen is the largest circular screen ever installed for a live concert
• The screen was specially designed by PRG Projects to meet the demanding requirements of the Central Tour

• The entire film was shot with ARRI cameras and Cooke Optics anamorphic lenses from PRG Brooklyn.
• The camera order allowed wide shots for plenty of real state for the actors to play with.
• “Vivian Umpierrez and the rest of the PRG team made the process of renting so easy, it became a dream come true for an indie production like ours.” - Matt Braunsdorf, DP
• Read the article to learn more about the ensemble film, and the camera order.

• The production featured a massive wave of LEDs.
• The set, which can morph into a variety of configurations, features a floor, upstage wall, and ceiling covered with LED panels supplied by PRG.
• Learn more about the Justice Tour in the article.

• PRG provided 1,180 active tiles of Roe Carbon CB8, encased in SpaceFrame® controlled from our virtual production mobile unit
• PRG’s production mobile unit was equipped with Disguise vx2, gx2c and vx4 media servers, 2x MA2 Lite consoles for server control and programming, and three Christie x80 Spyders for primary and backup show control and truck video wall control.
• For signal routing, Extron XTP II multi format routers and Reidel MediorNets were employed.
• The Main Stage lighting order included more than 250 lighting fixtures such as PRG's Best Boy Spot HPs and GroundControl® Followspots.
• Supplied gear for artists including Harry Styles, Flume, Doja Cat, Swedish House Mafia, Lil Baby, Billie Eilish, IDLES, Stromae, Fred Again and Daniel Caesar

• PRG provided lighting, audio, scenic and automation.
• To facilitate positioning on the balcony rail, PRG customized GroundControl® Followspot System to accept Robe Robin T1 fixtures.
• Audio system included innovative d&b Soundscape with spatial audio and object-based mixing.
• Automation control, including movement up/downstage plus 90° rotation of 10’ high x 30’ wide wall, via PRG Stage Command® System.
• Scenic design by Arnulfo Maldonado , lighting design by Jen Schriever, sound design by Drew Levy.

• Mbox has the ability to transition between different content on the same layer, making Mbox Studio’s 12 layers the equivalent of 24 layers on other servers.
• Read our interview article with gaffer Matthew Ardine to learn more about his process on the film.

• Lighting design by John Daniels
• More than 650 fixtures including Icon® Edges, VL2600s, and PRG’s GroundControl® Followspot System used for the main event.
• Provided lighting, gear, and labor for the main stage in addition to red-carpet lighting for the arrivals.
• Read the article to see the full gear list and crew.

• PRG provided lighting, scenic and automation.
• Set included pivoting side stage window walls made of glass, 30’ high x 4’ wide.
• Lighting embedded in scenic pieces.
• Lighting effects transport the audience from the present to the past.
• Scenic design by Derek McLane, Lighting design by Natasha Katz.

• PRG provided 45 LED displays hanging above the stage
• LED panels consisted of ROE CB5 and CB8
• Video Director Gene McAuliffe chose Sony HDC 4300 and HDC-P50 cameras for their multi-format options
• Production design by Dan Braun has worked with band for 25+ years

• For the 2022 event, PRG provided cameras, engineering, broadcast equipment, rigging and lighting.
• One of the most viewed televised music events of the year requires a famously set up in a 6-minute time frame.
• For the Pre-Show, PRG furnished 6 GrandMA2 consoles and more than 300 fixtures, with the entire system integrated with SoFi’s internal single mode fiber network.
• Built a control room inside the NFL Media Center, purpose built for the Halftime Show feed.
• Used 13 Sony Venice cameras, an assortment of Fujinon and Canon lenses, and the 35LIVE!® lens control and ancillary accessories.

• PRG furnished an immersive LED gallery that can be seen in the show’s trailer.
• Check out the video here. 

• Collaborated with lighting designer, Tim Deiling to realize a creative vision influenced by pop divas such as Beyonce, Rihanna, Katy Perry, Ariana Grande, Alicia Keys, and Adele.
• PRG’s Longthrow™ Luminaire, Best Boy® HP and Mbox® media server were used in innovative ways to provide a concert feel, flexibility and control.
• First Broadway show to ever use Longthrow Luminaires and employ Followspot Controller Handles.

• PRG provided cinematic single-cam as well as multicam sitcom gear orders for the show.
• PRG's Enhanced Environment car process was used for driving scenes.
• Read the interview article with DP Adrian Peng Correia.

• The camera order from PRG included Sony F55 Digital Cinema cameras and PRG’s proprietary 35LIVE!® 35mm multi-camera workflow.
• Full truck capabilities for broadcast camera package.
• Special was critically celebrated for its message, star-power and production quality.

• Broadcast Master Control Room fed all screens for the NFL Network, ABC and ESPN.
• 20 LED displays and an array of live feeds for individuals who participated remotely.
• More than 1,500 lighting fixtures for the design by Jon Kusner.
• Over 400 of the Classic Series 300 VL5 fixtures and 20 total PRG GroundControl units.
• Rigging: 262 motors, and over 125 tons of gear in the air.

• Combined epic design and performance elements.
• PRG supplied lighting, LED, media servers, audio and crew services.
• Flown lighting rig above the ring and a performance stage for the musical acts.

• The Weeknd's halftime performance achieved a cinematic look with PRG's 35LIVE!® multicamera system.
  The 35LIVE!® workflow replaces traditional multi-camera approaches with digital 35mm cinema cameras and lenses that can be broadcast live or pre-recorded.
  The camera order included 3 engineers, 8 ARRI ALEXA Minis, 2 ARRI AMIRAs with lenses, along with the 35LIVE!® lens control, Super 35 sensor, and ancillary accessories.
  For the 2021 event, PRG continued its 20-year tenure providing equipment and solutions for the Pepsi Halftime Show—adding camera and broadcast technology for the first time.
• PRG supplied over 700 fixtures, including their GroundControl® Followspot System, Icon® Edges, and Best Boy® Spots, along with additional services like lighting, rigging, LED, video, networking, projection, and broadcast equipment for the show.
• Other Super Bowl activities included pre-show lighting, video, and rigging for players' introductions, a hologram projection of Vince Lombardi, and LED for Showtime Cam endzone celebrations.

• PRG fabricated 400 monoliths for the PIC hosted memorial honoring the Americans who lost their lives to COVID-19.
• Provided lighting for Demi Lovato’s inaugural performance pre-record.
• Placed 30+ of our proprietary SmartXcan thermal scanners in key locations around DC.
• Provided flypacks for CBS News and lenses to ABC News.

• 1,200 fixtures, including the GroundControl® Followspot System.
• ROE CB5 screens and the BM4 Floor.
• Read the full article on PLSN Magazine.

• Fans from around the world watched Metallica perform a concert streamed live in support of its charity, All Within My Hands.
• Virtual Crowd allows performers and speakers interact with their audience in real time through large video screens, achieving no latency was the biggest technical challenge.
• “The most technically impressive livestream I’ve ever seen.” Zack Ruskin, review of concert in the SF Chronicle.

• With a floor space of around 860 sq. ft, it was the largest mixed reality stage for the festival and concert industry.
• The stage floor is comprised of PRG’s Domino—a modular LED floor that can be joined together seamlessly, frosted to optimize them for the cameras.
• PRG provided: lighting, audio, rigging, video, cameras, broadcast system and media servers.

• PRG provided crew and LED for the glamorous set design from Jorge Dominguez and Univision.
• Crew quarantined together and was tested multiple times.
• Onstage performances from star-studded lineup including J Balvin, Pitbull, and Ricky Martin.

• Graphics completely run in real time.
• Scenery instantly reacted to the movements of tracked cameras, the singer and real props including a chair.
• The xR Stage provided a safe production environment within COVID-19 guidelines.

“Start on the American Idol stage, end up in a whole new world, thanks to brand new technology that's never been seen before on TV.” – Katy Perry

• Automated three-sided, 50-foot LED bar with hidden lighting and special effects encompasses five disciplines into one design.
• Designed for quick deployment and minimal load-in/load-out preparation.
• Custom carts allow the entire rig to fit into 28 feet of truck space.
• All design and manufacturing done in-house and delivered to show site within 2.5 weeks.

• PRG engaged technical support for 3,000+ attendees.
• Audio, video, lighting, scenic, project management and crew services.
• Custom fabrication of 198-foot wide projection screen.

• Crew of 180 people provided rigging, lighting, video, audio, broadcast and communication technology.
• Projection sphere allowed spatial perception of performances for both the crowd and broadcast audiences.

• Provided LED, rigging, motors, audio and the camera system for the historical event.
• Dan Braun's design included four flown LED rings hovering above the round stage setup.
• The floating video rings were of varying large-scale dimensions: 60', 45', 30' and 16.'
• Custom hardware designed for a fast load-in.
• PRG solutions included smart gear packs and keeping crew consistent throughout rehearsals and show.

• Engineered rigging solutions to accommodate large amount of gear integrated into the ceiling.
• Utilized PRG's Domino LED floor system to facilitate fast assembly.
• Customized triangle structures developed by our scenic specialists.

U2 Experience & Innocence
Product innovation in direct response to client needs.

• Lightweight, transparent video panels developed specifically for this tour by PRG Innovation.
• Pure10 solution made catwalk design possible in a collaboration with the artist’s creative team.
• PRG facilities used for pre-viz.